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3 produkter
Inbunden, Engelska, 2026
904 kr
Skickas inom 5-8 vardagar
A comprehensive presentation of the Yale University Art Gallery’s collection of Italian paintings from the thirteenth to the fifteenth century The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting’s meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century—the earliest formed collection of Italian paintings in any American museum—to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery’s collection provides a remarkable sense of the diverse visual culture of the time. Distributed for the Yale University Art Gallery
Inbunden, Engelska, 2027
1 306 kr
Kommande
Volume 2 of the comprehensive catalogue of the Yale University Art Gallery’s renowned collection of Italian paintingsThe Yale University Art Gallery is home to one of the largest and most distinguished collections of Italian paintings in the world. The second of four volumes covering this vast collection, this beautifully illustrated and expertly researched publication features more than seventy-five works dating from 1420 to 1490 by artists such as Gentile da Fabriano, Fra Angelico, Sassetta, Botticelli, and Neroccio de’ Landi. The book is particularly rich in Sienese and Florentine paintings, including one of the best-known Renaissance paintings in America: Antonio Pollaiuolo’s Hercules and Deianira. Also featured are an exceptional group of stucco reliefs that pair the efforts of major Florentine sculptors, including Donatello, with contemporary painters, and a rare, intact painted cassone by Paolo Uccello. Complete with detailed entries on each work—including technical notes, provenance, conservation history, questions of date and attribution, and wider cultural importance—this volume offers a nuanced picture of a fascinating period of Italian art and points to areas of future research in the field. Distributed for the Yale University Art Gallery
Inbunden, Engelska, 1998
996 kr
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This book presents the exceptional group of illuminations in the Robert Lehman Collection at The Metropolitan Museum of Art. The miniatures and cuttings from medieval and Renaissance manuscripts in this collection represent the major schools of illumination that flourished in Europe from the fourteenth to the sixteenth century. Robert Lehman (1892-1969), one of the great private art collectors of the twentieth century, collected these illuminations as an extension of his remarkable collection of early European paintings and drawings. Among the works catalogued here are a miniature by Simon Marmion--the "prince d'enluminure"--painted for a Breviary for Charles the Bold and Margaret of York, and, among the Italian illuminations, a Last Judgment in an Initial C by the great Florentine painter Lorenzo Monaco and an Adoration of the Magi by Francesco Marmitta. A Self-Portrait by Simon Bening and a Virgin and Child by Francesco Morone are early examples of small paintings on parchment conceived as independent works of art rather than as illustrations for manuscripts.Also here are a leaf painted for the Hours of ftienne Chevalier by Jean Fouquet, the most celebrated French painter of the fifteenth century, and a miniature Holy Face by Gerard David that was possibly created as an independent devotional image. All the illuminations in the Robert Lehman Collection are reproduced in color, and copious comparative illustrations supplement the extensive catalogue entries. This is the seventh in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection.