Richard van Leeuwen – författare

This volume discusses The Thousand and One Nights' themes of space and travel showing how they are used not only as a setting in which the story unfolds, but also as the dynamic force which propels the heroes and the story to the final dénouement. These events often symbolize a process of transformation, in which the hero has to search for his destined role or strive to attain the object of his desire. In this way, themes of travel are the narrative backbone of stories of various genres including love, religion, magic and adventure.This book not only gives a fresh approach to many stories of the collection, but also proposes new insights in the nature of The Thousand and one Nights as a self-reflexive narrative and is essential reading for scholars of Arabic literature.

This volume discusses The Thousand and One Nights' themes of space and travel showing how they are used not only as a setting in which the story unfolds, but also as the dynamic force which propels the heroes and the story to the final dénouement. These events often symbolize a process of transformation, in which the hero has to search for his destined role or strive to attain the object of his desire. In this way, themes of travel are the narrative backbone of stories of various genres including love, religion, magic and adventure.This book not only gives a fresh approach to many stories of the collection, but also proposes new insights in the nature of The Thousand and one Nights as a self-reflexive narrative and is essential reading for scholars of Arabic literature.

Antoine Galland's French translation of the Thousand and One Nights appeared in 1704. One year later a pirate edition was printed in The Hague, followed by many others. Galland entertained a lively correspondence on the subject with the Dutch intellectual and statesman Gisbert Cuper (1644-1716). Dutch orientalists privately owned editions of the

In Narratives of Kingship in Eurasian Empires, 1300-1800 Richard van Leeuwen analyses representations and constructions of the idea of kingship in fictional texts of various genres, especially belonging to the intermediate layer between popular and official literature. The analysis shows how ideologies of power are embedded in the literary and cultural imagination of societies, their cultural values and conceptualizations of authority. By referring to examples from various empires (Chinese, Indian, Persian, Arabic, Turkish, European) the parallels between literary traditions are laid bare, revealing remarkable common concerns. The process of interaction and transmission are highlighted to illustrate how literature served as a repository for ideological and cultural values transforming power into authority in various imperial environments.

It is gradually being acknowledged that the Arabic story-collection Thousand and One Nights has had a major influence on European and world literature. This study analyses the influence of Thousand and One Nights, as an intertextual model, on 20th-century prose from all over the world. Works of approximately forty authors are examined: those who were crucial to the development of the main currents in 20th-century fiction, such as modernism, magical realism and post-modernism. The book contains six thematic sections divided into chapters discussing two or three authors/works, each from a narratological perspective and supplemented by references to the cultural and literary context. It is shown how Thousand and One Nights became deeply rooted in modern world literature especially in phases of renewal and experiment.

In Hajj Travelogues: Texts and Contexts from the 12th Century until 1950 Richard van Leeuwen maps the corpus of hajj accounts from the Muslim world and Europe. The work outlines the main issues in a field of study which has largely been neglected. A large number of hajj travelogues are described as a textual type integrating religious discourse into the form of the journey. Special attention is given to their intertextual embedding in the broader discursive tradition of the hajj. Since the corpus is seen as dynamic and responsive to historical developments, the texts are situated in their historical context and the subsequent phases of globalisation. It is shown how in travelogues forms of religious subjectivity are constructed and expressed.