Peter Wortsman – författare

'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition.Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history.Translated, selected and edited with an introduction by Peter Wortsman

The alumni of Columbia University Vagelos College of Physicians and Surgeons (VP&S) have made remarkable strides in medicine, academia, public health, and industry. In this they follow in the footsteps of Samuel Bard (1742–1821), a prominent early American physician and a founder of what would become VP&S. In The Caring Heirs of Doctor Samuel Bard, Peter Wortsman offers a selection of profiles of Columbia-educated doctors who have made a fundamental difference in the lives of others.The physicians profiled in this book represent the complete spectrum of MDs. They have charted new fields of medicine, resolved long-standing biochemical mysteries, discovered the causes and cures of diseases, developed vaccines, pioneered surgical procedures, helped halt epidemics, and cared for imperiled populations. Some have run hospitals, medical schools, universities, the National Institutes of Health, the National Library of Medicine, the Centers for Disease Control and Prevention, city health departments, and major pharmaceutical concerns. Others practiced at the White House, climbed mountains, or flew to outer space. Still others wrote pioneering papers, edited prestigious medical journals, and authored prize-winning books and best-selling novels. In each case, the clinical training, scientific thoroughness, and humanistic values inculcated at Columbia had a formative influence on their thinking and practice. In telling their stories, The Caring Heirs of Doctor Samuel Bard illustrates the importance of clinical rigor and humanistic caring in the practice of medicine and offers readers a rare insight into the heart and soul of American medicine at its best.

Every great city is a restless work in progress, but nowhere is the urban impulse more in flux than in Berlin, that sprawling metropolis located on the fault line of history. A short-lived fever-dream of modernity in the Roaring Twenties, redubbed Germania and primped up into the megalomaniac fantasy of a Thousand-Year Reichstadt in the Thirties, reduced in 1945 to a divided rubble heap, subsequently revived in a schizoid state of post-World War II duality, and reunited in 1989 when the wall came tumbling down -- Berlin has since been reborn yet again as the hipster hub of the 21st century. This book is a hopscotch tour in time and space. Part memoir, part travelogue, Ghost Dance in Berlin is an unlikely declaration of love, as much to a place as to a state of mind, by the American-born son of German-speaking Jewish refugees. Peter Wortsman imagines the parallel celebratory haunting of two sets of ghosts, those of the exiled erstwhile owners, a Jewish banker and his family, and those of the Fuhrer's Minister of Finance and his entourage, who took over title, while in another villa across the lake another gaggle of ghosts is busy planning the Final Solution.

A personal look into the mind of one of Europe’s first and foremost women of letters.  At times poetic but not a poem, prosaic but not an essay, a letter is often pure writing for writing’s sake. Such is the case for Rahel Varnhagen von Ense, née Levin, the illustrious German-Jewish Berlin literary salon hostess from the early nineteenth century. She penned over ten thousand letters to more than three hundred recipients, including princes, philosophers, poets, family members, and the family cook. Written with a wink at posterity, collected and first published after her passing by her husband, Karl August Varnhagen von Ense, these letters constitute a singular contribution to German literature.  Varied in subject—from family affairs to linguistic, literary, and pressing social concerns—the poignant lyricism of her letters is all the more remarkable when we take into account that High German was not her first language; she grew up speaking, reading, and writing primarily Yiddish. Her shaky social status as a woman and a member of a precarious minority, combined with an astounding lucidity and a rare capacity to put her thoughts into words, made her a force to be reckoned with in her lifetime and thereafter as one of Germany’s preeminent women of letters. As we see in I Just Let Life Rain Down on Me, her voice is as fresh and original as that of any of the recognized poets and thinkers of her day. As Rahel herself put it: “[O]ur language is our lived life; I invented mine for my own purposes, I was less able than many others to make use of preconceived turns of phrase, which is why mine are often clumsy, and in all respects faulty, but always true.”  Compiled and translated by Peter Wortsman, this rewarding volume affords English-speaking readers the first privileged peek at the mindset of one of Europe’s first and foremost women of letters.

ERIC HOFFER BOOK AWARD CATEGORY FINALISTRavens in Berlin . . . Parakeets in Brooklyn . . . Chickensin Tel Aviv . . . Spiders in Cognac. City creatures spark the imagination andintellect in words and art by this father-daughter team. Odd Birds & Fat Cats (An Urban Bestiary) is anillustrated collection of brief observations on city creatures. Inspiredby the tradition of the medieval bestiary, bestiarum vocabulum, a12th-century bestselling genre that chronicled animals and beings bothreal and fantastical, the book features pithy impressions of birds and animalsthat delight, confound, and edify, written by Peter Wortsman, coupledwith detailed naturalist artwork by his daughter, AurélieBernard Wortsman.Featured creatures include:Pigeons: “When, finally, it takes flight . . . thisasphalt-colored bird is like a piece of the pavement which by some fluke ofgravity broke loose and is foolishly falling upward by mistake." Seagulls: “Fallen splinters of eternity, they hangoverhead with the equanimity and mild disdain of angels in a medievalaltarpiece, and unlike pigeons, refuse any direct contact with man."Ants: “Micro-managers in three-piece bodies,ants parody human antics to a tee. Or is it the other way around?"Dust mites: “Every time you scratch yourself or combyour hair, you are feeding the tiny intruders with the detritus of self."With four-color images throughout, printed in a beautiful hardboundedition, this one-of-a-kind volume will please the discerning animal lover,traveler, art lover, iconoclast, and literati on your gift list—and, of course,also you!