Philip Johnson – författare

En stor och exklusiv bok om luktärter skriven av två auktoriteter på området, brittiske experten Philip Johnson och Sveriges välkända inspiratör Cecilia Wingård. Ingen möda har sparats på att göra en mycket vacker bok med hundratals utsökta bilder, handgripliga råd för trädgårdsägaren och spännande historier om fröernas väg över klotet. En riktig presentbok som tål att ligga framme. Boken ges samtidigt ut på engelska för Worldwide distribution.

“A critical introduction to Organisation Theory that you can understand, apply and enjoy!”

 

This book addresses fundamental questions such as what is organisation theory and why does it matter. It explores the historical development of organization theory from its origins right up to present-day debates. It asks what challenges it presents to contemporary organisations, and explores the solutions it can provide.

 

Organization Theory brings a fresh approach to long-standing questions and is aimed at undergraduate and postgraduate students for whom the study of organizational theory or analysis is an integral part of their degree programme.

Initially produced as the catalog to accompany a controversial and groundbreaking 1932 Museum of Modern Art show of the then new architecture emerging in Europe and America, The International Style quickly became the definitive statement of the principles underlying the work of such giants as Mies van der Rohe, Le Corbusier, Walter Gropius, and other pioneers. It might be said that Henry-Russell Hitchcock and Philip Johnson discovered as well as defined "the International Style," and over the decades their book has served as both a flashpoint for criticism and a frame for growth in the architectural profession. It has never been out of print in over sixty years.This new edition has been completely redesigned and reset, and it features a new foreword by Philip Johnson, who reflects on the legacy of the International Style and examines the still-precarious power of architecture in our public life.

A fascinating dialogue between a Pagan and a Christian. Gus DiZerega, an American pagan and and an academic engages in debate with Philip Johnson, an Australian Christian theologian. The two debate questions such as the nature of spirituality, who or what is deity, how humans relate to the divine, the sacred feminine, gender and sexuality, and the teachings and claims of Jesus. At the end of the book another Pagan writer comments on what Philip Johnson has argued, and another Christian comments on what Gus DiZerega has argued. Paganism is acknowledged as the fastest growing 'religion' in western Europe and this book helps readers to engage with it and with orthodox Christian belief.

Whitstable, lying on the shore of the Thames Estuary on the North Kent coast, has long been famous for its oysters. The world’s first passenger steam railway connected Whitstable to Canterbury in 1830, serviced by a harbour that opened two years later in 1832. These events were the catalysts for growth and prosperity during the ensuing Victorian era, turning a small fishing community into a busy seaside town with maritime-based industries at its heart. Much about the town has changed over the years but its long, winding High Street, the maze of alleyways, an unpretentious seafront and its still-thriving harbour ensure that Whitstable’s charm and special character survives to this day.In Whitstable: The Postcard Collection, Philip Johnson has drawn on a remarkable collection of postcards of Whitstable and Tankerton and the surrounding villages of Swalecliffe, Chestfield and Seasalter, providing a window into the town’s past through the world of old picture postcards. This absorbing selection of images will be of interest to those who live in Whitstable, those who know it well or those who are just intrigued to find out more about this fascinating town.

Philip Johnson, who died in 2005, was a towering figure in American architecture, both sensing and establishing new directions and stylistic trends. This monograph covers the last decade of his professional life, as he and partner Alan Ritchie collaborated on projects of striking creativity and originality. Ritchie, born in England, worked with Johnson for over twenty years and continues as president of Philip Johnson/Alan Ritchie Architects. This volume includes work built and unbuilt, large-scale and small, designed by the firm throughout the 1990s. Two important themes -- identified by Paul Goldberger in his perceptive introductory essay -- are evident throughout the office's oeuvre. An interest in sculptural form -- or the way in which sculptural form translates into architectural presence -- led Johnson and Ritchie to designs that involve both new kinds of shapes and new ways of using classical architectural form. Such sculptural works include Da Monsta, the new visitor's pavilion at Johnson's famed Glass House in New Canaan, Connecticut, and a spectacular folly consisting of four pyramids made of chain-link fencing at a private residence in upstate New York. Simultaneously, the firm has continued to design larger projects, for which it has been well known since the 1980s. A twenty-seven-story apartment tower for Hudson Square in lower Manhattan, the Cathedral of Hope in Dallas, and an addition to the Amon Carter Museum (originally designed by Johnson in 1961) in Fort Worth show Johnson and Ritchie's skillful commingling of the modernist and the classicist, the contextual and the unique.