Rebecca Ruth Gould – författare

Arabic, Persian, and Turkic Poetics: Towards a Post-Eurocentric Literary Theory is a pioneering book that offers a fresh perspective on Arabic, Persian, and Turkic literature in their interrelations. The authors challenge Eurocentric paradigms while creating a framework for exploring these traditions on their own terms. Authored by an international team of scholars, each chapter centres the literary theoretical traditions of their respective literatures, with a focus on the discipline of comparative poetics ('ilm al-balāgha) in the Islamic world. By liberating the study of Islamicate literary texts from Eurocentric theoretical paradigms, the book paves the way for a more inclusive global discourse in literary studies. Specifically, our theoretical roots in comparative poetics and the rhetorical traditions of Arabic, Persian, and Turkic literatures will foster new methods of close reading that are in line with the aesthetic standards intrinsic to these texts and their traditions. Engaging and insightful, this book is essential reading for anyone interested in broadening their understanding of world literature and literary theory.

Through a series of insightful and sophisticated readings, this book reveals the worldliness of premodern Persian poetry. It traces the political role of poetry in shaping the prison poem genre (habsiyyat) across 12th-century Central, South and West Asia. Bringing theorists as wide ranging as Kantorowicz, Benjamin and Adorno into conversation with classical Persian poetics, this book offers an unprecedented account of prison poetry before modernity, and of premodern Persianate culture within the framework of world literature and global politics.

The first English-language study of the Persian prison poemDevelops a new approach to genre, based on the political status of the prison poem Offers an unprecedented account of the interrelations of poetry and power in pre-modern literature Sheds new light on Muslim Christian relations by documenting the multi-confessional orientation of many prison poems Relates the trajectory of the prison poem genre in pre-modern poetics to Iranian literary modernism, including the prison poems of Muhammad Taqi BaharThrough a series of insightful and sophisticated readings, this book reveals the worldliness of premodern Persian poetry. It traces the political role of poetry in shaping the prison poem genre (habsiyyat) across 12th-century Central, South and West Asia. The emergence of the genre is indebted to the increasing importance of the poet, who came into increasing conflict with Ghaznavid and Saljuq sovereigns as the genre developed. Uniting the polarities of perpetuity and contingency, the poet's body became the medium for the prison poem's oppositional poetics.Bringing theorists as wide ranging as Kantorowicz, Benjamin and Adorno into conversation with classical Persian poetics, this book offers an unprecedented account of prison poetry before modernity, and of premodern Persianate culture within the framework of world literature and global politics.

The widespread adoption of the IHRA definition of anti-semitism and the internalisation of its norms has set in motion a simplistic definitional logic for dealing with social problems that has impoverished discussions of racism and prejudice more generally, across Britain and beyond. It has encouraged a focus on words over substance.Erasing Palestine tells the story of how this has happened, with a focus on internal politics within Britain over the course of the past several years. In order to do so, it tells a much longer story, about the history of antisemitism since the beginning of the twentieth century. This is also a story about Palestine, a chronicle of the erasure of the violence against the Palestinian people, and a story about free speech, and why it matters to Palestinian freedom.

The widespread adoption of the IHRA definition of anti-semitism and the internalisation of its norms has set in motion a simplistic definitional logic for dealing with social problems that has impoverished discussions of racism and prejudice more generally, across Britain and beyond. It has encouraged a focus on words over substance.Erasing Palestine tells the story of how this has happened, with a focus on internal politics within Britain over the course of the past several years. In order to do so, it tells a much longer story, about the history of antisemitism since the beginning of the twentieth century. This is also a story about Palestine, a chronicle of the erasure of the violence against the Palestinian people, and a story about free speech, and why it matters to Palestinian freedom.