Philip Freeman – författare

Alexander the Great (Alexander III of Macedon) was one of history's great generals, a man studied by Caesar and Napoleon, among hundreds of others. He was born to the king of Macedon and educated by Aristotle, whose inquiring mind Alexander appreciated. After his father, Philip II, was assassinated, the 19-year-old Alexander succeeded to the throne and swiftly consolidated power. Over the next 13 years until his death at age 32, Alexander created one of the great empires of history, covering an area as far south as Egypt and as far east as Afghanistan and India. Most of the world that he conquered had been the province of the Persian Empire. Upon his death his empire was broken up and ruled by his generals, the best known were the Ptolemies, who ruled Egypt until Cleopatra was defeated by Caesar. Alexandria, Egypt and many other Alexandrias throughout that part of the world were named in his honour. Alexander's greatest influence was not his leadership (his empire was eventually conquered by Rome), but spreading Greek culture throughout the lands east of the Mediterranean. He is the reason that gold coins from Afghanistan depicted Greek gods and heroes until as recently as several centuries ago. It is because of Alexander that St. Paul, a Jew who lived in modern-day Syria before travelling to modern-day Israel, spoke Greek, and it is because of Alexander that the earliest Christian documents, including the scriptures, were written in Greek.

The tragic life of Julian, the last non-Christian emperor of Rome, by award-winning author Philip Freeman  “When we think of ancient Rome, it’s impossible not to think of Christianity, one of its most notable exports—but what if it hadn’t been? This is the question provoked by classicist Philip Freeman in Julian, an appealing new entry in Yale’s Ancient Lives series, which tells the story of the old faith’s last imperial torchbearer.”—Anna Heyward, New York Times Book Review  Flavius Claudius Julianus, or Julian the Apostate, ruled Rome as sole emperor for just a year and a half, from 361 to 363, but during that time he turned the world upside down. Although a nephew of Constantine the Great, the first Christian emperor of Rome, Julian fought to return Rome to the old gods who had led his ancestors to build their vast empire.  As emperor, Julian (331–363) set about reforming the administration, conquering new territories, and reviving ancient religions. He was scorned in his time for repudiating Christianity and demonized as an apostate for willfully rejecting Christ. Through the centuries, Julian has been viewed by many as a tragic figure who sought to save Rome from its enemies and the corrupting influence of Christianity. Christian writers and historians have seen Julian much differently: as a traitor to God and violent oppressor of Christians. Had Julian not been killed by a random Persian spear, he might well have changed all of history.

Telling the story of a man who stood against the overwhelming power of the mighty Roman empire, Hannibal is the biography of a man who, against all odds, dared to change the course of history. Over two thousand years ago one of the greatest military leaders in history almost destroyed Rome. Hannibal, a daring African general from the city of Carthage, led an army of warriors and battle elephants over the snowy Alps to invade the very heart of Rome's growing empire. But what kind of person would dare to face the most relentless imperial power of the ancient world? How could Hannibal, consistently outnumbered and always deep in enemy territory, win battle after battle until he held the very fate of Rome within his grasp? Hannibal appeals to many as the ultimate underdog—a Carthaginian David against the Goliath of Rome—but it wasn't just his genius on the battlefield that set him apart. As a boy and then a man, his self-discipline and determination were legendary. As a military leader, like Alexander the Great before him and Julius Caesar after, he understood the hearts of men and had an uncanny ability to read the unseen weaknesses of his enemy. As a commander in war, Hannibal has few equals in history and has long been held as a model of strategic and tactical genius. But Hannibal was much more than just a great general. He was a practiced statesman, a skilled diplomat, and a man deeply devoted to his family and country. Roman historians—on whom we rely for almost all our information on Hannibal—portray him as a cruel barbarian, but how does the story change if we look at Hannibal from the Carthaginian point of view? Can we search beneath the accounts of Roman writers who were eager to portray Hannibal as a monster and find a more human figure? Can we use the life of Hannibal to look at the Romans themselves in an unfamiliar way— not as the noble and benign defenders of civilization but as ruthless conquerors motivated by greed and conquest?

Most people have heard of the Celts-the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, Philip Freeman brings together the best stories of Celtic mythology.Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cú Chulainn? We still thrill to the story of the Trojan War, but the epic battles of the Irish Táin Bó Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures--gods, goddesses, and heroes--come to life for the modern reader.

The legend of Saint Patrick is irresistibly captivating-he drove the snakes out of Ireland, battled the druids, and used the three-leaf Shamrock to convert the pagan Irish to belief in the Christian Trinity. Yet, as so often happens, these stories are mere myths that fold under closer scrutiny. Snakes never plagued the Irish countryside, and the Emerald Isle's most beloved saint wasn't even Irish but a Briton of the Roman nobility. Fortunately, the truth is even more fascinating.In The World of Saint Patrick, classical scholar Philip Freeman offers the definitive account of Saint Patrick's life through new and vibrant translations of the greatest works of early Christian Ireland. This story of great violence, brutality, and even greater faith begins with two letters Patrick wrote describing his kidnapping by pirates at age sixteen and subsequent slavery. Although his grandfather was a priest and his father a deacon, at the time of his kidnapping Patrick had rejected his childhood faith in favor of atheism. Yet in this deeply moving narrative, Patrick recounts how he regained his faith during his captivity, and how the voice of God guided him both in his escape from bondage and in his eventual return to Ireland as a missionary to the very people who had enslaved him.The World of Saint Patrick delves into colorful tales of Patrick's struggles with pagan kings, soaring hymns of praise, and a prayer of protection against forces of evil such as "the magic of women, blacksmiths, and druids." Freeman also examines the life of Saint Brigid, Ireland's first female saint, and the legendary voyage of Saint Brendan and his monks across the western ocean.Both general readers with an interest in Ireland's saints and scholars studying religion or medieval history will be unable to put down this captivating tale of Ireland's greatest saint and the remarkable times in which he lived.

"The ancient Celts capture the modern imagination as do few other people of classical times. Naked barbarians charging the Roman legions, Druids performing sacrifices of unspeakable horror, women fighting beside their men and even leading armies-these, along with stunning works of art, are the images most of us call to mind when we think of the Celts," observes Philip Freeman. "And for the most part, these images are firmly based in the descriptions handed down to us by the Greek and Roman writers." This book draws on the firsthand observations and early accounts of classical writers to piece together a detailed portrait of the ancient Celtic peoples of Europe and the British Isles. Philip Freeman groups the selections (ranging from short statements to longer treatises) by themes-war, feasting, poetry, religion, women, and the Western Isles. He also presents inscriptions written by the ancient Celts themselves. This wealth of material, introduced and translated by Freeman to be especially accessible to students and general readers, makes this book essential reading for everyone fascinated by the ancient Celts.

On the boundary of what the ancient Greeks and Romans considered the habitable world, Ireland was a land of myth and mystery in classical times. Classical authors frequently portrayed its people as savages-even as cannibals and devotees of incest-and evinced occasional uncertainty as to the island's shape, size, and actual location. Unlike neighboring Britain, Ireland never knew Roman occupation, yet literary and archaeological evidence prove that Iuverna was more than simply terra incognita in classical antiquity. In this book, Philip Freeman explores the relations between ancient Ireland and the classical world through a comprehensive survey of all Greek and Latin literary sources that mention Ireland. He analyzes passages (given in both the original language and English) from over thirty authors, including Julius Caesar, Strabo, Tacitus, Ptolemy, and St. Jerome. To amplify the literary sources, he also briefly reviews the archaeological and linguistic evidence for contact between Ireland and the Mediterranean world. Freeman's analysis of all these sources reveals that Ireland was known to the Greeks and Romans for hundreds of years and that Mediterranean goods and even travelers found their way to Ireland, while the Irish at least occasionally visited, traded, and raided in Roman lands. Everyone interested in ancient Irish history or Classics, whether scholar or enthusiast, will learn much from this pioneering book.

The daughter of an aristocratic family, a wife, a devoted mother and a lover of women, Sappho was one of the greatest writers of her own or any age. Although most people have heard of Sappho, the story of her lost poems and the lives of ancient women they celebrate has never been told for a general audience.Philip Freeman paints a vivid picture of Sappho’s world. He delves into religious rites, customs, the role of women in the family, medical knowledge and the experience of motherhood at the time. Through this contextual knowledge, a picture of Sappho’s life emerges. Freeman uses his vast historical research, in conjunction with Sappho’s poems and other Greek works of fiction, to bring us the closest we can come to knowing the biographical details of this most famous woman poet.

The daughter of an aristocratic family, a wife, a devoted mother and a lover of women, Sappho was one of the greatest writers of her own or any age. Although most people have heard of Sappho, the story of her lost poems and the lives of ancient women they celebrate has never been told for a general audience.Philip Freeman paints a vivid picture of Sappho’s world. He delves into religious rites, customs, the role of women in the family, medical knowledge and the experience of motherhood at the time. Through this contextual knowledge, a picture of Sappho’s life emerges. Freeman uses his vast historical research, in conjunction with Sappho’s poems and other Greek works of fiction, to bring us the closest we can come to knowing the biographical details of this most famous woman poet.

Marcus Cicero, Rome's greatest statesman and orator, was elected to the Roman Republic's highest office at a time when his beloved country was threatened by power-hungry politicians, dire economic troubles, foreign turmoil, and political parties that refused to work together. Sound familiar? Cicero's letters, speeches, and other writings are filled with timeless wisdom and practical insight about how to solve these and other problems of leadership and politics. How to Run a Country collects the best of these writings to provide an entertaining, common sense guide for modern leaders and citizens. This brief book, a sequel to How to Win an Election, gathers Cicero's most perceptive thoughts on topics such as leadership, corruption, the balance of power, taxes, war, immigration, and the importance of compromise. These writings have influenced great leaders--including America's Founding Fathers--for two thousand years, and they are just as instructive today as when they were first written.Organized by topic and featuring lively new translations, the book also includes an introduction, headnotes, a glossary, suggestions for further reading, and an appendix containing the original Latin texts. The result is an enlightening introduction to some of the most enduring political wisdom of all time.

Worried that old age will inevitably mean losing your libido, your health, and possibly your marbles too? Well, Cicero has some good news for you. In How to Grow Old, the great Roman orator and statesman eloquently describes how you can make the second half of life the best part of all--and why you might discover that reading and gardening are actually far more pleasurable than sex ever was. Filled with timeless wisdom and practical guidance, Cicero's brief, charming classic--written in 44 BC and originally titled On Old Age--has delighted and inspired readers, from Saint Augustine to Thomas Jefferson, for more than two thousand years. Presented here in a lively new translation with an informative new introduction and the original Latin on facing pages, the book directly addresses the greatest fears of growing older and persuasively argues why these worries are greatly exaggerated--or altogether mistaken. Montaigne said Cicero's book "gives one an appetite for growing old." The American founding father John Adams read it repeatedly in his later years. And today its lessons are more relevant than ever in a world obsessed with the futile pursuit of youth.

A splendid new translation of one of the greatest books on friendship ever writtenIn a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, which is one of the greatest ever written on the subject, the famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero shows us not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living.Filled with timeless advice and insights, Cicero’s heartfelt and moving classic—written in 44 BC and originally titled De Amicitia—has inspired readers for more than two thousand years, from St. Augustine and Dante to Thomas Jefferson and John Adams. Presented here in a lively new translation with the original Latin on facing pages and an inviting introduction, How to Be a Friend explores how to choose the right friends, how to avoid the pitfalls of friendship, and how to live with friends in good times and bad. Cicero also praises what he sees as the deepest kind of friendship—one in which two people find in each other “another self” or a kindred soul.An honest and eloquent guide to finding and treasuring true friends, How to Be a Friend speaks as powerfully today as when it was first written.

A vivid and accessible new translation of Cicero’s influential writings on the Stoic idea of the divineMost ancient Romans were deeply religious and their world was overflowing with gods—from Jupiter, Minerva, and Mars to countless local divinities, household gods, and ancestral spirits. One of the most influential Roman perspectives on religion came from a nonreligious belief system that is finding new adherents even today: Stoicism. How did the Stoics think about religion? In How to Think about God, Philip Freeman presents vivid new translations of Cicero's On the Nature of the Gods and The Dream of Scipio. In these brief works, Cicero offers a Stoic view of belief, divinity, and human immortality, giving eloquent expression to the religious ideas of one of the most popular schools of Roman and Greek philosophy.On the Nature of the Gods and The Dream of Scipio are Cicero's best-known and most important writings on religion, and they have profoundly shaped Christian and non-Christian thought for more than two thousand years, influencing such luminaries as Augustine, Thomas Aquinas, Dante, and Thomas Jefferson. These works reveal many of the religious aspects of Stoicism, including an understanding of the universe as a materialistic yet continuous and living whole in which both the gods and a supreme God are essential elements.Featuring an introduction, suggestions for further reading, and the original Latin on facing pages, How to Think about God is a compelling guide to the Stoic view of the divine.

An inviting and highly readable new translation of Aristotle’s complete Poetics—the first and best introduction to the art of writing and understanding storiesAristotle’s Poetics is the most important book ever written for writers and readers of stories—whether novels, short fiction, plays, screenplays, or nonfiction. Aristotle was the first to identify the keys to plot, character, audience perception, tragic pleasure, and dozens of other critical points of good storytelling. Despite being written more than 2,000 years ago, the Poetics remains essential reading for anyone who wants to learn how to write a captivating story—or understand how such stories work and achieve their psychological effects. Yet for all its influence, the Poetics is too little read because it comes down to us in a form that is often difficult to follow, and even the best translations are geared more to specialists than to general readers who simply want to grasp Aristotle’s profound and practical insights. In How to Tell a Story, Philip Freeman presents the most readable translation of the Poetics yet produced, making this indispensable handbook more accessible, engaging, and useful than ever before.In addition to its inviting and reliable translation, a commentary on each section, and the original Greek on facing pages, this edition of the Poetics features unique bullet points, chapter headings, and section numbers to help guide readers through Aristotle’s unmatched introduction to the art of writing and reading stories.

A vivid and accessible new translation of essential selections from Boethius’s Consolation of Philosophy—a moving classic about facing life’s worst events with courage and hopeWhat do you do when your life has fallen apart? Fifteen hundred years ago, a Roman nobleman named Boethius (ca. 480–524 CE) asked this question as he was sitting in a prison cell waiting to die, accused—probably unjustly—of treason. Boethius had been a rich and powerful man with all a person could want in life, but now he had lost everything. Shaken, he wondered how such terrible misfortune could have happened to him and why life was so unfair. When Philosophy herself appears in his cell and confronts Boethius, the conversation that follows between the two on the nature of evil and why humans suffer is as powerful and inspiring today as it was to its first readers. In How to Cope, Philip Freeman presents a lively modern translation of essential selections from Boethius’s classic, complete with an introduction and the original Latin on facing pages.This translation vividly captures Boethius’s journey from bitterness and anger to reconciliation and peace, showing how ancient philosophy, especially Stoicism, can help readers deal with adversity in their own lives. The book reveals the qualities that have made The Consolation of Philosophy one of the most popular and influential works of classical and world literature, and an inspiration to countless writers, including Thomas Aquinas, Dante, and Chaucer.

St Patrick did not drive the snakes out of Ireland (the island had no snakes), nor did he engage in epic battles of supernatural power with Irish druids. But the facts revealed in this eminently readable biography are no less astonishing than the myths that surround him. Born in Britain in the late fourth century, Patrick was raised as a Roman citizen and a Christian nobleman, Just before his sixteenth birthday, he was captured by Irish pirates and enslaved. He spent six years tending sheep in Ireland, escaped and returned home to his astonished parents. Soon afterward, he announced that God wanted him to become a priest and convert the Irish to Christianity. Patrick spent the rest of his life in Ireland, leaving behind two remarkable letters that reveal more about him than we know about almost any contemporary figure. Philip Freeman brilliantly reconstructs daily life in the British Isles during the last days of the Roman Empire, putting Patrick's achievements in context with the beliefs of the day. The Patrick who emerges is even more extraordinary than the patron saint of legend - a passionate, courageous and very human figure who exerted an incalculable impact on the course of Irish history.

This book reassesses Miles Davis' “electric period” and analyzes its continuing influence on contemporary music. While jazz purists often revile this phase – which encompasses the entire second half of his career, from 1967 until his death in 1991 – this book takes a new, appreciative look at this music and shows its importance to Davis' career and to jazz as a whole. The author also reveals surprising connections between Davis, Jimi Hendrix and Sly Stone, particularly the ways they fed each other's creativity. This book will stir up the longtime debate about this important music and give Davis' legions of fans refreshing insights into his work.

Telling the story of a man who stood against the overwhelming power of the mighty Roman empire, Hannibal is the biography of a man who, against all odds, dared to change the course of history. Over two thousand years ago one of the greatest military leaders in history almost destroyed Rome. Hannibal, a daring African general from the city of Carthage, led an army of warriors and battle elephants over the snowy Alps to invade the very heart of Rome's growing empire. But what kind of person would dare to face the most relentless imperial power of the ancient world? How could Hannibal, consistently outnumbered and always deep in enemy territory, win battle after battle until he held the very fate of Rome within his grasp? Hannibal appeals to many as the ultimate underdog—a Carthaginian David against the Goliath of Rome—but it wasn't just his genius on the battlefield that set him apart. As a boy and then a man, his self-discipline and determination were legendary. As a military leader, like Alexander the Great before him and Julius Caesar after, he understood the hearts of men and had an uncanny ability to read the unseen weaknesses of his enemy. As a commander in war, Hannibal has few equals in history and has long been held as a model of strategic and tactical genius. But Hannibal was much more than just a great general. He was a practiced statesman, a skilled diplomat, and a man deeply devoted to his family and country.  Roman historians—on whom we rely for almost all our information on Hannibal—portray him as a cruel barbarian, but how does the story change if we look at Hannibal from the Carthaginian point of view? Can we search beneath the accounts of Roman writers who were eager to portray Hannibal as a monster and find a more human figure? Can we use the life of Hannibal to look at the Romans themselves in an unfamiliar way— not as the noble and benign defenders of civilization but as ruthless conquerors motivated by greed and conquest?

Someone is killing the nuns of Ireland. The grisly discovery of an elderly sister of Saint Brigid’s monastery strangled, bled dry, and thrown into a bog is just the beginning. Soon a beautiful young nun is found decapitated and hung from a barren tree. It doesn’t take long before the members of the struggling monastic community of Kildare realize that not only are the nuns being hunted by a serial killer, but the murderer is preforming the gruesome slayings in the manner of the ancient druid sacrifices.Set in the turmoil of sixth-century Ireland, where ruthless tribal kings wage constant war for survival and the powerful religious order of the druids is threatened by the newly-arrived Christian church, the desperate task of finding the killer falls to Sister Deirdre, a young women torn between the world of the monastery and her own druidic heritage. Unless Deirdre can find the killer before the cycle of sacrifices is complete, more of her friends will die, the monastery will face destruction, and the whole of Ireland may be plunged into civil war.

What does jazz “mean” 20 years into the 21st century? Has streaming culture rendered music literally meaningless, thanks to the removal of all context beyond the playlist? Are there any traditions left to explore? Has the destruction of the apprenticeship model (young musicians learning from their elders) changed the music irrevocably? Are any sounds off limits? How far out can you go and still call it “jazz”? Or should the term be retired? These questions, and many more, are answered in Ugly Beauty, as Phil Freeman digs through his own experiences and conversations with present-day players. Jazz has never seemed as vital as it does right now, and has a genuine role to play in 21st-century culture, particularly in the US and the UK.