Robert Frost – författare

Frost’s early poems, selected by poet David Orr for the centennial of “The Road Not Taken”A Penguin Classics Deluxe edition For one hundred years, Robert Frost’s “The Road Not Taken” has enchanted and challenged readers with its deceptively simple premise—a person reaches a fork in the road, facing a choice full of doubt and possibility. The Road Not Taken and Other Poems presents Frost’s best-loved poem along with other works from his brilliant early years, including such poems as “After Apple-Picking,” “The Oven Bird,” and “Mending Wall.” Award-winning poet and critic David Orr’s introduction discusses why Frost remains so central (if often misunderstood) in American culture and how the beautiful intricacy of his poetry keeps inviting generation after generation to search for meaning in his work.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A wonderful collection of Robert Frost’s writing.No poet is more emblematically American than Robert Frost. Hailed as ‘the most eminent, the most distinguished Anglo-American poet’ by T.S. Eliot, he is the only writer in history to have been awarded four Pulitzer Prizes. In iconic poems like ‘Stopping by Woods on a Snowy Evening’, simple images summon the rural landscape of New England, and Frost unfailingly moves the reader with his profound grasp of the human condition.This is the most comprehensive and authoritative volume of Frost's verse available, comprising all eleven volumes of his poems, meticulously edited by Edward Connery Lathem.

The history of eastern European is dominated by the story of the rise of the Russian empire, yet Russia only emerged as a major power after 1700. For 300 years the greatest power in Eastern Europe was the union between the kingdom of Poland and the grand duchy of Lithuania, one of the longest-lasting political unions in European history. Yet because it ended in the late-eighteenth century in what are misleadingly termed the Partitions of Poland, it barely features in standard accounts of European history.The Making of the Polish-Lithuanian Union 1385-1569 tells the story of the formation of a consensual, decentralised, multinational, and religiously plural state built from below as much as above, that was founded by peaceful negotiation, not war and conquest. From its inception in 1385-6, a vision of political union was developed that proved attractive to Poles, Lithuanians, Ruthenians, and Germans, a union which was extended to include Prussia in the 1450s and Livonia in the 1560s. Despite the often bitter disagreements over the nature of the union, these were nevertheless overcome by a republican vision of a union of peoples in one political community of citizens under an elected monarch. Robert Frost challenges interpretations of the union informed by the idea that the emergence of the sovereign nation state represents the essence of political modernity, and presents the Polish-Lithuanian union as a case study of a composite state.The modern history of Poland, Lithuania, Ukraine, and Belarus cannot be understood without an understanding of the legacy of the Polish-Lithuanian union. This volume is the first detailed study of the making of that union ever published in English.

One of a series designed to provide a new, accessible approach to the works of great poets and playwrights. Each text includes general notes on the text; discussion of themes, issues and context; and suggestions for further reading.

Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.

Robert Frost’s poetry has triumphantly survived him, but most readers today have not known him in one of his most significant capacities—as teacher and lecturer. Here, collected for the first time, are excerpts from forty-six of his presentations delivered to students at more than thirty academic institutions over three decades. Frost’s topics include: “What I think I’m doing when I write a poem,” “Getting up things to say for yourself,” “The future of the world,” “Fall in love at sight,” and “Not freedom from, but freedom of.”Gathered by Edward Connery Lathem, editor of The Poetry of Robert Frost, and introduced by Pulitzer Prize–winning journalist David M. Shribman, Robert Frost: Speaking on Campus reveals Frost in the setting of both classroom and lecture hall, where he inspired thousands.

Robert Frost (1874–1963) was the most celebrated poet in America for most of the twentieth century. Although chiefly associated with the life and landscapes of New England, his work embodies penetrating and often dark explorations of universal themes. Frost received more than 40 honorary degrees, and the first of his four Pulitzer Prizes was awarded for this 1923 collection.New Hampshire features Frost's meditations on rural life, love, and death, delivered in the voice of a soft-spoken New Englander. Critics have long marveled at the poet's gift for capturing the speech of the region's natives and his realistic evocations of the area's landscapes. This compilation includes several of his best-known poems: Stopping by Woods on a Snowy Evening, Nothing Gold Can Stay, and Fire and Ice as well as verse based on such traditional songs as I Will Sing You One-O.The poems are complemented by the atmospheric illustrations created for the original edition by Frost's friend, woodcut artist J. J. Lankes.

Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control.Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.

During his lifetime, Robert Frost notoriously resisted collecting his prose--going so far as to halt the publication of one prepared compilation and to "lose" the transcripts of the Charles Eliot Norton Lectures he delivered at Harvard in 1936. But for all his qualms, Frost conceded to his son that "you can say a lot in prose that verse won't let you say," and that the prose he had written had in fact "made good competition for [his] verse." This volume, the first critical edition of Robert Frost's prose, allows readers and scholars to appreciate the great American author's forays beyond poetry, and to discover in the prose that he did make public--in newspapers, magazines, journals, speeches, and books--the wit, force, and grace that made his poetry famous.The Collected Prose of Robert Frost offers an extensive and illuminating body of work, ranging from juvenilia--Frost's contributions to his high school Bulletin--to the charming "chicken stories" he wrote as a young family man for The Eastern Poultryman and Farm Poultry, to such famous essays as "The Figure a Poem Makes" and the speeches and contributions to magazines solicited when he had become the Grand Old Man of American letters. Gathered, annotated, and cross-referenced by Mark Richardson, the collection is based on extensive work in archives of Frost's manuscripts. It provides detailed notes on the author's habits of composition and on important textual issues and includes much previously unpublished material. It is a book of boundless appeal and importance, one that should find a home on the bookshelf of anyone interested in Frost.

One of the acknowledged giants of twentieth-century American literature, Robert Frost was a public figure much celebrated in his day. Although his poetry reached a wide audience, the private Frost—pensive, mercurial, and often very funny—remains less appreciated. Following upon the publication of Frost’s notebooks and collected prose, The Letters of Robert Frost is the first major edition of the poet’s written correspondence. The hundreds of previously unpublished letters in these annotated volumes deepen our understanding and appreciation of this most complex and subtle of verbal artists.Volume One traverses the years of Frost’s earliest poems to the acclaimed collections North of Boston and Mountain Interval that cemented his reputation as one of the leading lights of his era. The drama of his personal life—as well as the growth of the audacious mind that produced his poetry—unfolds before us in Frost’s day-to-day missives. These rhetorical performances are at once revealing and tantalizingly evasive about relationships with family and close friends, including the poet Edward Thomas. We listen in as Frost defines himself against contemporaries Ezra Pound and William Butler Yeats, and we witness the evolution of his thoughts about prosody, sound, style, and other aspects of poetic craft.In its literary interest and sheer display of personality, Frost’s correspondence is on a par with the letters of Emily Dickinson, Robert Lowell, and Samuel Beckett. The Letters of Robert Frost holds hours of pleasurable reading for lovers of Frost and modern American poetry.

A revelatory new volume of Robert Frost’s correspondence, illuminating one of America’s most renowned poets at the height of his literary fame and the depths of personal tragedy.By the late 1930s, Robert Frost had achieved bona fide celebrity. He won his third Pulitzer Prize for A Further Range, published in 1936, and he had become an in-demand lecturer nationwide. The penultimate volume of The Letters of Robert Frost—which presents 606 letters, most for the first time—sheds new light on the poet’s inner life as he aged into his sixties and early seventies.These were heady days indeed—from summers at the Bread Loaf Writers’ Conference in Vermont, to prestigious fellowships at Harvard and Dartmouth, to winter retreats at the Florida home he affectionately called “Pencil Pines.” Yet even as his literary reputation flourished, personal tragedy struck with devastating force. In 1938, some six months after undergoing surgery for breast cancer, his wife, Elinor, succumbed to heart failure. Two years later, in 1940, his son Carol died by suicide. Between these losses, Frost fell in love with Kathleen “Kay” Morrison, who was married to Harvard professor Theodore Morrison. She soon became Frost’s secretary—though not his wife, as he had hoped—and he credited her with renewing his poetic vitality. In 1942, he published his acclaimed seventh collection, A Witness Tree, for which he won his fourth, and final, Pulitzer Prize.Thoroughly annotated and accompanied by a biographical glossary and detailed chronology, volume 4 of The Letters of Robert Frost offers a strikingly intimate portrait of a towering American poet.

The Letters of Robert Frost, Volume 2: 1920–1928 is the second installment of Harvard’s five-volume edition of the poet’s correspondence. Nearly three hundred letters in the critically-acclaimed first volume had never before been collected; here, close to four hundred are gathered for the first time. Volume 2 includes letters to some 160 correspondents: family and friends; colleagues, fellow writers, visual artists, editors, and publishers; educators of all kinds; farmers, librarians, and admirers.In the years covered here, publication of Selected Poems, New Hampshire, and West-Running Brook enhanced Frost’s stature in America and abroad, and the demands of managing his career—as public speaker, poet, and teacher—intensified. A good portion of the correspondence is devoted to Frost’s appointments at the University of Michigan and Amherst College, ​through which he played a major part in staking out the positions poets would later hold in American universities.​​ Other letters show Frost helping to shape the Bread Loaf School of English and its affiliated Writers’ Conference.​ We encounter him discussing his craft with students and fostering the careers of younger poets. His ​​observations (and reservations) about educators are illuminating and remain pertinent. And family life—with all its joys and sorrows, hardships and satisfactions—is never less than central to Frost’s concerns.Robert Frost was a masterful prose stylist, often brilliant and always engaging.​ Thoroughly annotated and accompanied by a biographical glossary, chronology, and detailed index, these letters are both the record of a remarkable literary life and a unique contribution to American literature.

The third installment of Harvard’s five-volume edition of Robert Frost’s correspondence.The Letters of Robert Frost, Volume 3: 1929–1936 is the latest installment in Harvard’s five-volume edition of the poet’s correspondence. It presents 601 letters, of which 425 are previously uncollected. The critically acclaimed first volume, a Times Literary Supplement Book of the Year, included nearly 300 previously uncollected letters, and the second volume 350 more.During the period covered here, Robert Frost was close to the height of his powers. If Volume 2 covered the making of Frost as America’s poet, in Volume 3 he is definitively made. These were also, however, years of personal tribulation. The once-tight Frost family broke up as marriage, illness, and work scattered the children across the country. In the case of Frost’s son Carol, both distance and proximity put strains on an already fractious relationship. But the tragedy and emotional crux of this volume is the death of Frost’s youngest daughter, Marjorie. Frost’s correspondence from those dark days is a powerful testament to the difficulty of honoring the responsibilities of a poet’s eminence while coping with the intensity of a parent’s grief.Volume 3 also sees Frost responding to the crisis of the Great Depression, the onset of the New Deal, and the emergence of totalitarian regimes in Europe, with wit, canny political intelligence, and no little acerbity. All the while, his star continues to rise: he wins a Pulitzer for Collected Poems in 1931 and will win a second for A Further Range, published in 1936, and he is in constant demand as a public speaker at colleges, writers’ workshops, symposia, and dinners. Frost was not just a poet but a poet-teacher; as such, he was instrumental in defining the public functions of poetry in the twentieth century. In the 1930s, Frost lived a life of paradox, as personal tragedy and the tumults of politics interwove with his unprecedented achievements.Thoroughly annotated and accompanied by a biographical glossary and detailed chronology, these letters illuminate a triumphant and difficult period in the life of a towering literary figure.