Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.

Interdisciplinary essays on the role of high theory in politics and popular culture.Interdisciplinary in scope and often provocative in their choice of materials, the essays in this volume present new strategies for theorizing culture and politics. Not content simply to "apply" theory to political and cultural objects, they instead treat all three as complex, interconnected, and constantly evolving areas of inquiry. Drawn from the innovative work originally published in Strategies: Journal of Theory, Culture and Politics, the essays collected here explore a variety of topics, ranging from considerations of Marx, Foucault, Jameson, and Rorty to investigations of Madonna, Pasolini, pornography, and vampires. Lively and inventive, Strategies for Theory goes beyond conventional cultural studies and cultural politics in order to suggest new approaches to both.Contributors include Teresa Brennan, William Chaloupka, Iain Chambers, Kelly Dennis, Ernesto Laclau, John P. Leavey Jr., Bradley J. Macdonald, Marilyn Manners, Donald Preziosi, Kriss Ravetto, Laurence A. Rickels, R. L. Rutsky, Michael Ryan, Keith Topper, Gregory L. Ulmer, and Samuel Weber.

We live in an age when consumption and consuming have come to define us. Consumption, now a global phenomenon, is so dominant it allows little room for alternatives. At the same time, information and digitization have become all-pervasive in our media culture . As ever greater aspects of the world have come to be seen as 'data', information has increasingly become the very currency of consumption.Consumption in an Age of Information maps this new terrain. Bringing together some of the world's leading theorists and critics, the essays range across high theory and popular culture - from informational flows to science fiction simulations, from pop-cultural consumption to capitalism as religion, from the consumption of time to the role of 'speed' in contemporary culture.

We live in an age when consumption and consuming have come to define us. Consumption, now a global phenomenon, is so dominant it allows little room for alternatives. At the same time, information and digitization have become all-pervasive in our media culture . As ever greater aspects of the world have come to be seen as 'data', information has increasingly become the very currency of consumption. Consumption in an Age of Information maps this new terrain. Bringing together some of the world's leading theorists and critics, the essays range across high theory and popular culture - from informational flows to science fiction simulations, from pop-cultural consumption to capitalism as religion, from the consumption of time to the role of 'speed' in contemporary culture.

Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.

Interdisciplinary essays on the role of high theory in politics and popular culture.Interdisciplinary in scope and often provocative in their choice of materials, the essays in this volume present new strategies for theorizing culture and politics. Not content simply to "apply" theory to political and cultural objects, they instead treat all three as complex, interconnected, and constantly evolving areas of inquiry. Drawn from the innovative work originally published in Strategies: Journal of Theory, Culture and Politics, the essays collected here explore a variety of topics, ranging from considerations of Marx, Foucault, Jameson, and Rorty to investigations of Madonna, Pasolini, pornography, and vampires. Lively and inventive, Strategies for Theory goes beyond conventional cultural studies and cultural politics in order to suggest new approaches to both.Contributors include Teresa Brennan, William Chaloupka, Iain Chambers, Kelly Dennis, Ernesto Laclau, John P. Leavey Jr., Bradley J. Macdonald, Marilyn Manners, Donald Preziosi, Kriss Ravetto, Laurence A. Rickels, R. L. Rutsky, Michael Ryan, Keith Topper, Gregory L. Ulmer, and Samuel Weber.

We live in an age when consumption and consuming have come to define us. Consumption, now a global phenomenon, is so dominant it allows little room for alternatives. At the same time, information and digitization have become all-pervasive in our media culture . As ever greater aspects of the world have come to be seen as 'data', information has increasingly become the very currency of consumption.Consumption in an Age of Information maps this new terrain. Bringing together some of the world's leading theorists and critics, the essays range across high theory and popular culture - from informational flows to science fiction simulations, from pop-cultural consumption to capitalism as religion, from the consumption of time to the role of 'speed' in contemporary culture.

We live in an age when consumption and consuming have come to define us. Consumption, now a global phenomenon, is so dominant it allows little room for alternatives. At the same time, information and digitization have become all-pervasive in our media culture . As ever greater aspects of the world have come to be seen as 'data', information has increasingly become the very currency of consumption. Consumption in an Age of Information maps this new terrain. Bringing together some of the world's leading theorists and critics, the essays range across high theory and popular culture - from informational flows to science fiction simulations, from pop-cultural consumption to capitalism as religion, from the consumption of time to the role of 'speed' in contemporary culture.