Robert Havard – författare
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In Rhondda Burning paintings and poems mirror one another, reflecting on life in the eponymous valley or in the area around Cardigan Bay, with its wide horizons. Havard looks at his native environments with the eyes of both one who belongs and a wanderer whose long association with Spain impressed on him the kinship between the sister arts and the benefits that come when poets and painters breathe the same air. Growing up in a steep-sided valley set Havard’s visual DNA. Ten miles daily to school and ten back, upstairs in a double-decker bus with outcrops of rock and slag flashing by, left its mark. Watching his father at a window, craning his neck to scour the mountain for a break in the spillaging mist… These images were processed slowly and this depth of observation shines through both image and text.
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A thoroughly edited text of one of 20th-century Spain's most famous volumes of poetry. An introduction offers an in-depth commentary on Machado's themes, techniques and metaphysical manner. In addition to examining the various influences on his work - Krausism, Bergsonism and the '98 Generation's concern for "el problema de Espana" - the introduction looks at Machado's life, especially the years of composition, 1907-17, and it traces the critical phases in his poetic development: the discovery of the Castilian landscape in Soria, his growing political consciousness, his personal tragedy as a bereaved husband and his existential meditaions in Baeza. Annotations in the form of endnotes provide additional factual information and clarify points of difficulty in the text.