Ann Radcliffe – författare

`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of its characters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

With its insightful portrayals of her protagonist's inner life, Ann Radcliffe's The Mysteries of Udolpho was a hugely influential work of early Gothic horror. This Penguin Classics edition is edited with an introduction and notes by Jacqueline Howard.Emily St Aubert lives with her loving, enlightened parents in exquisitely happy rural isolation. But when she is tragically orphaned, the beautiful young woman is thrown on the mercy of her heartless aunt's sinister new husband. The villainous Signor Montoni has designs upon his wife's fortune, and that of her niece, and imprisons them in the gloomy medieval castle Udolpho. Separated from her beloved Valancourt, Emily must cope with torments of wild imaginings and terrors, as ghostly omens and attempts upon her virtue and life threaten to overwhelm her. One of the most popular novels of its time, The Mysteries of Udolpho continues to grip readers with its vivid characters, its sublime Alpine settings and its dramatic sense of suspense and danger.In her introduction, Jacqueline Howard discusses the novel's huge success when it was first published, its place as a groundbreaking work of the Gothic genre, and Radcliffe's imaginative use of history, poetry, landscape and the supernatural. This edition also includes further reading, a chronology, and notes.Ann Radcliffe (1764-1823) was the leading exponent of Gothic fiction. During her lifetime she published five novels including A Sicilian Romance (1790), The Mysteries of Udolpho (1794) and The Italian (1797), as well as a collection of European travel writings. Her novels were immensely popular, and much imitated.If you enjoyed The Mysteries of Udolpho, you might like Edgar Allen Poe's The Fall of the House of Usher and Other Writings, also available in Penguin Classics.

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

This was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her.

A desolate castle hides a family's shameful secrets ...On the rocky northern shores of Sicily stands a lonely castle, the home of the aristocratic Mazzini family. The marquis of Mazzini has remarried and gone away to live with his new wife, abandoning his two daughters - sweet-natured Emilia and lively, imaginative Julia - to wander the labyrinthine corridors alone. His only involvement with their lives is to arrange a marriage between Julia and the cruel Duke de Luovo, even though she loves another. But that is not the end of Julia's troubles. Strange lights and unearthly groaning noises are coming from parts of the castle that have been locked up for years. Is it occupied by some terrible supernatural power? Or do even darker secrets lie within its depths?

''Among his associates no one loved him, many disliked him, and more feared him.'' Father Schedoni is enlisted by the imperious Marchesa di Vivaldi to prevent her son from marrying the beautiful Ellena. Schedoni has no scruples in kidnapping Ellena and in undertaking whatever villainy will further his own ends. His menacing presence dominates a gripping tale of love and betrayal, abduction and assassination, and incarceration in the dreadful dungeons of the Inquisition. Uncertainty and doubt lie everywhere, in Radcliffe''s last and most unnerving novel. Ann Radcliffe defined the ''terror'' genre of writing and helped to establish the Gothic novel, thrilling readers with her mysterious plots and eerie effects. In The Italian she rejects the rational certainties of the Enlightenment for a more ambiguous and unsettling account of what it is to be an individual - particularly a woman - in a culture haunted by history and dominated by institutional power. This new edition includes Radcliffe''s important essay ''On the Supernatural in Poetry'', in which she distinguishes terror writing from horror.

''Among his associates no one loved him, many disliked him, and more feared him.'' Father Schedoni is enlisted by the imperious Marchesa di Vivaldi to prevent her son from marrying the beautiful Ellena. Schedoni has no scruples in kidnapping Ellena and in undertaking whatever villainy will further his own ends. His menacing presence dominates a gripping tale of love and betrayal, abduction and assassination, and incarceration in the dreadful dungeons of the Inquisition. Uncertainty and doubt lie everywhere, in Radcliffe''s last and most unnerving novel. Ann Radcliffe defined the ''terror'' genre of writing and helped to establish the Gothic novel, thrilling readers with her mysterious plots and eerie effects. In The Italian she rejects the rational certainties of the Enlightenment for a more ambiguous and unsettling account of what it is to be an individual - particularly a woman - in a culture haunted by history and dominated by institutional power. This new edition includes Radcliffe''s important essay ''On the Supernatural in Poetry'', in which she distinguishes terror writing from horror.

`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.'' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe''s 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni''s rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of its characters'' psychological states, it often seems strangely modern: `permanently avant-garde'' in Terry Castle''s words, and a profound and fascinating challenge to contemporary readers. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In A Sicilian Romance (1790) Radcliffe began to forge the unique mixture of the psychology of terror and poetic description that would make her the great exemplar of the Gothic nove, and the idol of the Romantics.This early novel explores the cavernous landscapes and labyrinthine passages of Sicily''s castles and covents to reveal the shameful secrets of its all-powerful aristocracy. Julia and Emilia Mazzini live secluded in an ancient mansion near the Straits of Messina. After their father''s return to the island a neglected part of the house is haunted by a series of mysterious sights and sounds. The origin of these hauntings is only discovered after a series of breathless pursuits through dreamlikepastoral landscapes. When revelation finally comes, it forces the heroines to challenge the united forces of religious and patriarchal authority.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Romance of the Forest (1791) heralded an enormous surge in the popularity of Gothic novels, in a decade that included Ann Radcliffe''s later works, The Mysteries of Udolpho and The Italian.Set in Roman Catholic Europe of violent passions and extreme oppression, the novel follows the fate of its heroine Adeline, who is mysteriously placed under the protection of a family fleeing Paris for debt. They take refuge in a ruined abbey in south-eastern France, where sinister relics of the past - a skeleton, a manuscript, and a rusty dagger - are discovered in concealed rooms. Adeline finds herself at the mercy of the abbey''s proprietor, a libidinous Marquis whose attentions finallyforce her to contemplate escape to distant regions.Rich in allusions to aesthetic theory and to travel literature, The Romance of the Forest is also concerned with current philosophical debate and examines systems of thought central to the intellectual life of late eighteenth-century Europe.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Among his associates no one loved him, many disliked him, and more feared him.' Father Schedoni is enlisted by the imperious Marchesa di Vivaldi to prevent her son from marrying the beautiful Ellena. Schedoni has no scruples in kidnapping Ellena and in undertaking whatever villainy will further his own ends. His menacing presence dominates a gripping tale of love and betrayal, abduction and assassination, and incarceration in the dreadful dungeons of the Inquisition. Uncertainty and doubt lie everywhere, in Radcliffe's last and most unnerving novel. Ann Radcliffe defined the 'terror' genre of writing and helped to establish the Gothic novel, thrilling readers with her mysterious plots and eerie effects. In The Italian she rejects the rational certainties of the Enlightenment for a more ambiguous and unsettling account of what it is to be an individual - particularly a woman - in a culture haunted by history and dominated by institutional power. This new edition includes Radcliffe's important essay 'On the Supernatural in Poetry', in which she distinguishes terror writing from horror.

In A Sicilian Romance (1790) Radcliffe began to forge the unique mixture of the psychology of terror and poetic description that would make her the great exemplar of the Gothic nove, and the idol of the Romantics.This early novel explores the cavernous landscapes and labyrinthine passages of Sicily's castles and covents to reveal the shameful secrets of its all-powerful aristocracy. Julia and Emilia Mazzini live secluded in an ancient mansion near the Straits of Messina. After their father's return to the island a neglected part of the house is haunted by a series of mysterious sights and sounds. The origin of these hauntings is only discovered after a series of breathless pursuits through dreamlike pastoral landscapes. When revelation finally comes, it forces the heroines to challenge the united forces of religious and patriarchal authority. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Romance of the Forest (1791) heralded an enormous surge in the popularity of Gothic novels, in a decade that included Ann Radcliffe's later works, The Mysteries of Udolpho and The Italian. Set in Roman Catholic Europe of violent passions and extreme oppression, the novel follows the fate of its heroine Adeline, who is mysteriously placed under the protection of a family fleeing Paris for debt. They take refuge in a ruined abbey in south-eastern France, where sinister relics of the past - a skeleton, a manuscript, and a rusty dagger - are discovered in concealed rooms. Adeline finds herself at the mercy of the abbey's proprietor, a libidinous Marquis whose attentions finally force her to contemplate escape to distant regions. Rich in allusions to aesthetic theory and to travel literature, The Romance of the Forest is also concerned with current philosophical debate and examines systems of thought central to the intellectual life of late eighteenth-century Europe. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.