Rhiannon Daniels – författare

This book is collections of essays on Italian literature, language, history, culture, politics, art, and media during 1340–1520. It discusses the Boccaccio's assumption within the text of the Teseida, Decameron and De mulieribus.

Widening the perspective offered by the traditional canon, this history reveals the poetry of Italy between 1200 and 1600 as a site of plurality of genre, form and even language, including not just written texts but also those presented in performance. Within this inclusive framing, poetry's content, its cultural and geographical contexts and its material media of transmission are given equal weight. Decentring major figures and their texts while recognising their broad influence, the innovative theoretical and methodological framework complements the variety and liveliness of poetic activity on the Italian peninsula over four centuries, from the first manuscript experiments in verse through to sophisticated print productions and elaborate performance media. Offering original, multidisciplinary insights into current debates and discoveries, this history enlarges the scope of what we understand Italian premodern poetry to be.

Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio's significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others' literary legacies, to his subsequent editorial history, and translation into other languages and media.

Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio's significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others' literary legacies, to his subsequent editorial history, and translation into other languages and media.

Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio''s significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others'' literary legacies, to his subsequent editorial history, and translation into other languages and media.

Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio''s significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others'' literary legacies, to his subsequent editorial history, and translation into other languages and media.

As a new digital era increasingly impacts on the ''age of print'', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio''s readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.

As a new digital era increasingly impacts on the ''age of print'', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio''s readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.