Robert M. W. Dixon – författare

This book provides a general perspective on valency-changing mechanisms - passives, antipassives, causatives, applicatives - in the languages of the world. It contains a comprehensive typology of causatives by R. M. W. Dixon, and detailed descriptions of valency-changing mechanisms in ten individual languages by leading scholars, based on original fieldwork. The sample languages span five continents and every kind of structural profile. Each contributor draws out the theoretical status and implications of valency-changing derivations in their language of study, and the relevant parameters are drawn together, and typological possibilities delineated, in the editors' introduction. The volume, originally published in 2000, will interest typologists, those working in the fields of morphosyntactic variation and lexical semantics, and exponents of formal theories engaging with the range of linguistic diversity found in natural language.

Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.

Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.