Rene Wellek – författare

The final volume of René Wellek's monumental history of modern criticism is a comprehensive survey of the main currents of twentieth-century criticism in Western Europe. In this volume, as in the preceding books of the series, Wellek expounds and analyzes the work of the most prominent critics, offering succinct appraisals of his subjects both as individuals and as participants in the broader movements of the century.  ContentsI. French Criticism, 1900-1950French "Classical" Criticism in the Twentieth CenturyRetrospect: Alain, Rémy de GourmontThe Nouvelle Revue Française: André Gide, Jacques Rivière, Ramón Fernández, Benjamin Crémiuex, Albert ThibaudetMarcel ProustThe Catholic Renaissance: Charles Du Bos, Jacques Maritain and Henri Bremond, Paul ClaudelDada and SurrealismThe Geneva School: Marcel Raymond, Albert Béguin, Georges PouletAlbert CamusJean-Paul SartrePaul ValéryProspectII. Italian Criticism, 1900-1950Benedetto CroceThe Followers of Croce: Luigi Russo, Francesco Flora, Mario Fubini, Attilio MomiglianoThe Aestheticians: Giuseppe Antonio Borgese, Alfredo GargiuloCritics concerned with English and American literature: Cesare Pavese, Mario Praz, Emilio CecchiItalian Marxism: Antonio Gramesci, Giacomo DebenedettiThe Catholic Renaissance: Carlo BoThe Close Readers: Renato Serra, Giuseppe De Robertis, Cesare De Lollis, Eugenio MontaleIII. Spanish Criticism, 1900-1950Américo CastroMiguel de UnamunoMarcelino Menéndez y Pelayo and Ramón Menéndez PidalAzorínSalvador de MadariagaJorge GuillénDámaso AlonsoJosé Ortega y Gasset

Provocative and penetrating, these essays attest to Mr. Wellek’s intense concern during the past two decades with the problems besetting the disciplines of literary theory, criticism, and history. Each essay accordingly sets as its goal the development of a concept that will contribute to better understanding of the literary work. Trenchant investigation of such significant critical concepts as baroque, romanticism, and realism are complemented by illuminating surveys of the current state of literary criticism and related commentaries on contemporary literary theory and scholarship. Concepts of Criticism constitutes a valuable statement of Mr. Wellek’s theoretical position. A number of the essays are published for the first time and a bibliography of Mr. Wellek’s publications is included.  René Wellek, author of A History of Modern Criticism, 1750-1950, is Sterling Professor of Comparative Literature at Yale.

Confrontations brings, together in one volume six essays by the distinguished critic Rene Wellek. Five have been previously published but are now practically unobtainable; one, "German and English Romanticism: A Confrontation," is previously unpublished. The books roam emphasis is on the spread of German philosophical and critical ideas to England and the United States. The first essay examines the differences between German and English Romanticism. In the following essays, Professor Wellek examines the Impact of German philosophy and literary theory on the Ideas of Carlyle and De Quincey. In the final two essays, he considers attitudes held by New England Transcendentalists, especially Emerson, toward German philosophy. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Confrontations brings, together in one volume six essays by the distinguished critic Rene Wellek. Five have been previously published but are now practically unobtainable; one, "German and English Romanticism: A Confrontation," is previously unpublished. The books roam emphasis is on the spread of German philosophical and critical ideas to England and the United States. The first essay examines the differences between German and English Romanticism. In the following essays, Professor Wellek examines the Impact of German philosophy and literary theory on the Ideas of Carlyle and De Quincey. In the final two essays, he considers attitudes held by New England Transcendentalists, especially Emerson, toward German philosophy. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With the erudition that has distinguished his lifelong study of literary criticism, Wellek considers the trends, theories, and quarrels of recent years. He continues to insist that criticism--whether written by structuralists, phenomenologists, Marxists, or the New Critics--makes judgments and also takes into account "a common humanity that makes all art accessible to us." He also considers the relationship between literature and linguistics and the difficulty of constructing evolutionary models for literary history.Originally published in 1982.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

With the erudition that has distinguished his lifelong study of literary criticism, Wellek considers the trends, theories, and quarrels of recent years. He continues to insist that criticism--whether written by structuralists, phenomenologists, Marxists, or the New Critics--makes judgments and also takes into account ""a common humanity that makes all art accessible to us."" He also considers the relationship between literature and linguistics and the difficulty of constructing evolutionary models for literary history.Originally published in 1982.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The selections in this anthology have been chosen to illustrate the main branches of Kant's philosophy: his theory of knowledge expounded in Critique of Pure Reason, his ethics represented by Foundations of the Metaphysics of Morals, his aesthetics in Critique of Judgement, and his theory of enlightenment in On History. (For other texts on German Philosophy see vols. 5, 23, 24, 27, 40, 48, and 78.)

The value of this readable account lies in the perspective it gives on the long process that established modern historical sense and the understanding of literary change and development. Though not primarily a history of English scholarship, careful attention has been given the rediscovery of early literature, history of critical thought, and the linguistic science in the eighteenth century.Originally published in 1941.A UNC Press Enduring Edition - UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

With the erudition that has distinguished his lifelong study of literary criticism, Wellek considers the trends, theories, and quarrels of recent years. He continues to insist that criticism--whether written by structuralists, phenomenologists, Marxists, or the New Critics--makes judgments and also takes into account "a common humanity that makes all art accessible to us." He also considers the relationship between literature and linguistics and the difficulty of constructing evolutionary models for literary history.Originally published in 1982.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.