Reinhard Blutner – författare

Ten leading scholars provide exacting research results and a reliable and accessible introduction to the new field of optimality theoretic pragmatics. The book includes a general introduction that overviews the foundations of this new research paradigm. The book is intended to satisfy the needs of students and professional researchers interested in pragmatics and optimality theory, and will be of particular interest to those exploring the interfaces of formal pragmatics with grammar, semantics, philosophy of language, information theory and cognitive psychology.

Ten leading scholars provide exacting research results and a reliable and accessible introduction to the new field of optimality theoretic pragmatics. The book includes a general introduction that overviews the foundations of this new research paradigm. The book is intended to satisfy the needs of students and professional researchers interested in pragmatics and optimality theory, and will be of particular interest to those exploring the interfaces of formal pragmatics with grammar, semantics, philosophy of language, information theory and cognitive psychology.

Ten leading scholars provide exacting research results and a reliable and accessible introduction to the new field of optimality theoretic pragmatics. The book includes a general introduction that overviews the foundations of this new research paradigm. The book is intended to satisfy the needs of students and professional researchers interested in pragmatics and optimality theory, and will be of particular interest to those exploring the interfaces of formal pragmatics with grammar, semantics, philosophy of language, information theory and cognitive psychology.

Das Buch unternimmt den Versuch, eine Darstellung der modernen Musiktheorie zu geben, die wesentlich von Einsichten der Kognitionswissenschaften bestimmt ist. Das Buch wendet sich somit an Leser*innen, die eine Verbindung suchen zwischen kognitiver Psychologie, Linguistik, Neurowissenschaft auf der einen Seite und der Musikwissenschaft auf der anderen. Das vorliegende Werk basiert auf naturwissenschaft­lichen Sockeln. Die Darstellung geht dabei in vielerlei Hinsicht über das hinaus, was in traditionellen Musiktheorien vermittelt wird. Es wird nämlich versucht, die mutmaßlichen Gesetze der Musik zu finden und zu begründen, soweit dies nach dem gegenwärtigen Stand der Wissenschaft möglich ist.