Richard Zenith - Böcker

FINALIST: 2022 PULITZER PRIZE IN BIOGRAPHYA NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR 2021'A revelation. Such a revolutionary literary discovery seems unlikely to be on offer again. It's that good' Sunday Times 'A masterpiece of literary biography. Zenith has produced a work in some ways as astonishing as those of Pessoa himself' John Gray, New StatesmanFor many thousands of readers Fernando Pessoa's The Book of Disquiet is almost a way of life. Ironic, haunting and melancholy, this completely unclassifiable work is the masterpiece of one of the twentieth century's most enigmatic writers.Richard Zenith's Pessoa at last allows us to understand this extraordinary figure. Some eighty-five years after his premature death in Lisbon, where he left over 25,000 manuscript sheets in a wooden trunk, Fernando Pessoa (1888-1935) can now be celebrated as one of the great modern poets. Setting the story of his life against the nationalistic currents of European history, Zenith charts the heights of Pessoa's explosive imagination and literary genius.Much of Pessoa's charm and strangeness came from his writing under a variety of names that he used not only to conceal his identity but also to write in wildly varied styles with different imagined personalities. Zenith traces the back stories of virtually all of these invented others, called 'heteronyms', demonstrating how they were projections, spin-offs or metamorphoses of Pessoa himself.Zenith's monumental work confirms the power of Pessoa's words to speak prophetically to the disconnectedness of modern life. It is also a wonderful book about Lisbon, the city which Pessoa reinvented and through which his different selves wandered.'Definitive and sublime' New York Times 'Completely superb and magisterial. Finally, this extraordinary poet gets the great biography he deserves. Unsurpassable' William Boyd

This is the largest and richest volume of poetry by Pessoa available in English. It includes generous selections from the three poetic alter egos that the Portuguese writer dubbed "heteronyms" - Alberto Caeiro, Ricardo Reis and Alvaro de Campos - and from the vast and varied work he wrote under his own name.

Fernando Pessoa's The Book of Disquiet is a modernist masterwork that has now taken on a similar iconic status to Ulysses, The Trial or In Search of Lost Time. This complete and unabridged edition – published in Penguin Modern Classics - is edited and translated with an introduction by Richard Zenith'The best English-language version we are likely to see for a long time, if ever' - The Guardian*Winner of the Calouste Gulbenkian Translation Prize for Portuguese Translation*'Fernando Pessoa, strictly speaking, doesn't exist,' - so claimed Alvaro de Campos, one of the 'heteronyms', fully-realised substitute personalities invented by Fernando Pessoa to spare himself the trouble of living real life. In this extraordinary book, the putative 'factless autobiography' of an accountant named Bernardo Soares, Fernando Pessoa explores and dismantles the nature of memory, identity, time and narrative, creating one of the greatest - but also the strangest - modernist texts. An assembly of sometimes-linked fragments, The Book of Disquiet is a mesmerising, haunting 'novel' without parallel in any other culture.This edition includes notes on the reconstruction of the text, appendices containing material omitted from the final version and letters which Pessoa intended to incorporate into the text. This edition also includes a table of the 'heteronyms' used by Pessoa in his writing.Fernando Pessoa (1888– 1935) was born in Lisbon but went to live in Durban, South Africa, at the age of seven. He returned to Lisbon in 1905. A prolific writer who ascribed much of his work to a variety of personas, or heteronyms, Pessoa published relatively little of his vast output and supported himself by writing letters in English for import– export firms. Although acknowledged as an intellectual and a poet, his literary genius went largely unrecognized until after his death.Richard Zenith lives in Lisbon, where he works as a freelance writer, researcher and translator. He has edited and translated many works by Fernando Pessoa, including A Little Larger Than the Entire Universe – Selected Poems. His Pessoa: An Experimental Life was a finalist for the Pulitzer Prize in Biography.

A bilingual volume that reveals an intriguing world of courtly love and satire in medieval Portugal and SpainThe rich tradition of troubadour poetry in western Iberia had all but vanished from history until the discovery of several ancient cancioneiros, or songbooks, in the nineteenth century. These compendiums revealed close to 1,700 songs, or cantigas, composed by around 150 troubadours from Galicia, Portugal, and Castile in the thirteenth and early fourteenth centuries. In Cantigas, award-winning translator Richard Zenith presents a delightful selection of 124 of these poems in English versions that preserve the musical quality of the originals, which are featured on facing pages. By turns romantic, spiritual, ironic, misogynist, and feminist, these lyrics paint a vibrant picture of their time and place, surprising us with attitudes and behaviors that are both alien and familiar.The book includes the three major kinds of cantigas. While cantigas de amor (love poems in the voice of men) were largely inspired by the troubadour poetry of southern France, cantigas de amigo (love poems voiced by women) derived from a unique native oral tradition in which the narrator pines after her beloved, sings his praises, or mocks him. In turn, cantigas de escárnio are satiric, and sometimes outrageously obscene, lyrics whose targets include aristocrats, corrupt clergy, promiscuous women, and homosexuals.Complete with an illuminating introduction on the history of the cantigas, their poetic characteristics, and the men who composed and performed them, this engaging volume is filled with exuberant and unexpected poems.

A bilingual volume that reveals an intriguing world of courtly love and satire in medieval Portugal and SpainThe rich tradition of troubadour poetry in western Iberia had all but vanished from history until the discovery of several ancient cancioneiros, or songbooks, in the nineteenth century. These compendiums revealed close to 1,700 songs, or cantigas, composed by around 150 troubadours from Galicia, Portugal, and Castile in the thirteenth and early fourteenth centuries. In Cantigas, award-winning translator Richard Zenith presents a delightful selection of 124 of these poems in English versions that preserve the musical quality of the originals, which are featured on facing pages. By turns romantic, spiritual, ironic, misogynist, and feminist, these lyrics paint a vibrant picture of their time and place, surprising us with attitudes and behaviors that are both alien and familiar.The book includes the three major kinds of cantigas. While cantigas de amor (love poems in the voice of men) were largely inspired by the troubadour poetry of southern France, cantigas de amigo (love poems voiced by women) derived from a unique native oral tradition in which the narrator pines after her beloved, sings his praises, or mocks him. In turn, cantigas de escárnio are satiric, and sometimes outrageously obscene, lyrics whose targets include aristocrats, corrupt clergy, promiscuous women, and homosexuals.Complete with an illuminating introduction on the history of the cantigas, their poetic characteristics, and the men who composed and performed them, this engaging volume is filled with exuberant and unexpected poems.

Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match.Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius.Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal.Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet.A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.