Reginald Gibbons - Böcker

For readers, actors, students, teachers, and theatrical directors, this new translation of one of the greatest plays in the history of the western world provides the best combination of contemporary, powerful language, along with superb background and notes on meaning, interpretation, and ancient beliefs, attitudes, and contexts.

To write or read a poem is often to think in distinctively poetic ways-guided by metaphors, sound, rhythms, associative movement, and more. Poetry's stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry's ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets-Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.

To write or read a poem is often to think in distinctively poetic ways-guided by metaphors, sound, rhythms, associative movement, and more. Poetry's stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry's ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets-Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.

"This anthology brings together essays by 20th-century poets on their own art: some concern themselves with its deep sources and ultimate justifications; others deal with technique, controversies among schools, the experience behind particular poems. The great Modernists of most countries are presented here—Paul Valéry, Federico García Lorca, Boris Pasternak, Fernando Pessoa, Eugenio Montale, Wallace Stevens—as are a range of younger, less eminent figures from the English-speaking world: Seamus Heaney, Denise Levertov, Wendell Berry. . . . The reader will find here a lively debate over the individualistic and the communal ends served by poetry, and over other issues that divide poets: inspiration and craft; the use or the condemnation of science; traditional and 'organic' form."—Alan Williamson, New York Times Book Review

From Ritual A slow parade of old west enthusiasts, camp song and hymn, came in along the winding way where rural declined to suburban, slow riders and wagoners passing a cow staked to graze, some penned cattle looking vacantly up not in vacant lots the ancient icons of wealth they had been in odes, prayers and epics, in sacrifices and customs of bride-price or dowry. (It's good people no longer make blood sacrifices, at gas stations and stores, for example, and in the crunching gravel parking lots of small churches oh but we do.) In his tenth book of poems, Reginald Gibbons immerses the reader in many different places and moments of intensity, including a lake in the Canadian north, a neighborhood in Chicago, the poet Osip Mandelshtam's midnight of social cataclysm and imagination, a horse caravan in Texas, and an archeological dig on the steppes near the Volga River. Last Lake begins with a cougar and ends with bees; it speaks in two ways with reminiscence, meditation, and memorial, and with springing leaps of image and thought.

Few people writing today could successfully combine an intimate knowledge of Chicago with a poet's eye, and capture what it's really like to live in this remarkable city. Embracing a striking variety of human experience a chance encounter with a veteran on Belmont Avenue, the grimy majesty of the downtown El tracks, domestic violence in a North Side brownstone, the wide-eyed wonder of new arrivals at O'Hare, and much more these new and selected poems and stories by Reginald Gibbons celebrate the heady mix of elation and despair that is city life. With Slow Trains Overhead, he has rendered a living portrait of Chicago as luminously detailed and powerful as those of Nelson Algren and Carl Sandburg. Gibbons takes the reader from museums and neighborhood life to tense proceedings in Juvenile Court, from comically noir-tinged scenes at a store on Clark Street to midnight immigrants at a gas station on Western Avenue, and from a child's piggybank to nature in urban spaces. For Gibbons, the city's people, places, and historical reverberations are a compelling human array of the everyday and the extraordinary, of poverty and beauty, of the experience of being one among many.Penned by one of its most prominent writers, Slow Trains Overhead evokes and commemorates human life in a great city.

William Goyen (1915-1983) was an American original, acclaimed nationally and internationally, and one of the most important writers ever to be associated with the regional culture and literary history of Texas. Called "one of the great American writers of short fiction" by the New York Times Book Review, Goyen also authored the novels The House of Breath, In a Farther Country, Come, the Restorer, and Arcadio, as well as plays, poetry, and nonfiction. His literary works manifest an intimate intensity of feeling and an inimitable tone of voice, reflecting Goyen's lifelong desire to create art that was at once a spiritual quest for universal truths and an evocation of the rhythms of speech and storytelling of his native East Texas. This volume contains all of the uncollected autobiographical writings of William Goyen, including essays previously published in American periodicals and literary journals; interviews published in Paris Review, TriQuarterly, and the French magazine Masques; and previously unpublished materials drawn from Goyen's papers in the Harry Ransom Humanities Research Center at the University of Texas at Austin. The writings span Goyen's entire adult life, from youthful journals to autobiographical sketches to his long sketch for an autobiographical book, Six Women, which profiles women whom Goyen felt had influenced him deeply: Frieda Lawrence, Dorothy Brett, Mabel Dodge Luhan, Margo Jones, Millicent Rogers, and Katherine Anne Porter. The volume also contains late essays on growing up in Houston, writing from life, and illness and recovery. While most of William Goyen's work was autobiographical, writing a traditional autobiography proved to be inimical to his artistic sensibility and style. Thus, the pieces collected in Goyen constitute the most complete autobiography that we will ever have from this highly regarded writer.

Jorge Guillen is one of Spain's most important and productive poets of the twentieth century; yet though recently honored with prestigious literary prizes in Spain, Italy, and the United States, he remains little known in this country. This selection of his poetry and his commentary on the poems comprise an extraordinary introduction of the poet to an English-speaking audience. Ranging over the nearly sixty years of Guillen's poetic career, this anthology consists of the poet's own selection of forty-one poems that represent for him the coherence and unity of his life's work. His commentary on each poem explains its place and significance in this context. With the original Spanish and the English translations on facing pages, the anthology proceeds thematically. The poet asks us to consider the architecture of his work as a whole, and not necessarily his development as a poet. At Guillen's invitation, the translators visited him at his home in Cambridge, Massachusetts, where they taped the poet reading and talking about his poetry for more than five hours. Guillen on Guillen is the edited transcript of that meeting. Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jorge Guillen is one of Spain's most important and productive poets of the twentieth century; yet though recently honored with prestigious literary prizes in Spain, Italy, and the United States, he remains little known in this country. This selection of his poetry and his commentary on the poems comprise an extraordinary introduction of the poet to an English-speaking audience. Ranging over the nearly sixty years of Guillen's poetic career, this anthology consists of the poet's own selection of forty-one poems that represent for him the coherence and unity of his life's work. His commentary on each poem explains its place and significance in this context. With the original Spanish and the English translations on facing pages, the anthology proceeds thematically. The poet asks us to consider the architecture of his work as a whole, and not necessarily his development as a poet. At Guillen's invitation, the translators visited him at his home in Cambridge, Massachusetts, where they taped the poet reading and talking about his poetry for more than five hours. Guillen on Guillen is the edited transcript of that meeting. Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In Creatures of a Day, Reginald Gibbons presents intense encounters with everyday people amidst the historical and social contexts of everyday life. His poems are meditations on memory, obligation, love, death, celebration, and sorrow. Some of them show how the making of poetry itself seems inextricably enmeshed with personal encounter and with history. This new collection includes five odes woven from interactions with others, thirteen shorter poems, and Fern-Texts, a kind of biographical and autobiographical essay in syllabic verse on the parallel decades of the English 1790s and the American 1960s. Using quotations from the notebooks of Samuel Taylor Coleridge, Fern-Texts interweaves the dilemmas of love, ethics, and political engagement in Coleridge's life when he was in his twenties and in the poet's own life when, at the same age, he lived in California. Ranging from poems of witness to paradoxical speculations, from the personal intimacy of love and death to the broad scope of historical turmoil, Creatures of a Day is an unusual, powerful collection.

Young Woman with a Cane explores the social, cultural, and personal dimensions of feeling, experience, and thought. This new collection by Reginald Gibbons ranges from nature and ecological crises to human conflicts of migration, self-determination, ancient war, and the corruption of political mores. In language intensified by strong rhythms, figures, and bounteous vocabulary, the book presents short lyrics alongside satires, laments, and witness, with subjects moving from elk in the Dakotas to underlings supporting knavish power, from celebrating words as a kind of phonetic music to brief narratives of interaction and consciousness. Above all, Gibbons's poems fluently and inventively articulate both directness and nuance. The long prose poem that gives the book its title and other pieces evoke the historical depths, echoes, and precedents of present-day life. Gradually the book provides energetic metaphorical and notional riffs on violence, on wars both past and recent and ongoing, as it satirizes the corrupted politics of our age. Yet it also presents tender, sometimes melancholic treatments of everyday life. With a panoply of poetic forms, marked throughout by a lively pleasure in the language and the lines, Gibbons conjures an extensive range of story and experience, feeling and thought.

Tia Chucha Press is proud to reprint Elizabeth Alexander's ""Body of Life,"" first published in 1996 and a collection that stands as a testament to the well-wrought line with the deeply threaded elements of history, ancestors, jazz, and family that mark the rare power inherent in Ms. Alexander's work. Her selection as the inaugural poet for 44th President of the United States, Barack Obama is well deserved - she is one of the most fresh and vital voices in American literature today.

This new collection by award-winning author Reginald Gibbons explores human experience and memory in ordinary settings—city apartments, rural roads, soap operas, and juvenile court—as way to understand the depths of thought and feeling in our everyday encounters. These narrative meditations explode with imagery, looking and listening deeply into our everyday experience—the extraordinary within the ordinary, the impossible within the possible.Reginald Gibbons is the author of numerous collections of poetry and fiction. His book Creatures of a Day was a poetry finalist for the National Book Award. He lives in Evanston, IL, where he teaches at Northwestern University.