Robert Miles – författare

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

This trenchant yet subtle book, written by one of the main authorities in the field, discusses the shifting and multiple definitions of the concept of racism. The author challenges a common academic and everyday conception that racism is experienced exclusively by black people. Controversial and compelling it will occupy the centre of contemporary debate in the sociology of racism and ethnic studies.

This second edition brings the book up to date by looking at recent examples of racism, such as the war in the former Yugoslavia and the cases of Stephen Lawrence and Rodney King, and by considering Islamophobia in Western societies. It also looks more widely at recent developments in the debate.

This second edition brings the book up to date by looking at recent examples of racism, such as the war in the former Yugoslavia and the cases of Stephen Lawrence and Rodney King, and by considering Islamophobia in Western societies. It also looks more widely at recent developments in the debate.

How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? What did the term 'Gothic' mean, when Horace Walpole used it in the subtitle of his experimental novel The Castle of Otranto? How did a type of writing which broke. Based on intensive research, it demonstrates the importance of a historical understanding of the genre, and will be influential in the development of Gothic studies.. It is prestigious and timely: Gothic is a highly active research area and has a growing presence in the university syllabus.. Clery and Miles are well-respected and much cited critics who have alredy published widely in this field.. This is a unique anthology filling an important gap in the market; an indispensible resource for students, teachers and scholars.

Now available again in paperback, this provocative study by Robert Miles uses the tools of modern literary theory and criticism to analyse this very distinctive body of texts. Miles introduces the reader to contexts of Gothic in the eigteenth century including its historical development and its placement within the period's concerns with discourse and gender.By using texts ranging from sensational novels such as The Monk and The Mysteries of Udolpho, poetic variations on Gothic by Coleridge, Shelley and Keats, to satirical works on the theme by Jane Austen, Miles presents an intriguing overview of Gothic literature. By drawing extensively on the ideas of Michel Foucault to establish a genealogy he brings Gothic writing in from the margins of 'popular fiction', resituating it at the centre of debate about Romanticism.

For many readers Jane Austen is the quintessential English author. Jane Austen sets out to explore the history of this identification with Englishness in the context of a tradition of criticism that has frequently tried to achieve the reverse: to establish her difference, and distance, from ‘us’. Rather than simply showing how she differs from the ‘heritage’ Austen, Robert Miles argues that many of the reasons for Austen’s construction as an English Cultural icon are to be found in the works’formal qualities, and often in her most innovative techniques.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.

Provides a scholarly account of the striking interplay between the Gothic and theory over two-and-a-half centuries This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory – philosophical, aesthetic, psychological and cultural – both in the many modes of Gothic and in many of the realms of theory now current in the modern world. Each essay focuses on a particular kind of theory–Gothic relationship, every one of which has a history and each of which is still being explored in enactments of the Gothic and of theory today. Key FeaturesProvides the first detailed discussion of the interrelationship between literary theory and the Gothic from the inception of the Gothic to the present dayEnables students to connect what otherwise seem a wide variety of diverse phenomena, from the rise of philosophical ‘emotivism’ to poetic tales of terror and Gothic filmAdvances current scholarly investigation, by invigorating debates within both Gothic studies and literary theory. Makes connections between a wide variety of issues, from eco-crisis and contemporary culture wars to the persistent problem of the ‘other’

Provides a scholarly account of the striking interplay between the Gothic and theory over two-and-a-half centuries This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory – philosophical, aesthetic, psychological and cultural – both in the many modes of Gothic and in many of the realms of theory now current in the modern world. Each essay focuses on a particular kind of theory–Gothic relationship, every one of which has a history and each of which is still being explored in enactments of the Gothic and of theory today. Key FeaturesProvides the first detailed discussion of the interrelationship between literary theory and the Gothic from the inception of the Gothic to the present dayEnables students to connect what otherwise seem a wide variety of diverse phenomena, from the rise of philosophical ‘emotivism’ to poetic tales of terror and Gothic filmAdvances current scholarly investigation, by invigorating debates within both Gothic studies and literary theory. Makes connections between a wide variety of issues, from eco-crisis and contemporary culture wars to the persistent problem of the ‘other’