Bonamy Dobrée – författare

`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of its characters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Extracting modern prose examples, Dobree covers such topics as narrative, explanatory prose in science, law, philosophy, theology, among others.

This book gives a general view of comedy in the period from Etherege to Farquhar. It investigates the question of French influence, proving, however, that Restoration comedy was a natural development of late Elizabethan work.

This is the second edition of a collection of critical analysis essays and lectures initially published in 1964 looking at the literary works of Henrik Ibsen, Thomas Hardy, EM. Forster, D.H. Lawrence, Rudyard Kipling, T.S. Eliot and the Alexandrian series of Lawrence Durrell.

First published in 1970. This collection of essays covers the work of Milton, Dryden, Sir John Vanburgh, Defoe, Mandeville, Joseph Addison, Laurence Sterne, Byron, Hazlitt, Walter Savage Landor, Robert Smith Surtees, Thackeray and Maria Louise (de la) Ramee better known as Ouida.

This is the second edition of a collection of critical analysis essays and lectures initially published in 1964 looking at the literary works of Henrik Ibsen, Thomas Hardy, EM. Forster, D.H. Lawrence, Rudyard Kipling, T.S. Eliot and the Alexandrian series of Lawrence Durrell.

This is the second edition of a collection of critical analysis essays and lectures initially published in 1964 looking at the literary works of Henrik Ibsen, Thomas Hardy, EM. Forster, D.H. Lawrence, Rudyard Kipling, T.S. Eliot and the Alexandrian series of Lawrence Durrell.

This is the second edition of a collection of critical analysis essays and lectures initially published in 1964 looking at the literary works of Henrik Ibsen, Thomas Hardy, EM. Forster, D.H. Lawrence, Rudyard Kipling, T.S. Eliot and the Alexandrian series of Lawrence Durrell.

First published in 1970. This collection of essays covers the work of Milton, Dryden, Sir John Vanburgh, Defoe, Mandeville, Joseph Addison, Laurence Sterne, Byron, Hazlitt, Walter Savage Landor, Robert Smith Surtees, Thackeray and Maria Louise (de la) Ramee better known as Ouida.