Richard Lane - Böcker

The carbon markets are in the middle of a fundamental crisis - a crisis marked by collapsing prices, fleeing actors, and ever increasing greenhouse gas levels. Yet carbon trading remains at the heart of global attempts to respond to climate change. Not only this, but markets continue to proliferate - particularly in the Global South. The Politics of Carbon Markets helps to make sense of this paradox and brings two urgently needed insights to the analysis of carbon markets. First, the markets must be understood in relation to the politics involved in their development, maintenance and opposition. Second, this politics is multiform and pervasive. Implementation of new techniques and measuring tools, policy development and contestation, and the structuring context of institutional settings and macro-social forces all involve a variety of political actors and create new forms of political agency. The contributions study the total extent of the carbon markets, from their prehistory to their contemporary expansion and wider impacts. This wide-ranging political perspective on the carbon markets is invaluable to those studying and interested in ecological markets, climate change governance and environmental politics.

This book provides an accessible introduction to, and overview of, the digital humanities, one of the fastest growing areas of literary studies. Lane takes a unique approach by focusing on the technologies and the new environment in which the digital humanities largely takes place: the digital laboratory. The book provides a brief history of DH, explores and explains the methodologies of past and current DH projects, and offers resources such as detailed case studies and bibliographies. Further, the focus on the digital laboratory space reveals affiliations with the types of research that have traditionally taken place in the sciences, as well as convergences with other fast-growing research spaces, namely innovation labs, fabrication labs, maker spaces, digital media labs, and change labs. The volume highlights the profound transformation of literary studies that is underway, one in which the adoption of powerful technology – and concomitantly being situated within a laboratory environment – is leading to an important re-engagement in the arts and humanities, and a renewed understanding of literary studies in the digital age, as well as a return to large-scale financial investment in humanistic research. It will be useful to students and teachers, as well as administrators and managers in charge of research infrastructure and funding decisions who need an accessible overview of this technological transformation in the humanities. Combining useful detail and an overview of the field, the book will offers accessible entry into this rapidly growing field.

This book provides an accessible introduction to, and overview of, the digital humanities, one of the fastest growing areas of literary studies. Lane takes a unique approach by focusing on the technologies and the new environment in which the digital humanities largely takes place: the digital laboratory. The book provides a brief history of DH, explores and explains the methodologies of past and current DH projects, and offers resources such as detailed case studies and bibliographies. Further, the focus on the digital laboratory space reveals affiliations with the types of research that have traditionally taken place in the sciences, as well as convergences with other fast-growing research spaces, namely innovation labs, fabrication labs, maker spaces, digital media labs, and change labs. The volume highlights the profound transformation of literary studies that is underway, one in which the adoption of powerful technology – and concomitantly being situated within a laboratory environment – is leading to an important re-engagement in the arts and humanities, and a renewed understanding of literary studies in the digital age, as well as a return to large-scale financial investment in humanistic research. It will be useful to students and teachers, as well as administrators and managers in charge of research infrastructure and funding decisions who need an accessible overview of this technological transformation in the humanities. Combining useful detail and an overview of the field, the book will offers accessible entry into this rapidly growing field.

Global Literary Theory: An Anthology comprises a selection of classic, must-read essays alongside contemporary and global extracts, providing an engaging and timely overview of literary theory. The volume is thoroughly introduced in the General Introduction and Part Introductions and each piece is contextualized within the wider sphere of global theory. Each part also includes annotated suggestions for further reading to help the reader navigate the extensive literature on each topic.The volume engages with the "internationalizing" of the curriculum as well as the globalization of literature and theory.Alongside these key themes, the volume also extends its coverage to include:The core topics and theorists from formalism and structuralism to postmodernism and deconstructionDigital humanities and humanities computing and their relevance to globalization and literary theoryThe religious turn in literary theory and philosophyNew textualities such as auto/biography, travel writing and ecocriticismOppositional texts which "write back" against the canon In addition, the book’s Companion Website features an interactive world map incorporating biographies of every theorist in the book, as well as biographies of additional influential theorists. Crucially, this anthology shows that ethnic, postcolonial studies and globalization are not simply niche areas of literary study but are of concern across the contemporary humanities and that new voices are always emerging, and being discovered, from around the globe. As such, this volume offers a refocusing of essential literary theory, extending the canon in line with ongoing debates concerning contemporary cultural and geographic borders.

Global Literary Theory: An Anthology comprises a selection of classic, must-read essays alongside contemporary and global extracts, providing an engaging and timely overview of literary theory. The volume is thoroughly introduced in the General Introduction and Part Introductions and each piece is contextualized within the wider sphere of global theory. Each part also includes annotated suggestions for further reading to help the reader navigate the extensive literature on each topic.The volume engages with the "internationalizing" of the curriculum as well as the globalization of literature and theory.Alongside these key themes, the volume also extends its coverage to include:The core topics and theorists from formalism and structuralism to postmodernism and deconstructionDigital humanities and humanities computing and their relevance to globalization and literary theoryThe religious turn in literary theory and philosophyNew textualities such as auto/biography, travel writing and ecocriticismOppositional texts which "write back" against the canon In addition, the book’s Companion Website features an interactive world map incorporating biographies of every theorist in the book, as well as biographies of additional influential theorists. Crucially, this anthology shows that ethnic, postcolonial studies and globalization are not simply niche areas of literary study but are of concern across the contemporary humanities and that new voices are always emerging, and being discovered, from around the globe. As such, this volume offers a refocusing of essential literary theory, extending the canon in line with ongoing debates concerning contemporary cultural and geographic borders.

'Reading Walter Benjamin' explores the persistence of absolute in Benjamin's work by sketching-out the relationship between philosphy and theology apparent in his diverse writings, from the early youth-movement essays to the later books, essays and fragments.The book examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the 'Georgekreis'; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order.Chapters cover: 'Kulturpessimismus' and the new thinking; metaphysics of youth: Wyneken and 'Rausch'; history: surreal Messianism; Goethe and the 'Georgekreis'; Kant's experience; casting the work of art; disrupting textual order; and exile and the time of crisis. The book uses new translations of Benjamin's essays, fragments and his 'Arcades Project', and makes substantial reference to previously untranslated material.Lane’s text allows the non-specialist entry into complex areas of critical theory, simultaneously offering original readings of Benjamin and twentieth-century arts and literature.

This important new book provides a comprehensive introduction to British fiction from 1979 to the present. The volume outlines the main developments in contemporary fiction and engages with key themes such as cultural identity, gender, myth and history, postcolonialism and urban culture. In a series of lively and accessible essays, key critics introduce a broad range of leading British writers, including Salman Rushdie, Jeanette Winterson, Will Self, Pat Barker, Kazuo Ishiguro, Martin Amis and Zadie Smith. Offering an illuminating analysis and contextualiztion of British fiction today, this book will be essential reading for students and scholars of contemporary literature.

This important new book provides a comprehensive introduction to British fiction from 1979 to the present. The volume outlines the main developments in contemporary fiction and engages with key themes such as cultural identity, gender, myth and history, postcolonialism and urban culture. In a series of lively and accessible essays, key critics introduce a broad range of leading British writers, including Salman Rushdie, Jeanette Winterson, Will Self, Pat Barker, Kazuo Ishiguro, Martin Amis and Zadie Smith. Offering an illuminating analysis and contextualiztion of British fiction today, this book will be essential reading for students and scholars of contemporary literature.

A concise introduction to a core and popular area of literary studies.Provides extended case studies which survey and summarise key critical debates and as such are invaluable for teaching.Places the emphasis on the text first and theory second, thus providing a unique and much needed approach to postcolonial literature, which in the past has been maligned for being theory driven.Takes an historical approach, thus covering a good range of texts that have generated lots of critical discussion and evaluative materials.Written clearly for an undergraduate reader, with introductory overviews at the start of each chapter.

The ultimate guide to stage fighting technique and basic swordplay, this book covers everything an actor must do to give a dynamic and convincing performance as a stage combatant. “âThis bookã is more than a manual... A necessity! Richard Lane's concepts are vital...'Why' and 'When' are explained and make 'How' easier to understand and execute...Read this, pay heed and you will avoid sin and suffering...I raise my sword on high and salute you, Richard. Well done!” –Oscar F. Kolombatovich, former Fencing Master, Metropolitan Opera, New York, and Executive Secretary, Historical Fencing Society

The carbon markets are in the middle of a fundamental crisis - a crisis marked by collapsing prices, fleeing actors, and ever increasing greenhouse gas levels. Yet carbon trading remains at the heart of global attempts to respond to climate change. Not only this, but markets continue to proliferate - particularly in the Global South. The Politics of Carbon Markets helps to make sense of this paradox and brings two urgently needed insights to the analysis of carbon markets. First, the markets must be understood in relation to the politics involved in their development, maintenance and opposition. Second, this politics is multiform and pervasive. Implementation of new techniques and measuring tools, policy development and contestation, and the structuring context of institutional settings and macro-social forces all involve a variety of political actors and create new forms of political agency. The contributions study the total extent of the carbon markets, from their prehistory to their contemporary expansion and wider impacts. This wide-ranging political perspective on the carbon markets is invaluable to those studying and interested in ecological markets, climate change governance and environmental politics.

Digital Humanities is rapidly evolving as a significant approach to/method of teaching, learning and research across the humanities. This is a first-stop book for people interested in getting to grips with digital humanities whether as a student or a professor. The book offers a practical guide to the area as well as offering reflection on the main objectives and processes, including:Accessible introductions of the basics of Digital Humanities through to more complex ideasA wide range of topics from feminist Digital Humanities, digital journal publishing, gaming, text encoding, project management and pedagogyContextualised case studiesResources for starting Digital Humanities such as links, training materials and exercisesDoing Digital Humanities looks at the practicalities of how digital research and creation can enhance both learning and research and offers an approachable way into this complex, yet essential topic.

Digital Humanities is rapidly evolving as a significant approach to/method of teaching, learning and research across the humanities. This is a first-stop book for people interested in getting to grips with digital humanities whether as a student or a professor. The book offers a practical guide to the area as well as offering reflection on the main objectives and processes, including:Accessible introductions of the basics of Digital Humanities through to more complex ideasA wide range of topics from feminist Digital Humanities, digital journal publishing, gaming, text encoding, project management and pedagogyContextualised case studiesResources for starting Digital Humanities such as links, training materials and exercisesDoing Digital Humanities looks at the practicalities of how digital research and creation can enhance both learning and research and offers an approachable way into this complex, yet essential topic.

In early September 1939, the 2nd Battalion Royal Norfolk Regiment were one of the first complete infantry units of the BEF to land in France. The first months of World War Two were relatively quiet but after deploying to the Maginot Line sector during January 1940 they came into contact with those Germans manning the West Wall or Seigfried Line. A patrol led by Captain Peter Barclay entered German territory and was attacked. As a result, the first decorations of the war were awarded. Barclay received the Military Cross and Lance-Corporal Davis the Military Medal while the remaining members of the patrol were mentioned in despatches. Two days later, the battalion suffered a tragic first when Lieutenant Patrick Everitt was mortally wounded while leading a daylight patrol. Everitt was the first British officer to be killed in action in the Second World War. When the Germans launched their offensive on 10 May, the BEF advanced to the River Dyle in Belgium. Within days the Allied Armies had been forced onto the back foot by the speed and ferocity of the German breakthrough. The Norfolks withdrew to the River Escaut where the BEF was to make a stand. On 21 May, the Company Sergeant Major George Gristock courageously destroyed some German machine-gun posts and won a posthumous Victoria Cross. As the Allies withdrew towards the Channel, the Norfolks were ordered to defend a section of the Canal Line between Bthune and Le Cornet Malo. Already down to around half strength, the Norfolks held their sector from 24 to 27 May. By the time the order was issued for them to withdraw, it was too late, Battalion HQ at Duries Farm, Le Paradis was surrounded and they had no alternative but to surrender, although C Company held out until the following morning. After the surrender, ninety-nine men of the Battalion were marched to a paddock where they were machine-gunned in cold blood by their SS captors. Miraculously, two men survived and were instrumental in bringing the SS officer responsible, Fritz Knoechlien, to justice after the war. When the remnants of the battalion reassembled in England, its strength was just five officers and 134 other ranks. The remainder had either been killed or captured as POWs.