Raymond Geuss – författare

In the early 20th century, Marxist theory was enriched and rejuvenated by adopting the concept of reification, introduced by the Hungarian theorist Georg Lukács to identify and denounce the transformation of historical processes into ahistorical entities, human actions into things that seemed part of an immutable "second nature." For a variety of reasons, both theoretical and practical, the hopes placed in de-reification as a tool of revolutionary emancipation proved vain. In these original and imaginative essays, delivered as the Tanner Lectures at the University of California, Berkeley in 2005, the distinguished third-generation Frankfurt School philosopher Axel Honneth attempts to rescue the concept of reification by recasting it in terms of the philosophy of recognition he has been developing over the past two decades. Three distinguished political and social theorists: Judith Butler, Raymond Geuss, and Jonathan Lear, respond with hard questions about the central anthropological premise of his argument, the assumption that prior to cognition there is a fundamental experience of intersubjective recognition that can provide a normative standard by which current social relations can be judged wanted. Honneth listens carefully to their criticism and provides a powerful defense of his position.

The distinguished political philosopher Raymond Geuss examines critically some of the most widely held and important preconceptions about contemporary politics held in advanced Western societies. In a series of analytically focused chapters Dr Geuss discusses the state, authority, violence and coercion, the concept of legitimacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is a historically contingent conjunction of disparate elements that do not fit together coherently. One of Geuss's most striking claims is that it makes sense to speak of rights only relative to a mechanism for enforcing them, and that therefore the whole concept of a 'human right', as it is commonly used in contemporary political philosophy, is a confusion. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in a voice that is sceptical, engaged, and clear.

Habermas and earlier members of the Frankfurt School have presented critical theory as a radically new form of knowledge. It is differentiated from the natural sciences as essentially 'reflective': the knowledge it provides guides us towards enlightenment as to our true interests, and emancipation from often unsuspected forms of external and internal coercion. Its first paradigms are in the writings of Marx and Freud. In this book Raymond Geuss sets out these fundamental claims and asks whether they can be made good. Is a science which does not simply describe and explain social phenomena, but also criticizes? The concept of ideology plays a crucial role in this discussion. Geuss carefully analyses it here, its relation to our beliefs and interests, and the account of truth and confirmation required by its critique and the concomitant goal of self-knowledge. The book does not presuppose acquaintance with the works of the Frankfurt School and can serve as a lucid introduction to their central, distinctive theses. But in its scrupulous and incisive consideration of these, and the modified support for them that emerges, it will also interest experts on critical theory and others concerned with the methods and purposes of the social sciences in general.

The Birth of Tragedy is one of the seminal philosophical works of the modern period. Nietzsche's discussion of the nature of culture, of the conditions under which it can flourish and of those under which it will decline, his analysis of the sources of discontent with the modern world, his criticism of rationalism and of traditional morality, his aesthetic theories and his conception of the 'Dionysiac' have had a profound influence on the philosophy, literature, music, and politics of the twentieth century. This edition presents a new translation by Ronald Speirs and an introduction by Raymond Geuss that sets the work in its historical and philosophical context. The volume also includes two essays on related topics that Nietzsche wrote during the same period, and that throw further light on the themes treated in the main text.

Raymond Geuss has been a distinctive contributor to the analysis and evaluation of German philosophy and to recent debates in ethics. In this new collection he treats a variety of topics in ethics, aesthetics, and the philosophy of history with special reference to the work of Hegel, Nietzsche, and Adorno. Two of the essays in the volume deal with central aspects of the philosophy of Nietzsche. The collection also contains an essay on the history of conceptions of 'culture' and one on the ethics of Ernst Tugendhat. The remaining three essays focus on questions in aesthetics. The volume will be of interest to students of modern philosophy, German intellectual and cultural history, and literary theory.

Raymond Geuss has been a distinctive contributor to the analysis and evaluation of German philosophy and to recent debates in ethics. In this new collection he treats a variety of topics in ethics, aesthetics, and the philosophy of history with special reference to the work of Hegel, Nietzsche, and Adorno. Two of the essays in the volume deal with central aspects of the philosophy of Nietzsche. The collection also contains an essay on the history of conceptions of 'culture' and one on the ethics of Ernst Tugendhat. The remaining three essays focus on questions in aesthetics. The volume will be of interest to students of modern philosophy, German intellectual and cultural history, and literary theory.

The Birth of Tragedy is one of the seminal philosophical works of the modern period. Nietzsche's discussion of the nature of culture, of the conditions under which it can flourish and of those under which it will decline, his analysis of the sources of discontent with the modern world, his criticism of rationalism and of traditional morality, his aesthetic theories and his conception of the 'Dionysiac' have had a profound influence on the philosophy, literature, music, and politics of the twentieth century. This edition presents a new translation by Ronald Speirs and an introduction by Raymond Geuss that sets the work in its historical and philosophical context. The volume also includes two essays on related topics that Nietzsche wrote during the same period, and that throw further light on the themes treated in the main text.

From Plato to Max Weber, the attempt to understand political judgement took the form of a struggle to define the relationship between politics and morals. This book by leading international scholars in the fields of history, philosophy and politics restores the subject to a place at the very centre of political theory and practice. Whilst it provides a range of perspectives on the theme of practical reason, it also explores a series of related problems in philosophy and political thought, raising fundamental questions about democracy, trust, the nature of statesmanship, and the relations between historical and political judgement. In the process, the volume reconsiders some classic debates in political theory - about equality, authority, responsibility and ideology - and offers new and original treatments of key figures in the history of political thought, including Thucydides, Montaigne, Locke, Smith, Burke and Marx.

The distinguished political philosopher Raymond Geuss examines critically some of the most widely held and important preconceptions about contemporary politics held in advanced Western societies. In a series of analytically focused chapters Dr Geuss discusses the state, authority, violence and coercion, the concept of legitimacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is a historically contingent conjunction of disparate elements that do not fit together coherently. One of Geuss's most striking claims is that it makes sense to speak of rights only relative to a mechanism for enforcing them, and that therefore the whole concept of a 'human right', as it is commonly used in contemporary political philosophy, is a confusion. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in a voice that is sceptical, engaged, and clear.

One of the world’s most provocative philosophers attacks the obsession with comprehensive intellectual systems—the perceived need for a world view.We live in a unitary cosmos created and cared for in all its details by a benevolent god. That, for centuries, was the starting point for much philosophical and religious thinking in the West. The task was to accommodate ourselves to that view and restrict ourselves to working out how the pieces fit together within a rigidly determined framework. In this collection of essays, one of our most creative contemporary philosophers explores the problems and pathologies of the habit of overly systematic thinking that we have inherited from this past.Raymond Geuss begins by making a general case for flexible and skeptical thinking with room for doubt and unresolved complexity. He examines the ideas of two of his most influential teachers—one systematic, the other pragmatic—in light of Nietzsche’s ideas about appearance and reality. The chapters that follow concern related moral, psychological, and philosophical subjects. These include the idea that one should make one’s life a work of art, the importance of games, the concept of need, and the nature of manifestoes. Along the way, Geuss ranges widely, from ancient philosophy to modern art, with his characteristic combination of clarity, acuity, and wit.Who Needs a World View? is a provocative and enlightening demonstration of what philosophy can achieve when it abandons its ambitions for completeness, consistency, and unity.

“A history of philosophy in twelve thinkers…The whole performance combines polyglot philological rigor with supple intellectual sympathy, and it is all presented…in a spirit of fun…This bracing and approachable book [shows] that there is life in philosophy yet.”—Times Literary Supplement“Exceptionally engaging…Geuss has a remarkable knack for putting even familiar thinkers in a new light.”—Notre Dame Philosophical Reviews“Geuss is something like the consummate teacher, his analyses navigable and crystal, his guidance on point.”—Doug Phillips, Key ReporterRaymond Geuss explores the ideas of twelve philosophers who broke dramatically with prevailing wisdom, from Socrates and Plato in the ancient world to Nietzsche, Wittgenstein, and Adorno. The result is a striking account of some of the most innovative thinkers in Western history and an indirect manifesto for how to pursue philosophy today. Geuss cautions that philosophers’ attempts to break from convention do not necessarily make the world a better place. Montaigne’s ideas may have been benign, but the fate of those of Hobbes, Hegel, and Nietzsche has been more varied. Yet in the act of provoking people to think differently, philosophers remind us that we are not fated to live within the systems of thought we inherit.

In a compelling meditation on the ideas that shape our lives, one of the world’s most provocative and creative philosophers explains how his eccentric early years influenced his lifelong critique of liberalism.Liberalism is so amorphous and pervasive that for most people in the West it is background noise, the natural state of affairs. But there are nooks and crannies in every society where the prevailing winds don’t blow. Raymond Geuss grew up some distance from the cultural mainstream and recounts here the unusual perspective he absorbed: one in which liberal capitalism was synonymous with moral emptiness and political complacency.Not Thinking like a Liberal is a concise tour of diverse intellectual currents—from the Counter-Reformation and communism to pragmatism and critical theory—that shaped Geuss’s skeptical stance toward liberalism. The bright young son of a deeply Catholic steelworker, Geuss was admitted in 1959 to an unusual boarding school on the outskirts of Philadelphia. Outside was Eisenhower’s America. Inside Geuss was schooled by Hungarian priests who tried to immunize students against the twin dangers of oppressive communism and vapid liberal capitalism. From there Geuss went on to university in New York in the early days of the Vietnam War and to West Germany, where critical theory was experiencing a major revival.This is not a repeatable journey. In tracing it, Geuss reminds us of the futility of abstracting lessons from context and of seeking a universal view from nowhere. At the same time, he examines the rise and fall of major political theories of the past sixty years. An incisive thinker attuned to both the history and the future of ideas, Geuss looks beyond the horrors of authoritarianism and the shallow freedom of liberalism to glimpse a world of genuinely new possibilities.

“An instant classic….an intellectual feast and an existential feat!” —Cornel West “By intertwining autobiography and conceptual critique, Geuss underlines the idea that in order to gain a critical perspective on liberalism, it is necessary to become almost bilingual: able to speak the language of liberalism while also becoming fluent in the vocabulary of its critique.” —Times Literary Supplement “Fascinating…deserves to be a classic. It is at once relatable and profound, humane and auspicious. In his best moments, Geuss offers his own life as a challenge to readers to think differently and more imaginatively.”—Matt McManus, Jacobin “[Geuss’s] broad, skeptical account of human powers and interests that is aimed at challenging the hubris of abstract theorizers, is compelling. His account of the unusual formation of his own intellectual and political sensibility is both moving and illuminating.”—Richard Eldridge, Los Angeles Review of Books Liberalism is so amorphous and pervasive that for many people it is background noise. But there are nooks and crannies in every society where the prevailing winds don’t blow. Raymond Geuss grew up some distance from the cultural mainstream and recounts here the unusual perspective he absorbed: one in which liberal capitalism was synonymous with moral emptiness and political complacency. The bright son of a Catholic steelworker, Geuss was admitted in 1959 to an unusual boarding school on the outskirts of Philadelphia, where Hungarian priests sought to immunize students against the twin dangers of oppressive communism and vapid liberal capitalism. From there he went on to university in the early days of the Vietnam War and to West Germany, where critical theory was experiencing a major revival. An incisive thinker, Geuss looks beyond the horrors of authoritarianism and the shallow freedom of liberalism to glimpse a world of genuinely new possibilities.

Raymond Geuss is one of the most inventive and distinctive voices in contemporary political philosophy and a trenchant critic of the field’s dominant assumptions. In Reality and Its Dreams, he challenges the “normative turn” in political philosophy—the idea that the right approach to politics is to start from thinking abstractly about our own normative views and then, when they have been clarified and systematized, apply them to judging political structures, decisions, and events. Rather, the study of politics should be focused on the sphere of real politics, not least because normative judgments always arise from concrete historical configurations of power, including ideological power.It is possible to do this without succumbing to a numbing or toxic form of relativism or abandoning utopianism, although utopianism needs to be reunderstood. The utopian impulse is not an attempt to describe a perfect society but an impulse to think the impossible in politics, to articulate deep-seated desires that cannot be realized under current conditions, and to imagine how conditions that seem invariant can be changed.Geuss ranges widely across philosophy, literature, and art, exploring past and present ideas about such subjects as envy, love, satire, and evil and the work of figures as diverse as John Rawls, St. Augustine, Rabelais, and Russell Brand. His essays provide a bracing critique of ideas, too often unexamined, that shape and misshape our intellectual and political worlds.

Much political thinking today, particularly that influenced by liberalism, assumes a clear distinction between the public and the private, and holds that the correct understanding of this should weigh heavily in our attitude to human goods. It is, for instance, widely held that the state may address human action in the "public" realm but not in the "private." In Public Goods, Private Goods Raymond Geuss exposes the profound flaws of such thinking and calls for a more nuanced approach. Drawing on a series of colorful examples from the ancient world, he illustrates some of the many ways in which actions can in fact be understood as public or private. The first chapter discusses Diogenes the Cynic, who flouted conventions about what should be public and what should be private by, among other things, masturbating in the Athenian marketplace. Next comes an analysis of Julius Caesar's decision to defy the Senate by crossing the Rubicon with his army; in doing so, Caesar asserted his dignity as a private person while acting in a public capacity. The third chapter considers St. Augustine's retreat from public life to contemplate his own, private spiritual condition.In the fourth, Geuss goes on to examine recent liberal views, questioning, in particular, common assumptions about the importance of public dialogue and the purportedly unlimited possibilities humans have for reaching consensus. He suggests that the liberal concern to maintain and protect, even at a very high cost, an inviolable "private sphere" for each individual is confused. Geuss concludes that a view of politics and morality derived from Hobbes and Nietzsche is a more realistic and enlightening way than modern liberalism to think about human goods. Ultimately, he cautions, a simplistic understanding of privacy leads to simplistic ideas about what the state is and is not justified in doing.

Outside Ethics brings together some of the most important and provocative works by one of the most creative philosophers writing today. Seeking to expand the scope of contemporary moral and political philosophy, Raymond Geuss here presents essays bound by a shared skepticism about a particular way of thinking about what is important in human life--a way of thinking that, in his view, is characteristic of contemporary Western societies and isolates three broad categories of things as important: subjective individual preferences, knowledge, and restrictions on actions that affect other people (restrictions often construed as ahistorical laws). He sets these categories in a wider context and explores various human phenomena--including poetry, art, religion, and certain kinds of history and social criticism--that do not fit easily into these categories. As its title suggests, this book seeks a place outside conventional ethics. Following a brief introduction, Geuss sets out his main concerns with a focus on ethics and politics. He then expands these themes by discussing freedom, virtue, the good life, and happiness.Next he examines Theodor Adorno's views on the relation between suffering and knowledge, the nature of religion, and the role of history in giving us critical distances from existing identities. From here he moves to aesthetic concerns. The volume closes by looking at what it is for a human life to have "gaps"--to be incomplete, radically unsatisfactory, or a failure.

Many contemporary political thinkers are gripped by the belief that their task is to develop an ideal theory of rights or justice for guiding and judging political actions. But in Philosophy and Real Politics, Raymond Geuss argues that philosophers should first try to understand why real political actors behave as they actually do. Far from being applied ethics, politics is a skill that allows people to survive and pursue their goals. To understand politics is to understand the powers, motives, and concepts that people have and that shape how they deal with the problems they face in their particular historical situations. Philosophy and Real Politics both outlines a historically oriented, realistic political philosophy and criticizes liberal political philosophies based on abstract conceptions of rights and justice. The book is a trenchant critique of established ways of thought and a provocative call for change.

In politics, utopians do not have a monopoly on imagination. Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world.While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency.

Wishful thinking is a deeply ingrained human trait that has had a long-term distorting effect on ethical thinking. Many influential ethical views depend on the optimistic assumption that, despite appearances to the contrary, the human and natural world in which we live could, eventually, be made to make sense to us. In A World without Why, Raymond Geuss challenges this assumption. The essays in this collection--several of which are published here for the first time--explore the genesis and historical development of this optimistic configuration in ethical thought and the ways in which it has shown itself to be unfounded and misguided. Discussions of Greco-Roman antiquity and of the philosophies of Socrates, Plato, Hegel, Marx, Nietzsche, and Adorno play a central role in many of these essays. Geuss also ranges over such topics as the concepts of intelligibility, authority, democracy, and criticism; the role of lying in politics; architecture; the place of theology in ethics; tragedy and comedy; and the struggle between realism and our search for meaning.Characterized by Geuss's wide-ranging interests in literature, philosophy, and history, and by his political commitment and trenchant style, A World without Why raises fundamental questions about the viability not just of specific ethical concepts and theses, but of our most basic assumptions about what ethics could and must be.

Wishful thinking is a deeply ingrained human trait that has had a long-term distorting effect on ethical thinking. Many influential ethical views depend on the optimistic assumption that, despite appearances to the contrary, the human and natural world in which we live could, eventually, be made to make sense to us. In A World without Why, Raymond Geuss challenges this assumption. The essays in this collection--several of which are published here for the first time--explore the genesis and historical development of this optimistic configuration in ethical thought and the ways in which it has shown itself to be unfounded and misguided. Discussions of Greco-Roman antiquity and of the philosophies of Socrates, Plato, Hegel, Marx, Nietzsche, and Adorno play a central role in many of these essays. Geuss also ranges over such topics as the concepts of intelligibility, authority, democracy, and criticism; the role of lying in politics; architecture; the place of theology in ethics; tragedy and comedy; and the struggle between realism and our search for meaning.Characterized by Geuss's wide-ranging interests in literature, philosophy, and history, and by his political commitment and trenchant style, A World without Why raises fundamental questions about the viability not just of specific ethical concepts and theses, but of our most basic assumptions about what ethics could and must be.

A trenchant critique of established ideas in political philosophy and a provocative call for changeMany contemporary political thinkers are gripped by the belief that their task is to develop an ideal theory of rights or justice for guiding and judging political actions. But in Philosophy and Real Politics, Raymond Geuss argues that philosophers should first try to understand why real political actors behave as they actually do. Far from being applied ethics, politics is a skill that allows people to survive and pursue their goals. To understand politics is to understand the powers, motives, and concepts that people have and that shape how they deal with the problems they face in their particular historical situations.Philosophy and Real Politics both outlines a historically oriented, realistic political philosophy and criticizes liberal political philosophies based on abstract conceptions of rights and justice.

From Plato to Max Weber, the attempt to understand political judgement took the form of a struggle to define the relationship between politics and morals. This book by leading international scholars in the fields of history, philosophy and politics restores the subject to a place at the very centre of political theory and practice. Whilst it provides a range of perspectives on the theme of practical reason, it also explores a series of related problems in philosophy and political thought, raising fundamental questions about democracy, trust, the nature of statesmanship, and the relations between historical and political judgement. In the process, the volume reconsiders some classic debates in political theory - about equality, authority, responsibility and ideology - and offers new and original treatments of key figures in the history of political thought, including Thucydides, Montaigne, Locke, Smith, Burke and Marx.

Is work as we know it disappearing? And if so why should we care? These questions are explored by Raymond Geuss in this compact but sweeping survey which integrates conceptual analysis, historical reflection, autobiography and social commentary. Geuss explores our concept of work and its origins in industrial production, the incentives and compulsions which societies use to get us to work, and the powerful hold which the work ethic has over so many of us. He also looks at dissatisfaction with work - which is as old as work itself - and at various radical proposals for doing away with it, and at the seemingly irreversible growth of unemployment as a result of mechanisation. His book will interest anyone who wishes to understand the place of work in our world. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

The world is never going to make complete sense to us, yet we find that conclusion almost impossible to accept. Can we live, and feel at home, in a world composed at best of incompatible fragments of meaning?This is the theme that runs through this collection of essays by Raymond Geuss. Drawing on a characteristically wide range of insights from moral and political philosophy, history, and aesthetics, he addresses topics such as knowledge (of self, the world, and others), language, the visual and the auditory, authority, hope, and the success and failure of life projects. He argues that, to get by in our bewildering world, we must embrace the virtue of ‘double vision’: that is, immersing ourselves in and learning the ways of the culture surrounding us, even as we feel alienated from it. Together the essays explore some of the consequences of abandoning the idea of a unitary view of the world, while at the same time trying to avoid quietism.Seeing Double is a compelling collection of work by one of the world’s most versatile and creative philosophers.

The world is never going to make complete sense to us, yet we find that conclusion almost impossible to accept. Can we live, and feel at home, in a world composed at best of incompatible fragments of meaning?This is the theme that runs through this collection of essays by Raymond Geuss. Drawing on a characteristically wide range of insights from moral and political philosophy, history, and aesthetics, he addresses topics such as knowledge (of self, the world, and others), language, the visual and the auditory, authority, hope, and the success and failure of life projects. He argues that, to get by in our bewildering world, we must embrace the virtue of ‘double vision’: that is, immersing ourselves in and learning the ways of the culture surrounding us, even as we feel alienated from it. Together the essays explore some of the consequences of abandoning the idea of a unitary view of the world, while at the same time trying to avoid quietism.Seeing Double is a compelling collection of work by one of the world’s most versatile and creative philosophers.

When political action is imperative, we can be tempted to look to philosophy for guiding principles. This project, however, historically has been doomed to fail. Throughout Tracks in Chaos, philosopher Raymond Geuss examines closely the consequences of this failure. In crisp and lucid prose, he ranges over topics that include political realism, reflection in politics, universalism, solidarity, our utopian aspirations, and the role of fear in motivating censorship. Geuss ultimately paints a picture that is both rich and uncompromising, as is his conclusion: that we must learn to accept incompleteness, contingency and pluralism in our search for orientation.This is an incisive and elegant new collection of essays by one of our finest moral and political philosophers.

When political action is imperative, we can be tempted to look to philosophy for guiding principles. This project, however, historically has been doomed to fail. Throughout Tracks in Chaos, philosopher Raymond Geuss examines closely the consequences of this failure. In crisp and lucid prose, he ranges over topics that include political realism, reflection in politics, universalism, solidarity, our utopian aspirations, and the role of fear in motivating censorship. Geuss ultimately paints a picture that is both rich and uncompromising, as is his conclusion: that we must learn to accept incompleteness, contingency and pluralism in our search for orientation.This is an incisive and elegant new collection of essays by one of our finest moral and political philosophers.