Robert A Kaster – författare

Lucius Annaeus Seneca (4 BCE - 65 CE) was a Roman Stoic philosopher, dramatist, statesman, and adviser to the emperor Nero, all during the Silver Age of Latin literature. The "Complete Works of Lucius Annaeus Seneca" is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca - whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson - to his rightful place among the classical writers most widely studied in the humanities. "Anger, Mercy, Revenge" comprises three key writings: the moral essays "On Anger" and "On Clemency" - the latter penned as advice for the young emperor Nero - and the "Apocolocyntosis", a brilliant satire lampooning the end of the reign of Claudius. Friend and tutor, as well as philosopher, Seneca welcomed the end of Claudius' sovereignty and the beginning of the age of Nero in tones alternately serious, poetic, and comic - making "Anger, Mercy, Revenge" a collection just as complicated, astute, and ambitious as its author.

The emotions have long been an interest for those studying ancient Greece and Rome. But while the last few decades have produced excellent studies of individual emotions and the different approaches to them by the major philosophical schools, the focus has been almost entirely on negative emotions. This might give the impression that the Greeks and Romans had little to say about positive emotion, something that would be misguided. As the chapters in this collection indicate, there are representations of positive emotions extending from archaic Greek poetry to Augustine, and in both philosophical works and literary genres as wide-ranging as lyric poetry, forensic oratory, comedy, didactic poetry, and the novel. Nor is the evidence uniform: while many of the literary representations give expression to positive emotion but also describe its loss, the philosophers offer a more optimistic assessment of the possibilities of attaining joy or contentment in this life.The positive emotions show some of the same features that all emotions do. But unlike the negative emotions, which we are able to describe and analyze in great detail because of our preoccupation with them, positive emotions tend to be harder to articulate. Hence the interest of the present study, which considers how positive emotions are described, their relationship to other emotions, the ways in which they are provoked or upset by circumstances, how they complicate and enrich our relationships with other people, and which kinds of positive emotion we should seek to integrate. The ancient works have a great deal to say about all of these topics, and for that reason deserve more study, both for our understanding of antiquity and for our understanding of the positive emotions in general.

The emotions have long been an interest for those studying ancient Greece and Rome. But while the last few decades have produced excellent studies of individual emotions and the different approaches to them by the major philosophical schools, the focus has been almost entirely on negative emotions. This might give the impression that the Greeks and Romans had little to say about positive emotion, something that would be misguided. As the chapters in this collection indicate, there are representations of positive emotions extending from archaic Greek poetry to Augustine, and in both philosophical works and literary genres as wide-ranging as lyric poetry, forensic oratory, comedy, didactic poetry, and the novel. Nor is the evidence uniform: while many of the literary representations give expression to positive emotion but also describe its loss, the philosophers offer a more optimistic assessment of the possibilities of attaining joy or contentment in this life.The positive emotions show some of the same features that all emotions do. But unlike the negative emotions, which we are able to describe and analyze in great detail because of our preoccupation with them, positive emotions tend to be harder to articulate. Hence the interest of the present study, which considers how positive emotions are described, their relationship to other emotions, the ways in which they are provoked or upset by circumstances, how they complicate and enrich our relationships with other people, and which kinds of positive emotion we should seek to integrate. The ancient works have a great deal to say about all of these topics, and for that reason deserve more study, both for our understanding of antiquity and for our understanding of the positive emotions in general.

The emotions have long been an interest for those studying ancient Greece and Rome. But while the last few decades have produced excellent studies of individual emotions and the different approaches to them by the major philosophical schools, the focus has been almost entirely on negative emotions. This might give the impression that the Greeks and Romans had little to say about positive emotion, something that would be misguided. As the chapters in this collection indicate, there are representations of positive emotions extending from archaic Greek poetry to Augustine, and in both philosophical works and literary genres as wide-ranging as lyric poetry, forensic oratory, comedy, didactic poetry, and the novel. Nor is the evidence uniform: while many of the literary representations give expression to positive emotion but also describe its loss, the philosophers offer a more optimistic assessment of the possibilities of attaining joy or contentment in this life.The positive emotions show some of the same features that all emotions do. But unlike the negative emotions, which we are able to describe and analyze in great detail because of our preoccupation with them, positive emotions tend to be harder to articulate. Hence the interest of the present study, which considers how positive emotions are described, their relationship to other emotions, the ways in which they are provoked or upset by circumstances, how they complicate and enrich our relationships with other people, and which kinds of positive emotion we should seek to integrate. The ancient works have a great deal to say about all of these topics, and for that reason deserve more study, both for our understanding of antiquity and for our understanding of the positive emotions in general.

This edition of the Servian commentaries on Aeneid 9-12 was originally conceived as the final volume of the so-called "Harvard Servius", begun by Edward Kennard Rand and his students at Harvard in the 1920s. Nearly a century farther on, the projects vicissitudes are too well known and too complex to bear repeating here: it is enough to say that this is the first new volume of the commentary to appear in over fifty years. On his death in 2013 Charles E. Murgia left publishable versions of the text, upper and lower critical apparatuses, and large parts of the introduction, and he had gather most of the data for the testimonial apparatus. Robert A. Kaster completed the work on the testimonia and introduction (using some of Murgia's unpublished writings to supplement the latter), added some subsidiary elements, and prepared the whole for publication. Thanks primarily to the work of Charles Murgia, this edition is superior to its predecessors in the same series, and to all other editions of Servius, in every respect.

Cicero's Brutus and Orator constitute his final major statements on the history of Roman oratory and the nature of the ideal orator. In the Brutus he traces the development of political and judicial speech over the span of 150 years, from the early second century to 46 BCE, when both of these treatises were written. In an immensely detailed account of some 200 speakers from the past he dispenses an expert's praise and criticism, provides an unparalleled resource for the study of Roman rhetoric, and engages delicately with the fraught political circumstances of the day, when the dominance of Julius Caesar was assured and the future of Rome's political institutions was thrown into question. The Orator written several months later, describes the form of oratory that Cicero most admired, even though he insists that neither he nor any other orator has been able to achieve it. At the same time, he defends his views against critics — the so-called Atticists — who found Cicero's style overwrought.In this volume, the first English translation of both works in more than eighty years, Robert Kaster provides faithful and eminently readable renderings, along with a detailed introduction that places the works in their historical and cultural context and explains the key stylistic concepts and terminology that Cicero uses in his analyses. Extensive notes accompany the translations, helping readers at every step contend with unfamiliar names, terms, and concepts from Roman culture and history.

Cicero's Brutus and Orator constitute his final major statements on the history of Roman oratory and the nature of the ideal orator. In the Brutus he traces the development of political and judicial speech over the span of 150 years, from the early second century to 46 BCE, when both of these treatises were written. In an immensely detailed account of some 200 speakers from the past he dispenses an expert's praise and criticism, provides an unparalleled resource for the study of Roman rhetoric, and engages delicately with the fraught political circumstances of the day, when the dominance of Julius Caesar was assured and the future of Rome's political institutions was thrown into question. The Orator written several months later, describes the form of oratory that Cicero most admired, even though he insists that neither he nor any other orator has been able to achieve it. At the same time, he defends his views against critics — the so-called Atticists — who found Cicero's style overwrought.In this volume, the first English translation of both works in more than eighty years, Robert Kaster provides faithful and eminently readable renderings, along with a detailed introduction that places the works in their historical and cultural context and explains the key stylistic concepts and terminology that Cicero uses in his analyses. Extensive notes accompany the translations, helping readers at every step contend with unfamiliar names, terms, and concepts from Roman culture and history.

Cicero''s Brutus and Orator constitute his final major statements on the history of Roman oratory and the nature of the ideal orator. In the Brutus he traces the development of political and judicial speech over the span of 150 years, from the early second century to 46 BCE, when both of these treatises were written. In an immensely detailed account of some 200 speakers from the past he dispenses an expert''s praise and criticism, provides an unparalleled resource for the study of Roman rhetoric, and engages delicately with the fraught political circumstances of the day, when the dominance of Julius Caesar was assured and the future of Rome''s political institutions was thrown into question. The Orator written several months later, describes the form of oratory that Cicero most admired, even though he insists that neither he nor any other orator has been able to achieve it. At the same time, he defends his views against critics the so-called Atticists who found Cicero''s style overwrought.In this volume, the first English translation of both works in more than eighty years, Robert Kaster provides faithful and eminently readable renderings, along with a detailed introduction that places the works in their historical and cultural context and explains the key stylistic concepts and terminology that Cicero uses in his analyses. Extensive notes accompany the translations, helping readers at every step contend with unfamiliar names, terms, and concepts from Roman culture and history.

Cicero''s Brutus and Orator constitute his final major statements on the history of Roman oratory and the nature of the ideal orator. In the Brutus he traces the development of political and judicial speech over the span of 150 years, from the early second century to 46 BCE, when both of these treatises were written. In an immensely detailed account of some 200 speakers from the past he dispenses an expert''s praise and criticism, provides an unparalleled resource for the study of Roman rhetoric, and engages delicately with the fraught political circumstances of the day, when the dominance of Julius Caesar was assured and the future of Rome''s political institutions was thrown into question. The Orator written several months later, describes the form of oratory that Cicero most admired, even though he insists that neither he nor any other orator has been able to achieve it. At the same time, he defends his views against critics the so-called Atticists who found Cicero''s style overwrought.In this volume, the first English translation of both works in more than eighty years, Robert Kaster provides faithful and eminently readable renderings, along with a detailed introduction that places the works in their historical and cultural context and explains the key stylistic concepts and terminology that Cicero uses in his analyses. Extensive notes accompany the translations, helping readers at every step contend with unfamiliar names, terms, and concepts from Roman culture and history.

Studies on the Text of Seneca's De beneficiis is a companion volume to Kaster's Oxford Classical Texts critical edition of Seneca's De beneficiis, the first new edition in nearly a century. De beneficiis is the most detailed treatment surviving from antiquity of the proper ways to show favour to others and to express gratitude when one has been favoured. After a survey of the documentary resources (medieval and Renaissance manuscripts and earlier printed editions) on which our knowledge of the text depends, the core of the book-seven chapters, one for each of the treatise's seven books--treats 200 passages where the Latin text is or has been thought to be corrupt and clarifies the reasons for favouring the reading adopted in the new edition. Three appendices treat further matters of detail. Three indexes detailing passages discussed or cited, personal names, and manuscripts and editions provide a useful guide for the reader.

Emotion, Restraint, and Community examines the ways in which emotions, and talk about emotions, interacted with the ethics of the Roman upper classes in the late Republic and early Empire. By considering how various Roman forms of fear, dismay, indignation, and revulsion created an economy of displeasure that shaped society in constructive ways, the book casts new light both on the Romans and on cross-cultural understanding of emotions.

Emotion, Restraint, and Community examines the ways in which emotions, and talk about emotions, interacted with the ethics of the Roman upper classes in the late Republic and early Empire. By considering how various Roman forms of fear, dismay, indignation, and revulsion created an economy of displeasure that shaped society in constructive ways, the book casts new light both on the Romans and on cross-cultural understanding of emotions.

Suetonius' biographical sketches of the teachers of "grammar" and rhetoric survive only in part and are fairly brief; yet it would be difficult to name another text of similar scope that is a more productive resource for the study of Roman cultural history in the classical period. For the early history of Roman education it is literally indispensable, and it is a precious repository as well for the understanding of Roman Social and cultural relations, and even for the social history of freedmen and slaves. This new critical edition of Suetonius' rich and often curious text is accompanied by commentary, the most thorough and detailed so far available, elucidates Suetonius' method of compilatioon and places the stories he tells in their social and historical context.

Oxford Classical Texts, also known as Scriptorum Classicorum Bibliotheca Oxoniensis, provide authoritative, clear, and reliable editions of ancient texts.Suetonius' Lives of the Caesars-the collected biographies of the Roman Empire's first leaders-is an indispensable source for our understanding of the first century of the Roman Empire and is, at the same time, one of the main sources (with Plutarch) of the tradition of biographical writing in the West. This volume provides the first new critical edition of the Latin text to appear in over a century, and has been rigorously edited to the highest standards of scholarship. The Latin text is accompanied by a critical apparatus at the foot of the page which provides concise information on manuscript and textual variants. It is also the first edition ever to base itself on a comprehensive and accurate analysis of the medieval manuscript tradition (ninth to thirteenth centuries) on which the text is based. An extensive English preface-featuring illustrative stemmata-is included, as well as a detailed apparatus testium. It also features an updated version of the editor's original 1995 Oxford University Press edition of De grammaticis et rhetoribus, a collection of brief biographies of ancient Roman teachers of grammar and rhetoric (first century BCE-first century CE) that is a crucial source for the history of ancient education. This Oxford Classical Text is accompanied by a companion volume, Studies on the Text of Suetonius' De uita Caesarum, which provides a detailed insight into the research and textual analysis underlying this critical edition.

Studies on the Text of Suetonius' De uita Caesarum is a companion volume to the critical edition of Suetonius' Lives of the Caesars in the Oxford Classical Texts series, edited by Robert Kaster. It provides detailed insight into the research and textual analysis behind the edition. Part I presents the first comprehensive and accurate account of the medieval manuscript tradition (ninth to thirteenth centuries) on which the Oxford Classical Text is based, and Part II analyses hundreds of passages where a variety of textual problems are encountered, often offering new solutions. Four appendices provide additional support to the arguments of Part I, while a fifth lists all the places (just over 300) where the new text differs from the edition by Maximilian Ihm that has been the standard since 1907.

This is the first new critical edition of De beneficiis in almost 100 years, based on a fresh examination of the extant archetype (N) and on more extensive familiarity with the later medieval and humanist manuscripts than any previous edition. Each work in the edition is provided with a critical apparatus that is both informative and economical. The apparatus fontium et testium standing between the text and the critical apparatus on each page provides full references to the texts Seneca himself cites and extensive cross-references among the three works in the edition and between those works and Seneca's other prose writings, along with many parallel passages beyond the Senecan corpus. An appendix critica to De beneficiis contains much information on the text's documentary basis and critical history that future editors should find useful to have at hand even if it was not judged worthy of inclusion in this edition's critical apparatus.

This is a critical edition of Cicero's Tusculanae Disputationes, which presents in dialogue form his views on the fear of death and endurance of pain, on distress and a range of other emotions, and on the importance of virtue as the basis of the best human life. The first such edition to appear in the Oxford Classical Text series, and first new edition to appear anywhere in over forty years, it is based on the most extensive survey to date of the medieval manuscripts and a generous sampling of the humanistic copies, and on a thorough familiarity with more than fifty previous editions. Beyond the text, it incorporates both a thorough yet readable critical apparatus and an apparatus fontium et testium that gathers information on the ancient texts Cicero cites and the later authors by whom this work was cited as well as extensive references to relevant passages in Cicero's other philosophical works and to other works on ancient philosophy. The text is followed by a critical appendix that offers discussions of nearly ninety problematic passages, explaining how the editor arrived at the text he has chosen to print. The edition makes available the most reliable text to date of perhaps the most accessible of Cicero's philosophica.

This is a critical edition of Cicero's Tusculanae Disputationes, which presents in dialogue form his views on the fear of death and endurance of pain, on distress and a range of other emotions, and on the importance of virtue as the basis of the best human life. The first such edition to appear in the Oxford Classical Text series, and first new edition to appear anywhere in over forty years, it is based on the most extensive survey to date of the medieval manuscripts and a generous sampling of the humanistic copies, and on a thorough familiarity with more than fifty previous editions. Beyond the text, it incorporates both a thorough yet readable critical apparatus and an apparatus fontium et testium that gathers information on the ancient texts Cicero cites and the later authors by whom this work was cited as well as extensive references to relevant passages in Cicero's other philosophical works and to other works on ancient philosophy. The text is followed by a critical appendix that offers discussions of nearly ninety problematic passages, explaining how the editor arrived at the text he has chosen to print. The edition makes available the most reliable text to date of perhaps the most accessible of Cicero's philosophica.

A new translation of, and commentary on, Cicero's defence of Publius Sestius against a charge of public violence. Pro Sestio is arguably the most important of Cicero's political speeches that survive from the nearly two decades separating the Speeches against Catiline and the Second Philippic. Its account of recent history provides any student of Rome with a fascinating way into the period; its depiction of public meetings, demonstrations, and violence are highly pertinent to the current debate on the place of 'the crowd in Rome in the late Republic'; the speech is also among the best introductions we have to traditional Republican values and ethics in action.

This volume contains a new translation of, and commentary on, Cicero's defense of Publius Sestius against a charge of public violence. Pro Sestio is arguably the most important of Cicero's political speeches that survive from the nearly two decades separating the Speeches against Catiline and the Second Philippic. Its account of recent history provides any student of Rome with a fascinating way into the period; its depiction of public meetings, demonstrations, and violence are highly pertinent to the current debate on the place of "the crowd in Rome in the late Republic"; the speech is also among the best introductions we have to traditional Republican values and ethics in action.

The Saturnalia, Macrobius' encyclopaedic celebration of Roman culture, has been prized since the Renaissance as a treasure trove of ancient lore, much of it otherwise unattested. Cast in the form of a dialogue and arranged (by modern editors) in seven books, it treats subjects as diverse as the divinity of the Sun and the quirks of human digestion, and above all the poetry of Vergil, whom it presents as the master of all human knowledge, from diction and rhetoric to philosophy and religion. This new edition provides a significantly improved text and critical apparatus.

To walk on remnants of the storied Appian Way today, from Rome to the heel of Italy, is to walk in the footsteps of ghosts. Our guide to those ghosts-and the layers of history they represent-is Robert A. Kaster. In The Appian Way, he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem-all come to life once more as Kaster travels what's left of the Appian Way. He invites us to close our eyes and trek with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

The Roman poet Statius called the Via Appia "the Queen of Roads," and for nearly a thousand years that description held true, as countless travelers trod its path from the center of Rome to the heel of Italy. Today, the road is all but gone, destroyed by time, neglect, and the incursions of modernity; to travel the Appian Way today is to be a seeker, to walk in the footsteps of ghosts. Our guide to those ghosts - and the layers of history they represent - is Robert A. Kaster. In "The Appian Way", he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow - all come to life once more as Kaster walks (and drives - and suffers car trouble) on what's left of the Appian Way.Other voices help him tell the story: Cicero, Goethe, Hawthorne, Dickens, James, and even Monty Python offer commentary, insight, and curmudgeonly grumbles, their voices blending like the ages of the road to create a telescopic, perhaps kaleidoscopic, view of present and past. To stand on the remnants of the Via Appia today is to stand in the pathway of history. With "The Appian Way", Kaster invites us to close our eyes and walk with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

Lucius Annaeus Seneca (4 BCE to 65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. Here, with the publication of "Anger, Mercy, Revenge" and "Natural Questions", the University of Chicago Press proudly inaugurates "The Complete Works of Lucius Annaeus Seneca", a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca - whose works have been highly praised by modern authors from Erasmus to Emerson - to his rightful place among those classical writers most widely studied in the humanities. "Anger, Mercy, Revenge" comprises three key writings: the moral essays 'On Anger' and 'On Clemency' - which were penned as advice for the then young emperor Nero - and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius."Natural Questions" is a stand-alone treatise in which Seneca compiles and comments on the physical sciences of his day, offering us a valuable look at the ancient scientific mind at work. Both volumes introduce the Latinless reader to the writings of one of the ancient world's most fascinating - and acclaimed - philosophical figures, making them perfect for the undergraduate student and lay scholar alike.

What did it mean to be a professional teacher in the prestigious "liberal schools" - the schools of grammar and rhetoric - in late antiquity? How can we account for the abiding prestige of these schools, which remained substantially unchanged in their methods and standing despite the political and religious changes that had taken place around them? The grammarian was a pivotal figure in the lives of the educated upper classes of late antiquity. Introducing his students to correct language and to the literature esteemed by long tradition, he began the education that confirmed his students' standing in a narrowly defined elite. His profession thus contributed to the social as well as cultural continuity of the Empire. The grammarian received honor - and criticism; the profession gave the grammarian a firm sense of cultural authority but also placed him in a position of genteel subordination within the elite. Robert A. Kaster provides the first thorough study of the place and function of these important but ambiguous figures.He also gives a detailed prosopography of the grammarians, and of the other "teachers of letters" below the level of rhetoric, from the middle of the third through the middle of the sixth century, which will provide a valuable research tool for other students of late-antique education.

What did it mean to be a professional teacher in the prestigious "liberal schools"—the schools of grammar and rhetoric—in late antiquity? How can we account for the abiding prestige of these schools, which remained substantially unchanged in their methods and standing despite the political and religious changes that had taken place around them?The grammarian was a pivotal figure in the lives of the educated upper classes of late antiquity. Introducing his students to correct language and to the literature esteemed by long tradition, he began the education that confirmed his students'' standing in a narrowly defined elite. His profession thus contributed to the social as well as cultural continuity of the Empire. The grammarian received honor—and criticism; the profession gave the grammarian a firm sense of cultural authority but also placed him in a position of genteel subordination within the elite.Robert A. Kaster provides the first thorough study of the place and function of these important but ambiguous figures. He also gives a detailed prosopography of the grammarians, and of the other "teachers of letters" below the level of rhetoric, from the middle of the third through the middle of the sixth century, which will provide a valuable research tool for other students of late-antique education.What did it mean to be a professional teacher in the prestigious "liberal schools"—the schools of grammar and rhetoric—in late antiquity? How can we account for the abiding prestige of these schools, which remained substantially unchanged in their methods

An antiquarian’s festival.The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion. The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

An antiquarian’s festival.The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion. The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.