Richard Rex – författare

Abandoning the traditional narrative approach to the subject, Richard Rex presents an analytical account which sets out the logic of Henry VIII''s shortlived Reformation. Starting with the fundamental matter of the royal supremacy, Rex goes on to investigate the application of this principle to the English ecclesiastical establishment and to the traditional religion of the people. He then examines the extra impetus and the new direction which Henry''s regime gave to the development of a vernacular and literate devotional culture, and shows how, despite Henry''s best intentions, serious religious divisions had emerged in England by the end of his reign. The study emphasises the personal role of Henry VIII in driving the Reformation process and how this process, in turn, considerably reinforced the monarch''s power.This updated edition of a powerful interpretation of Henry VIII''s Reformation retains the analytical edge and stylish lucidity of the original text while taking full account of the latest research. An important new chapter elucidates the way in which ''politics'' and ''religion'' interacted in early Tudor England.

The Lollards offers a brief but insightful guide to the entire history of England's only native medieval heretical movement. Beginning with its fourteenth century origins in the theology of the Oxford professor, John Wyclif, Richard Rex examines the spread of Lollardy across much of England until its eventual dissolution amidst the ecclesiastical and doctrinal upheavals of the sixteenth century.Taking account of recent scholarship, Rex reassesses Wyclif's political career and provides a compact survey of his theology which corrects a number of current misapprehensions about it and identifies those features which help explain the hostility it aroused. Whilst endorsing the traditinal view that Lollardy was indeed the lay face of Wycliffism, the author nevertheless challenges a number of cherished myths about England's late medieval heretics. Rex controversially argues that Wyclif and the Lollards were far less important than historians and literary scholars have often claimed, and takes issue with recent attempts to restore Lollardy to its once conventional position as a 'cause' of the Reformation.Powerful and persuasive, The Lollards is essential reading for anyone interested in the movement's relationship to Wyclif's teachings, its social and geographical distribution, its political significance, and its impact on the English Reformation.

This book investigates the intellectual career of Bishop John Fisher (1469-1535), the early sixteenth-century bishop of Rochester and victim of Henry VIII's Reformation, whose numerous writings included one of the most influential refutations of the century of Martin Luther. Richard Rex investigates the life and work of Fisher the scholar from his arrival in Cambridge in the 1480s to his prolonged literary campaign against Henry's divorce from Catherine of Aragon in the years 1527-31. He traces the intellectual influences of scholasticism and humanism in his education and his subsequent career, and the way in which Fisher attempted to cope with the tensions between the authority of the church and the critical implications of humanist study. The heart of the book is concerned with Fisher's most important works, his treatises against Luther and Oecolompadius in the 1520s. Rex draws attention to the perceptiveness and originality of his critique of Protestant doctrines, and attempts to restore one of the greatest intellectuals of early sixteenth-century England to his rightful place as a central figure in the scholarship of the age.

Three leading scholars examine one of the oldest professorships, the Lady Margaret's Chair of Divinity at Cambridge, plotting its development in the context of sixteenth- and seventeenth-century history. The current Lady Margaret's Professor Graham Stanton sets the scene with an introduction briefly considering theology at Cambridge before 1502 and after 1649. In the two main chapters (delivered as lectures in March 2002 to celebrate the five-hundredth anniversary of the Chair) Richard Rex - an authority on John Fisher, first holder of the Chair - deploys new evidence to propose changes in the list of early professors (including the removal of Erasmus's name) and shows how their appointment and dismissal reflected the vagaries of the Reformation; and Patrick Collinson investigates how the Elizabethan and early Stuart professors continued to be caught up in the religious and political turmoil of the times. There is a complete list of holders from 1502 to the present.

This book investigates the intellectual career of Bishop John Fisher (1469-1535), the early sixteenth-century bishop of Rochester and victim of Henry VIII's Reformation, whose numerous writings included one of the most influential refutations of the century of Martin Luther. Richard Rex investigates the life and work of Fisher the scholar from his arrival in Cambridge in the 1480s to his prolonged literary campaign against Henry's divorce from Catherine of Aragon in the years 1527-31. He traces the intellectual influences of scholasticism and humanism in his education and his subsequent career, and the way in which Fisher attempted to cope with the tensions between the authority of the church and the critical implications of humanist study. The heart of the book is concerned with Fisher's most important works, his treatises against Luther and Oecolompadius in the 1520s. Rex draws attention to the perceptiveness and originality of his critique of Protestant doctrines, and attempts to restore one of the greatest intellectuals of early sixteenth-century England to his rightful place as a central figure in the scholarship of the age.

A major new account of the most intensely creative years of Luther's career The Making of Martin Luther takes a provocative look at the intellectual emergence of one of the most original and influential minds of the sixteenth century. Richard Rex traces how, in a concentrated burst of creative energy in the few years surrounding his excommunication by Pope Leo X in 1521, this lecturer at an obscure German university developed a startling new interpretation of the Christian faith that brought to an end the dominance of the Catholic Church in Europe. Luther's personal psychology and cultural context played their parts in the whirlwind of change he unleashed. But for the man himself, it was always about the ideas, the truth, and the Gospel. Focusing on the most intensely important years of Luther's career, Rex teases out the threads of his often paradoxical and counterintuitive ideas from the tangled thickets of his writings, explaining their significance, their interconnections, and the astonishing appeal they so rapidly developed.Yet Rex also sets these ideas firmly in the context of Luther's personal life, the cultural landscape that shaped him, and the traditions of medieval Catholic thought from which his ideas burst forth. Lucidly argued and elegantly written, The Making of Martin Luther is a splendid work of intellectual history that renders Luther's earthshaking yet sometimes challenging ideas accessible to a new generation of readers.

A major new account of the most intensely creative years of Luther's careerThe Making of Martin Luther takes a provocative look at the intellectual emergence of one of the most original and influential minds of the sixteenth century. Richard Rex traces how, in a concentrated burst of creative energy in the few years surrounding his excommunication by Pope Leo X in 1521, this lecturer at an obscure German university developed a startling new interpretation of the Christian faith that brought to an end the dominance of the Catholic Church in Europe. Lucidly argued and elegantly written, The Making of Martin Luther is a splendid work of intellectual history that renders Luther's earthshaking yet sometimes challenging ideas accessible to a new generation of readers.

Investing in a new metalworking lathe is a big step for any shop (especially home shops), where there’s usually no one around to help. Once the lathe is up and running, you should theoretically be able to make the special items you previously did without (or paid through the nose for), such as shafts, plain, tapered or threaded discs, bearings, and so on. But if you are new to this, you’ll want to know a lot more than you can learn from the salesman or the manual. Does the lathe really match your needs, and if so, how much?Choosing & Using the Right Metal Shop Lathe is an essential source of information for lathe buyers and users at every level, from mini-size tabletops up to industrial machines weighing half a ton or more. It answers the question of what else you will need to get useful work from the machine. For instance, what comes as “standard equipment” with the lathe? Most include a chuck (usually a 4-jaw independent, not the self-centering 3-jaw you’ll want to use most of the time), maybe a faceplate (rarely used), and a 4-way toolholder you will probably swap right away for a more sensible design. Never included is a tailstock drill chuck, an essential accessory you will need from day one—and the same goes for actual cutting tools. Almost certainly, there won’t be a digital readout (DRO), which used to be regarded as a “maybe-someday” luxury—but not anymore.The work talks about cutting oils, cutting speeds and easier-to-machine materials, and it cautions against buying sets of anything, vs. buying the one accessory you’ll truly need. Finally, there are chapters on building a tailstock drill press, a special toolpost for easy screw cutting, and a precision grinder for lathe tools that can be made from oddments of material in a couple of days or less.           Features Differentiates between the truly essential features (screw-cutting) and the nice-to-have (power feeding), spindle speed selection from a gearbox (typical) or continuously variable (more convenient).Offers advice on screw-cutting US and metric threads, and handling the machinist’s most trouble-prone actions, such as knurling and parting off.Provides a workpiece tutorial that demonstrates many of the commonplace lathe routines—ideal for first-time users.

Investing in a new metalworking lathe is a big step for any shop (especially home shops), where there’s usually no one around to help. Once the lathe is up and running, you should theoretically be able to make the special items you previously did without (or paid through the nose for), such as shafts, plain, tapered or threaded discs, bearings, and so on. But if you are new to this, you’ll want to know a lot more than you can learn from the salesman or the manual. Does the lathe really match your needs, and if so, how much?  Choosing & Using the Right Metal Shop Lathe is an essential source of information for lathe buyers and users at every level, from mini-size tabletops up to industrial machines weighing half a ton or more. It answers the question of what else you will need to get useful work from the machine. For instance, what comes as “standard equipment” with the lathe? Most include a chuck (usually a 4-jaw independent, not the self-centering 3-jaw you’ll want to use most of the time), maybe a faceplate (rarely used), and a 4-way toolholder you will probably swap right away for a more sensible design. Never included is a tailstock drill chuck, an essential accessory you will need from day one—and the same goes for actual cutting tools. Almost certainly, there won’t be a digital readout (DRO), which used to be regarded as a “maybe-someday” luxury—but not anymore.  The work talks about cutting oils, cutting speeds and easier-to-machine materials, and it cautions against buying sets of anything, vs. buying the one accessory you’ll truly need. Finally, there are chapters on building a tailstock drill press, a special toolpost for easy screw cutting, and a precision grinder for lathe tools that can be made from oddments of material in a couple of days or less.           Features Differentiates between the truly essential features (screw-cutting) and the nice-to-have (power feeding), spindle speed selection from a gearbox (typical) or continuously variable (more convenient).Offers advice on screw-cutting US and metric threads, and handling the machinist’s most trouble-prone actions, such as knurling and parting off.Provides a workpiece tutorial that demonstrates many of the commonplace lathe routines—ideal for first-time users.

Investing in a new metalworking lathe is a big step for any shop (especially home shops), where there’s usually no one around to help. Once the lathe is up and running, you should theoretically be able to make the special items you previously did without (or paid through the nose for), such as shafts, plain, tapered or threaded discs, bearings, and so on. But if you are new to this, you’ll want to know a lot more than you can learn from the salesman or the manual. Does the lathe really match your needs, and if so, how much?  Choosing & Using the Right Metal Shop Lathe is an essential source of information for lathe buyers and users at every level, from mini-size tabletops up to industrial machines weighing half a ton or more. It answers the question of what else you will need to get useful work from the machine. For instance, what comes as “standard equipment” with the lathe? Most include a chuck (usually a 4-jaw independent, not the self-centering 3-jaw you’ll want to use most of the time), maybe a faceplate (rarely used), and a 4-way toolholder you will probably swap right away for a more sensible design. Never included is a tailstock drill chuck, an essential accessory you will need from day one—and the same goes for actual cutting tools. Almost certainly, there won’t be a digital readout (DRO), which used to be regarded as a “maybe-someday” luxury—but not anymore.  The work talks about cutting oils, cutting speeds and easier-to-machine materials, and it cautions against buying sets of anything, vs. buying the one accessory you’ll truly need. Finally, there are chapters on building a tailstock drill press, a special toolpost for easy screw cutting, and a precision grinder for lathe tools that can be made from oddments of material in a couple of days or less.           Features Differentiates between the truly essential features (screw-cutting) and the nice-to-have (power feeding), spindle speed selection from a gearbox (typical) or continuously variable (more convenient).Offers advice on screw-cutting US and metric threads, and handling the machinist’s most trouble-prone actions, such as knurling and parting off.Provides a workpiece tutorial that demonstrates many of the commonplace lathe routines—ideal for first-time users.

         In most modern metal shops, you’ll find both a lathe and a vertical mill. Both machines function by removing material from a block of metal—the “workpiece.” The key difference between the two is how the workpiece is handled. On a lathe, the workpiece rotates, and is cut away by a knife tool. (Typical products of lathe work are “turned parts” such as spindles, bearings, screws, washers, and circular blanks for gears.)          On a milling machine, it’s the cutter that rotates. The workpiece is clamped to a table that is moved by precise amounts in two axes at right angles. (Typical mill products are flat-surfaced blocks of metal, like a cube, sometimes drilled for spindles or dowel pins, often tapped for screws.)           Both the lathe and mill are incredibly flexible machines, but neither is capable of doing useful work right “out of the box.” Both call for a number of accessories for holding the workpiece, as well as a selection of different cutting tools, drills, reamers, etc. Unlike lathe turning, which has not changed fundamentally in the past 100 years, milling in the small shop has been changed radically by the recent introduction of bench-top machines.          There are now so many different milling machines that insider information has become even more important. In this work, Choosing & Using the Right Milling Machine, Richard Rex provides everything needed to choose the right type of mill—knee-type (Bridgeport) or bench-top—and properly install it depending on the type of work you’re doing. With suggestions for finding, installing, and using the essential accessories, including digital readouts, this work is a must-have for model shops around the globe. And it’s the perfect companion work to Choosing & Using the Right Metal Shop Lathe.             Features Covers different types of milling cutters, including end mills, drill bits, reamers, and slitting saws.Introduces information on the add-ons that get a shop operational with the least delay and expense.Instructs on the installation and use of three popular accessories—table power-feed, digital readout (DRO), and rotary table.Provides a workpiece tutorial that demonstrates many of the commonplace milling routines—ideal for first-time users.

         In most modern metal shops, you’ll find both a lathe and a vertical mill. Both machines function by removing material from a block of metal—the “workpiece.” The key difference between the two is how the workpiece is handled. On a lathe, the workpiece rotates, and is cut away by a knife tool. (Typical products of lathe work are “turned parts” such as spindles, bearings, screws, washers, and circular blanks for gears.)          On a milling machine, it’s the cutter that rotates. The workpiece is clamped to a table that is moved by precise amounts in two axes at right angles. (Typical mill products are flat-surfaced blocks of metal, like a cube, sometimes drilled for spindles or dowel pins, often tapped for screws.)           Both the lathe and mill are incredibly flexible machines, but neither is capable of doing useful work right “out of the box.” Both call for a number of accessories for holding the workpiece, as well as a selection of different cutting tools, drills, reamers, etc. Unlike lathe turning, which has not changed fundamentally in the past 100 years, milling in the small shop has been changed radically by the recent introduction of bench-top machines.          There are now so many different milling machines that insider information has become even more important. In this work, Choosing & Using the Right Milling Machine, Richard Rex provides everything needed to choose the right type of mill—knee-type (Bridgeport) or bench-top—and properly install it depending on the type of work you’re doing. With suggestions for finding, installing, and using the essential accessories, including digital readouts, this work is a must-have for model shops around the globe. And it’s the perfect companion work to Choosing & Using the Right Metal Shop Lathe.             Features Covers different types of milling cutters, including end mills, drill bits, reamers, and slitting saws.Introduces information on the add-ons that get a shop operational with the least delay and expense.Instructs on the installation and use of three popular accessories—table power-feed, digital readout (DRO), and rotary table.Provides a workpiece tutorial that demonstrates many of the commonplace milling routines—ideal for first-time users.

Reformations Compared presents a collection of comparative studies of the Reformation as it reverberated across Europe in the sixteenth century. Each chapter is focused on two or more comparable geographical spaces, isolating the variables that help explain how and why the Reformation unfolded as it did in each separate setting. Rejecting notions of insularity, the contributors seek out the connections and contrasts that shaped the experience of the Reformation, from the Baltic to the Mediterranean, and from Ireland to Transylvania. In doing so, the volume offers a fresh understanding of the conditions in which the movement succeeded, whether wholly or partially, and those in which it did not. Reformations Compared provides a broad vantage point which encourages readers to reshape their understanding of this decisive episode in European history.

Reformations Compared presents a collection of comparative studies of the Reformation as it reverberated across Europe in the sixteenth century. Each chapter is focused on two or more comparable geographical spaces, isolating the variables that help explain how and why the Reformation unfolded as it did in each separate setting. Rejecting notions of insularity, the contributors seek out the connections and contrasts that shaped the experience of the Reformation, from the Baltic to the Mediterranean, and from Ireland to Transylvania. In doing so, the volume offers a fresh understanding of the conditions in which the movement succeeded, whether wholly or partially, and those in which it did not. Reformations Compared provides a broad vantage point which encourages readers to reshape their understanding of this decisive episode in European history.

Combining an expertise on the Tudor dynasty with an authoritative understanding of its religious and political make-up, A Short History of the Tudors provides a fresh and accessible perspective of one of the most formative periods of British history.Rex considers the ways in which the Tudors shaped the beginnings of modern England through the momentous break with Rome in a comprehensive yet balanced way. Close attention is also paid to the dismantling of the baronial system and centralisation of secular power, as well as an exploration of the break with Rome, the two pillars on which the author’s argument will rest.The book is organised chronologically and divided up into time periods, making it the ultimate companion for anyone keen to delve into the history of Britain’s most notorious dynasty.The famous and infamous key players in the Tudor age have long endured in text books and are, brought to life here by Rex. Lively portraits of John Fisher, Thomas Moore and Thomas Wolsey and Mary Queen of Scots are painted, as well as the lesser-known players like the flamboyant Robert Devereux. A leading authority on the Tudors and British religious history, Richard Rex brings to life a dynasty which continues to engages and fascinate readers.

Combining an expertise on the Tudor dynasty with an authoritative understanding of its religious and political make-up, A Short History of the Tudors provides a fresh and accessible perspective of one of the most formative periods of British history.Rex considers the ways in which the Tudors shaped the beginnings of modern England through the momentous break with Rome in a comprehensive yet balanced way. Close attention is also paid to the dismantling of the baronial system and centralisation of secular power, as well as an exploration of the break with Rome, the two pillars on which the author''s argument will rest.The book is organised chronologically and divided up into time periods, making it the ultimate companion for anyone keen to delve into the history of Britain''s most notorious dynasty.The famous and infamous key players in the Tudor age have long endured in text books and are, brought to life here by Rex. Lively portraits of John Fisher, Thomas Moore and Thomas Wolsey and Mary Queen of Scots are painted, as well as the lesser-known players like the flamboyant Robert Devereux. A leading authority on the Tudors and British religious history, Richard Rex brings to life a dynasty which continues to engages and fascinate readers.

Combining an expertise on the Tudor dynasty with an authoritative understanding of its religious and political make-up, A Short History of the Tudors provides a fresh and accessible perspective of one of the most formative periods of British history.Rex considers the ways in which the Tudors shaped the beginnings of modern England through the momentous break with Rome in a comprehensive yet balanced way. Close attention is also paid to the dismantling of the baronial system and centralisation of secular power, as well as an exploration of the break with Rome, the two pillars on which the author''s argument will rest.The book is organised chronologically and divided up into time periods, making it the ultimate companion for anyone keen to delve into the history of Britain''s most notorious dynasty.The famous and infamous key players in the Tudor age have long endured in text books and are, brought to life here by Rex. Lively portraits of John Fisher, Thomas Moore and Thomas Wolsey and Mary Queen of Scots are painted, as well as the lesser-known players like the flamboyant Robert Devereux. A leading authority on the Tudors and British religious history, Richard Rex brings to life a dynasty which continues to engages and fascinate readers.

Combining an expertise on the Tudor dynasty with an authoritative understanding of its religious and political make-up, A Short History of the Tudors provides a fresh and accessible perspective of one of the most formative periods of British history.Rex considers the ways in which the Tudors shaped the beginnings of modern England through the momentous break with Rome in a comprehensive yet balanced way. Close attention is also paid to the dismantling of the baronial system and centralisation of secular power, as well as an exploration of the break with Rome, the two pillars on which the author’s argument will rest.The book is organised chronologically and divided up into time periods, making it the ultimate companion for anyone keen to delve into the history of Britain’s most notorious dynasty.The famous and infamous key players in the Tudor age have long endured in text books and are, brought to life here by Rex. Lively portraits of John Fisher, Thomas Moore and Thomas Wolsey and Mary Queen of Scots are painted, as well as the lesser-known players like the flamboyant Robert Devereux. A leading authority on the Tudors and British religious history, Richard Rex brings to life a dynasty which continues to engages and fascinate readers.

Abandoning the traditional narrative approach to the subject, Richard Rex presents an analytical account which sets out the logic of Henry VIII''s shortlived Reformation. Starting with the fundamental matter of the royal supremacy, Rex goes on to investigate the application of this principle to the English ecclesiastical establishment and to the traditional religion of the people. He then examines the extra impetus and the new direction which Henry''s regime gave to the development of a vernacular and literate devotional culture, and shows how, despite Henry''s best intentions, serious religious divisions had emerged in England by the end of his reign. The study emphasises the personal role of Henry VIII in driving the Reformation process and how this process, in turn, considerably reinforced the monarch''s power.This updated edition of a powerful interpretation of Henry VIII''s Reformation retains the analytical edge and stylish lucidity of the original text while taking full account of the latest research. An important new chapter elucidates the way in which ''politics'' and ''religion'' interacted in early Tudor England.

Abandoning the traditional narrative approach to the subject, Richard Rex presents an analytical account which sets out the logic of Henry VIII's shortlived Reformation. Starting with the fundamental matter of the royal supremacy, Rex goes on to investigate the application of this principle to the English ecclesiastical establishment and to the traditional religion of the people. He then examines the extra impetus and the new direction which Henry's regime gave to the development of a vernacular and literate devotional culture, and shows how, despite Henry's best intentions, serious religious divisions had emerged in England by the end of his reign. The study emphasises the personal role of Henry VIII in driving the Reformation process and how this process, in turn, considerably reinforced the monarch's power.This updated edition of a powerful interpretation of Henry VIII's Reformation retains the analytical edge and stylish lucidity of the original text while taking full account of the latest research. An important new chapter elucidates the way in which 'politics' and 'religion' interacted in early Tudor England.

The Tudor Age began in August 1485 when Henry Tudor landed with a small force at Milford Haven intent on snatching the English throne from Richard III. For more than a hundred years England was to be dominated by the personalities of the five Tudor monarchs, ranging from the brilliance and brutality of Henry VIII to the shrewdness and vanity of the virgin queen, Elizabeth I.

Alejandro Zaera-Polo's book is a first-person account by the former dean of Princeton University's School of Architecture, an international architect who served as a professor who worked at the school for ten years. The book describes the climate of ideological suppression in an elite American university and the mechanisms involved in the process. After an accusation of plagiarism forced him to step down, Zaera-Polo sued Princeton for defamation, but remained a professor until the ideological impositions over his advisory duties forced him into a public conflict with the institution. He persisted doggedly in his claims to academic freedom and free speech and kept the records of the process for publication to document how identity politics, groupthink, deception, and peer pressure can be harnessed to curtail academic freedom and shield the inquisitors from scrutiny. Zaera-Polo tells the story of his challenge to the post-modern culture, critical theory, and the ""alternative truths"" that have taken root in American universities, a story we should all consider to preserve academic rigor and free expression on our campuses.

Among the most popular novels in the early decades of the twentieth century were those published by Alice Muriel Williamson, whose novels were frequently attributed on their title pages to “C. N. and A. M.  Williamson.” Although it is now known that “A. M.” never wrote any fiction by “C. N.” – her husband, Charles Norris Williamson, – the view erroneously persists that the married couple were joint authors. Preceding her fame as a novelist, Alice wrote a series of sensational stories that appeared serially in journals in the 1890s. So fertile was her imagination that she was able to supply her publisher, Alfred Harmsworth, with weekly installments for as many as seven serials concurrently (one for each day of the week), a feat probably unmatched in the history of fiction. As a novelist, the creative fervor of her stories ensured a popularity as great as or greater than that enjoyed by any of her contemporaries. Although particularly renowned for her travel romances, she was a literary polymath adept in a wide variety of genres, often published anonymously or pseudonymously, such as her sensational exposé of German war plans on the eve of World War I, What I Found Out in the House of a German Prince (1915). Purporting to be “by an American-English Governess,” it was so realistic that it was accepted as a true account and published serially in the Fortnightly Review. The missing chapters of her tumultuous life in America, revealed for the first time in Richard Rex’s riveting study, unveil the history of her multivalent careers as actress, journalist, traveler, and author of fiction. Readers revisiting her stories—many ideated from her own adventurous and romantic life—will find them remarkably relevant and offering an intense human interest dimension no less intriguing today than when they were first published.

A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch.A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch.This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.

In most modern metal shops, you’ll find both a lathe and a vertical mill. Both machines function by removing material from a block of metal—the “workpiece.” The key difference between the two is how the workpiece is handled. On a lathe, the workpiece rotates, and is cut away by a knife tool. (Typical products of lathe work are “turned parts” such as spindles, bearings, screws, washers, and circular blanks for gears.)On a milling machine, it’s the cutter that rotates. The workpiece is clamped to a table that is moved by precise amounts in two axes at right angles. (Typical mill products are flat-surfaced blocks of metal, like a cube, sometimes drilled for spindles or dowel pins, often tapped for screws.)           Both the lathe and mill are incredibly flexible machines, but neither is capable of doing useful work right “out of the box.” Both call for a number of accessories for holding the workpiece, as well as a selection of different cutting tools, drills, reamers, etc. Unlike lathe turning, which has not changed fundamentally in the past 100 years, milling in the small shop has been changed radically by the recent introduction of bench-top machines.There are now so many different milling machines that insider information has become even more important. In this work, Choosing & Using the Right Milling Machine, Richard Rex provides everything needed to choose the right type of mill—knee-type (Bridgeport) or bench-top—and properly install it depending on the type of work you’re doing. With suggestions for finding, installing, and using the essential accessories, including digital readouts, this work is a must-have for model shops around the globe. And it’s the perfect companion work to Choosing & Using the Right Metal Shop Lathe.             Features Covers different types of milling cutters, including end mills, drill bits, reamers, and slitting saws.Introduces information on the add-ons that get a shop operational with the least delay and expense.Instructs on the installation and use of three popular accessories—table power-feed, digital readout (DRO), and rotary table.Provides a workpiece tutorial that demonstrates many of the commonplace milling routines—ideal for first-time users.