Philip Ball – författare

'An essential primer on humanity’s ongoing quest to understand the secrets of life . . . Excellent . . . Ball is a terrific writer.' – Adam Rutherford, The Guardian'Ball is a ferociously gifted science writer . . . There is so much [here] that is amazing . . . urgent . . . astonishing.' – The Sunday TimesA cutting-edge new vision of biology that proposes to revise our concept of what life is – from Science Book Prize winner Philip Ball.Biology is undergoing a quiet but profound transformation. Several aspects of the standard picture of how life works have been exposed as incomplete, misleading, or wrong.In How Life Works, Philip Ball explores the new biology, revealing life to be a far richer, more ingenious affair than we had guessed. With this knowledge come new possibilities. Today we can redesign and reconfigure living systems, tissues, and organisms. We can reprogram cells, for instance, to carry out new tasks and grow into structures not seen in the natural world. Some researchers believe that ultimately we will be able to regenerate limbs and organs, and perhaps even create new life forms that evolution has never imagined.Incorporating the latest research and insights, How Life Works is a sweeping journey into this new frontier of the nature of life, a realm that will reshape our understanding of life as we know it.

Is there a 'physics of society'? Philip Ball's investigation into human nature ranges from Hobbes and Adam Smith to modern work on traffic flow and market trading, across economics, sociology and psychology. Ball shows how much of human behaviour we can understand when we cease trying to predict and analyse the behaviour of individuals and look to the impact of hundreds, thousands or millions of individual human decisions, in circumstances in which human beings both co-operate and conflict, when their aggregate behaviour is constructive and when it is destructive. By perhaps Britain's leading young science writer, this is a deeply thought-provoking book, causing us to examine our own behaviour, whether in buying the new Harry Potter book, voting for a particular party or responding to the lures of advertisers.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales.Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth?In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

The brilliantly told and gripping story of the most familiar - yet, amazingly, still poorly understood - substance in the universe: Water.The extent to which water remains a scientific mystery is extraordinary, despite its prevalence and central importance on Earth. Whether one considers its role in biology, its place in the physical world (where it refuses to obey the usual rules of liquids) or its deceptively simple structure, there is still no complete answer to the question: what is water? Philip Ball's book explains what, exactly, we do and do not know about the strange character of this most essential and ubiquitous of substances.H20 begins by transporting its readers back to the Big Bang and the formation of galaxies to witness the birth of water's constituent elements: hydrogen and oxygen. It then explains how the primeval oceans were formed four billion years ago; where water is to be found on other planets; why ice floats when most solids sink; why, despite being highly corrosive, water is good for us; why there are at least fifteen kinds of ice and perhaps two kinds of liquid water; how scientists have consistently misunderstood water for centuries; and why wars have been waged over it.Philip Ball's gloriously offbeat and intelligent book conducts us on a journey through the history of science, folklore, the wilder scientific fringes, cutting-edge physics, biology and ecology, to give a fascinating new perspective on life and the substance that sustains it. After reading this book, drinking a glass of water will never be the same again.

Flush with hundreds of illustrations, this book revisits the histories of chemistry, medicine, ideas, and culture through the lens of alchemy  “Philip Ball’s book is a treasure: beautifully illustrated and, as usual, the author caries his learning lightly.”—David Wootton, Spectator  The craft of alchemy has intrigued and mystified people since antiquity. Many early cultures are known to have experimented with chemical transformations: from dyes, glazes, and cosmetics in Bronze Age Egypt to life-extending elixirs pursued by scholars in ancient China and India. Many have also attempted to transform lead, mercury, and other metals into gold—and some claim to have succeeded. In this visually stunning volume, Philip Ball sets alchemy within the context of the history of science and culture, showing that it was not simply an esoteric fantasy but an important phase in the development of experimental science and natural philosophy.  Rich illustrations complement a narrative history of the methods and techniques developed in alchemical workshops, the search for the philosopher’s stone and “elixirs of life” that extended across diverse cultures, and the controversies surrounding the practices of making alchemical gold and alchemical medicine. Ball explores the rise of alchemy from its inception in Hellenistic culture, through the golden age of Islamic natural philosophy in the eighth to the eleventh centuries, to the emergence of the tradition of natural magic in the Renaissance, and to the roles of alchemical thought and practice in the beginnings of early modern science in the seventeenth century. He traces the persistence of alchemical ideas through the occult revival of the late nineteenth century and the fascination of the topic for modern artists and writers. This engaging and accessible book will provide readers of all backgrounds with a nuanced understanding of alchemy and its history.

Colour in art - as in life - is both inspiring and uplifting, but where does it come from? How have artists found new hues, and how have these influenced their work? Beginning with the ancients - when just a handful of pigments made up the artist's palette - and charting the discoveries and developments that have led to the many splendoured rainbow of modern paints, Bright Earth brings the story of colour spectacularly alive. Packed with anecdotes about lucky accidents and hapless misfortunes in the quests for new colours, it provides an entertaining and fascinating new perspective on the science of art.

The processes in a single living cell are akin to that of a city teeming with molecular inhabitants that move, communicate, cooperate, and compete. In this Very Short Introduction, Philip Ball explores the role of the molecule in and around us - how, for example, a single fertilized egg can grow into a multi-celled Mozart, what makes spider's silk insoluble in the morning dew, and how this molecular dynamism is being captured in the laboratory, promising to reinvent chemistry as the central creative science of the century.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

PHYSICS WORLD 2018 BOOK OF THE YEAR‘A clear and deeply researched account of what’s known about the quantum laws of nature, and how to think about what they might really mean’ Nature‘I think I can safely say that nobody understands quantum mechanics.’ Richard Feynman wrote this in 1965 – the year he was awarded the Nobel prize in physics for his work on quantum mechanics. Over the past decade, the enigma of quantum mechanics has come into sharper focus. We now realise that quantum mechanics is less about particles and waves, uncertainty and fuzziness, than a theory about information: about what can be known and how. The quantum world isn’t a different world: it is our world, and if anything deserves to be called ‘weird’, it’s us. This exhilarating book is about what quantum maths really means – and what it doesn’t mean.‘Gorgeously lucid…takes us to the edge of contemporary theorizing about the foundations of quantum mechanics… Easily the best book I’ve read on the subject’ Washington Post

A cutting-edge examination of what it means to be human and to have a 'self' in the face of new scientific developments in genetic editing, cloning and neural downloading.After seeing his own cells used to grow clumps of new neurons – essentially mini-brains – Philip Ball begins to examine the concepts of identity and consciousness. Delving into humanity's deep evolutionary past to look at how complex creatures like us emerged from single-celled life, he offers a new perspective on how humans think about ourselves.In an age when we are increasingly encouraged to regard the 'self' as an abstract sequence of genetic information, or as a pattern of neural activity that might be 'downloaded' to a computer, he return us to the body – to flesh and blood – and anchors a conception of personhood in this unique and ephemeral mortal coil. How to Build a Human brings us back to ourselves – but in doing so, it challenges old preconceptions and values. It asks us to rethink how we exist in the world.

A cutting-edge examination of what it means to be human and to have a ''self'' in the face of new scientific developments in genetic editing, cloning and neural downloading.After seeing his own cells used to grow clumps of new neurons – essentially mini-brains – Philip Ball begins to examine the concepts of identity and consciousness. Delving into humanity''s deep evolutionary past to look at how complex creatures like us emerged from single-celled life, he offers a new perspective on how humans think about ourselves.In an age when we are increasingly encouraged to regard the ''self'' as an abstract sequence of genetic information, or as a pattern of neural activity that might be ''downloaded'' to a computer, he return us to the body – to flesh and blood – and anchors a conception of personhood in this unique and ephemeral mortal coil. How to Build a Human brings us back to ourselves – but in doing so, it challenges old preconceptions and values. It asks us to rethink how we exist in the world.

A cutting-edge examination of what it means to be human and to have a 'self' in the face of new scientific developments in genetic editing, cloning and neural downloading.After seeing his own cells used to grow clumps of new neurons – essentially mini-brains – Philip Ball begins to examine the concepts of identity and consciousness. Delving into humanity's deep evolutionary past to look at how complex creatures like us emerged from single-celled life, he offers a new perspective on how humans think about ourselves.In an age when we are increasingly encouraged to regard the 'self' as an abstract sequence of genetic information, or as a pattern of neural activity that might be 'downloaded' to a computer, he return us to the body – to flesh and blood – and anchors a conception of personhood in this unique and ephemeral mortal coil. How to Build a Human brings us back to ourselves – but in doing so, it challenges old preconceptions and values. It asks us to rethink how we exist in the world.

"[A] lively biography of Chartres Cathedral . . . Ball''s account of its construction reveals fascinating details." —The New YorkerChartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?In this work, Aventis Prize winner and National Book Critics Circle Award finalist Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world.Beautifully illustrated, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes."A terrific book . . . a lucid, thoughtful tour de force." —The Christian Science Monitor"Engrossing . . . a resplendent account of the mysteries of Chartres Cathedral." —Sunday Times"There is no better introduction to the subject." —The Wall Street Journal

Philip Theophrastus Aureolus Bombastus von Hohenheim - known to later ages as Paracelsus - stands on the borderline between medieval and modern; a name that is familiar but a man who has been hard to perceive or understand. Contemporary of Luther, enemy of established medicine, scourge of the universities ('at all the German schools you cannot learn as much as at the Frankfurt Fair'), army surgeon and alchemist, myths about him - from his treating diseases from beyond the grave in mid-nineteenth century Salzburg to his Faustian bargain with the devil to regain his youth - have been far more lasting than his actual story. Even during his lifetime, he was rumoured to travel with a magical white horse and to store the elixir of life in the pommel of his sword.But who was Paracelsus and what did he really believe and practice? Although Paracelsus has been seen as both a charlatan and as a founder of modern science, Philip Ball's book reveals a more richly complex man - who used his eyes and ears to learn from nature how to heal, and who wrote influential books on medicine, surgery, alchemy and theology while living a drunken, combative, vagabond life. Above all, Ball reveals a man who was a product of his time - an age of great change in which the church was divided and the classics were rediscovered - and whose bringing together of the seemingly diverse disciplines of alchemy and biology signalled the beginning of the age of rationalism.

Colour in art - as in life - is both inspiring and uplifting, but where does it come from? How have artists found new hues, and how have these influenced their work? Beginning with the ancients - when just a handful of pigments made up the artist's palette - and charting the discoveries and developments that have led to the many splendoured rainbow of modern paints, Bright Earth brings the story of colour spectacularly alive. Packed with anecdotes about lucky accidents and hapless misfortunes in the quests for new colours, it provides an entertaining and fascinating new perspective on the science of art.

Why have all human cultures - today and throughout history - made music? Why does music excite such rich emotion? How do we make sense of musical sound? These are questions that have, until recently, remained mysterious. Now The Music Instinct explores how the latest research in music psychology and brain science is piecing together the puzzle of how our minds understand and respond to music. Ranging from Bach fugues to nursery rhymes to heavy rock, Philip Ball interweaves philosophy, mathematics, history and neurology to reveal why music moves us in so many ways. Without requiring any specialist knowledge, The Music Instinct will both deepen your appreciation of the music you love, and open doors to music that once seemed alien, dull or daunting, offering a passionate plea for the importance of music in education and in everyday life.'You'll never listen to music the same way again' - Independent

Serving the Reich tells the story of physics under Hitler. While some scientists tried to create an Aryan physics that excluded any ‘Jewish ideas’, many others made compromises and concessions as they continued to work under the Nazi regime. Among them were world-renowned physicists Max Planck, Peter Debye and Werner Heisenberg.After the war most scientists in Germany maintained they had been apolitical or even resisted the regime: Debye claimed that he had gone to America in 1940 to escape Nazi interference in his research; Heisenberg and others argued that they had deliberately delayed production of the atomic bomb.In a gripping exploration of moral choices under a totalitarian regime, here are human dilemmas, failures to take responsibility and three lives caught between the idealistic goals of science and a tyrannical ideology.

If you could be invisible, what would you do? The chances are that it would have something to do with power, wealth or sex. Perhaps all three. But there's no need to feel guilty. Impulses like these have always been at the heart of our fascination with invisibility: it points to realms beyond our senses, serves as a receptacle for fears and dreams, and hints at worlds where other rules apply. Invisibility is a mighty power and a terrible curse, a sexual promise, a spiritual condition.This is a history of humanity's turbulent relationship with the invisible. It takes on the myths and morals of Plato, the occult obsessions of the Middle Ages, the trickeries and illusions of stage magic, the auras and ethers of Victorian physics, military strategies to camouflage armies and ships and the discovery of invisibly small worlds.From the medieval to the cutting-edge, fairy tales to telecommunications, from beliefs about the supernatural to the discovery of dark energy, Philip Ball reveals the universe of the invisible.

This Very Short Introduction traces the history and cultural impact of the elements on humankind, and examines why people have long sought to identify the substances around them. Looking beyond the Periodic Table, the author examines our relationship with matter, from the uncomplicated vision of the Greek philosophers, who believed there were four elements - earth, air, fire, and water - to the work of modern-day scientists in creating elements such as hassium and meitnerium. Packed with anecdotes, The Elements is a highly engaging and entertaining exploration of the fundamental question: what is the world made from? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise. Part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, he uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form even in the places you''d least expect.

From the swirl of a wisp of smoke to eddies in rivers, and the huge persistent storm system that is the Great Spot on Jupiter, we see similar forms and patterns wherever there is flow - whether the movement of wind, water, sand, or flocks of birds. It is the complex dynamics of flow that structures our atmosphere, land, and oceans.Part of a trilogy of books exploring the science of patterns in nature by acclaimed science writer Philip Ball, this volume explores the elusive rules that govern flow - the science of chaotic behaviour.

As part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at the form and growth of branching networks in the natural world, and what we can learn from them.Many patterns in nature show a branching form - trees, river deltas, blood vessels, lightning, the cracks that form in the glazing of pots. These networks share a peculiar geometry, finding a compromise between disorder and determinism, though some, like the hexagonal snowflake or the stones of the Devil''s Causeway fall into a rigidly ordered structure. Branching networks are found at every level in biology - from the single cell to the ecosystem. Human-made networks too can come to share the same features, and if they don''t, then it might be profitable to make them do so: nature''s patterns tend to arise from economical solutions.

This Very Short Introduction traces the history and cultural impact of the elements on humankind, and examines why people have long sought to identify the substances around them. Looking beyond the Periodic Table, the author examines our relationship with matter, from the uncomplicated vision of the Greek philosophers, who believed there were four elements - earth, air, fire, and water - to the work of modern-day scientists in creating elements such as hassium and meitnerium. Packed with anecdotes, The Elements is a highly engaging and entertaining exploration of the fundamental question: what is the world made from? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The processes in a single living cell are akin to that of a city teeming with molecular inhabitants that move, communicate, cooperate, and compete. In this Very Short Introduction, Philip Ball explores the role of the molecule in and around us - how, for example, a single fertilized egg can grow into a multi-celled Mozart, what makes spider''s silk insoluble in the morning dew, and how this molecular dynamism is being captured in the laboratory, promising to reinvent chemistry as the central creative science of the century. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

From the swirl of a wisp of smoke to eddies in rivers, and the huge persistent storm system that is the Great Spot on Jupiter, we see similar forms and patterns wherever there is flow - whether the movement of wind, water, sand, or flocks of birds. It is the complex dynamics of flow that structures our atmosphere, land, and oceans.Part of a trilogy of books exploring the science of patterns in nature by acclaimed science writer Philip Ball, this volume explores the elusive rules that govern flow - the science of chaotic behaviour.

As part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at the form and growth of branching networks in the natural world, and what we can learn from them.Many patterns in nature show a branching form - trees, river deltas, blood vessels, lightning, the cracks that form in the glazing of pots. These networks share a peculiar geometry, finding a compromise between disorder and determinism, though some, like the hexagonal snowflake or the stones of the Devil''s Causeway fall into a rigidly ordered structure. Branching networks are found at every level in biology - from the single cell to the ecosystem. Human-made networks too can come to share the same features, and if they don''t, then it might be profitable to make them do so: nature''s patterns tend to arise from economical solutions.

Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise. Part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, he uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form even in the places you''d least expect.

This Very Short Introduction traces the history and cultural impact of the elements on humankind, and examines why people have long sought to identify the substances around them. Looking beyond the Periodic Table, the author examines our relationship with matter, from the uncomplicated vision of the Greek philosophers, who believed there were four elements - earth, air, fire, and water - to the work of modern-day scientists in creating elements such as hassium and meitnerium. Packed with anecdotes, The Elements is a highly engaging and entertaining exploration of the fundamental question: what is the world made from? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

As part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at the form and growth of branching networks in the natural world, and what we can learn from them.Many patterns in nature show a branching form - trees, river deltas, blood vessels, lightning, the cracks that form in the glazing of pots. These networks share a peculiar geometry, finding a compromise between disorder and determinism, though some, like the hexagonal snowflake or the stones of the Devil's Causeway fall into a rigidly ordered structure. Branching networks are found at every level in biology - from the single cell to the ecosystem. Human-made networks too can come to share the same features, and if they don't, then it might be profitable to make them do so: nature's patterns tend to arise from economical solutions.