Peter W. Schulze – författare

In today’s world, interstate wars are fairly rare—but when they happen, they tend to be more complicated than in the past, combining regional causes with the involvement of external actors as well. This book looks at that problem in the wake of the post-Soviet withdrawal of Russia from involvement in Eastern Europe and the destabilization of regimes in Africa, the Middle East, and the Near East. What do these changes mean for the possibility of establishing peace and security in Europe’s future? What role will the growth of nationalism and populism play in those efforts? And what forms should the relationship between Europe and Russia take? Core Europe and Greater Eurasia addresses these questions and many more, assessing our current moment and looking ahead.

An overview of both European and Russian objectives in Ukraine.Peace in Ukraine seemed possible following Volodymyr Zelensky’s 2019 election. The new president reopened conversations with both the European Union and separatist authorities, bringing an end to the Donbass conflict in sight. Such an achievement promised revitalized talks between Europe and Russia, and so the nearly forgotten conflict returned to global prominence. Ukraine in the Crosshairs of Geopolitical Power Play analyzes why European and Russian objectives in Ukraine place daunting limits of any potential compromise.

This book retrieves the narrative and social context of Brazilian historical performances and artistic movements to restore, with the support of a vast literature review, aesthetic analysis and the debate around engagement, the due complexity to the multifaceted concept of political theatre. Broadening the perspective, it addresses one of the most significant contemporary resonances of such an itinerary: Augusto Boal’s Theatre of the Oppressed, challenging canons of the role of performers and spectators. The research also seeks, by refusing pamphleteering or professorial responses, to shed light on the contested actuality of theatre’s social function, especially after the extreme right wave that has been testing the usefulness of traditional institutions.

​Genres unterliegen stets Transformationsprozessen und stehen in Wechselbeziehungen zu anderen Genres - nicht nur intramedial, sondern in einer medienpluralisierten globalen Gesellschaft immer stärker auch medienübergreifend. Daher lassen sich anhand generischer Strukturen auch komplexe mediale und kulturelle Austauschprozesse beobachten und analysieren.Dieser Band fokussiert transmediale Erscheinungen und bietet eine interdisziplinäre Plattform, um verschiedene Forschungsperspektiven miteinander zu verbinden, die sich in Bezug auf Genre-Muster in differenten Medien traditionell eher isoliert entwickelt und auch unterschiedlich konzipierte Terminologien hervorgebracht haben.

Der Band nimmt zum einen in einer Doppelperspektive die distinkten Genre-Rekurse der jeweiligen Einzelmedien in den Blick wie zum anderen auch die transmediale Zirkulation von Genre-Parametern. Dementsprechend beschäftigen sich die Beiträge sowohl mit den für spezifische Medien charakteristischen Genre-Diskursen als insbesondere auch mit den medienübergreifenden Adaptionsprozessen von Genres in unterschiedlichen medialen Kontexten.