Robert Morrison – författare

`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"'' John Polidori''s classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley''s Frankenstein. Set in Italy, Greece, and London, Polidori''s tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a ''lady-killer''. Polidori''s tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre'' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer''s chilling account of the doppelganger, Letitia Landon''s elegant reworking of the Gothic romance, William Carleton''s terrifying description of an actual lynching, and James Hogg''s ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination''Thomas De Quincey''s three essays ''On Murder Considered as One of the Fine Arts'' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London''s East End. De Quincey''s response to Williams''s attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, the essays had aremarkable impact on crime, terror, and detective fiction, as well as on the rise of nineteenth-century decadence.The volume also contains De Quincey''s best-known piece of literary criticism, ''On the Knocking at the Gate in Macbeth'', and his finest tale of terror, ''The Avenger'', a disturbing exploration of violence, vigilantism, and religious persecution.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination''Thomas De Quincey''s three essays ''On Murder Considered as One of the Fine Arts'' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London''s East End. De Quincey''s response to Williams''s attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, the essays had aremarkable impact on crime, terror, and detective fiction, as well as on the rise of nineteenth-century decadence.The volume also contains De Quincey''s best-known piece of literary criticism, ''On the Knocking at the Gate in Macbeth'', and his finest tale of terror, ''The Avenger'', a disturbing exploration of violence, vigilantism, and religious persecution.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!'' Thomas De Quincey''s Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey''s childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In ''The English Mail-Coach'', the tragedies of De Quincey''s past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey''s finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!'' Thomas De Quincey''s Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey''s childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In ''The English Mail-Coach'', the tragedies of De Quincey''s past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey''s finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.

This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled.Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography—Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)—as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848).The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.

'For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination'Thomas De Quincey's three essays 'On Murder Considered as One of the Fine Arts' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey's response to Williams's attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, the essays had a remarkable impact on crime, terror, and detective fiction, as well as on the rise of nineteenth-century decadence.The volume also contains De Quincey's best-known piece of literary criticism, 'On the Knocking at the Gate in Macbeth', and his finest tale of terror, 'The Avenger', a disturbing exploration of violence, vigilantism, and religious persecution. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"' John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!'Thomas De Quincey's Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey's childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In 'The English Mail-Coach', the tragedies of De Quincey's past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power.This edition presents De Quincey's finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled.Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography--Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)--as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848). The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

The Victorians are often credited with ushering in our current era, yet the seeds of change were planted in the years before. The Regency (1811–1820) began when the profligate Prince of Wales—the future king George IV—replaced his insane father, George III, as Britain’s ruler.Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner. Science burgeoned during this decade, too, giving us the steam locomotive and the blueprint for the modern computer.Yet the dark side of the era was visible in poverty, slavery, pornography, opium, and the gothic imaginings that birthed the novel Frankenstein. With the British military in foreign lands, fighting the Napoleonic Wars in Europe and the War of 1812 in the United States, the desire for empire and an expanding colonial enterprise gained unstoppable momentum. Exploring these crosscurrents, Robert Morrison illuminates the profound ways this period shaped and indelibly marked the modern world.

Robert Morrison sets Pride and Prejudice within the social contexts of female conduct books and political tales of terror and traces criticism of the novel from the nineteenth century to the present, including material on the 1995 film adaptation. Extensive introductory comment and annotation complement extracts from critical and contextual texts. The book concludes with fourteen widely studied passages from Pride and Prejudice, reprinted with editorial comment.

Robert Morrison sets Pride and Prejudice within the social contexts of female conduct books and political tales of terror and traces criticism of the novel from the nineteenth century to the present, including material on the 1995 film adaptation. Extensive introductory comment and annotation complement extracts from critical and contextual texts. The book concludes with fourteen widely studied passages from Pride and Prejudice, reprinted with editorial comment.

The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.

In examining the work of eminent fourteenth century Iranian Shiite scholar Nizam al-Din al-Nisaburi, this book is the first rigorous attempt to explain the cross-fertilization of scientific and religious thought in Islamic civilization. Nisaburi did not consider himself a scientist alone, being commissioned by his patrons to work in a variety of fields. Islam and Science examines in detail the relationship between the metaphysics of Nisaburi's science, and statements he made in his Qur'an commentary and in other non-scientific writings. Sources suggest that Nisaburi was inspired to begin his scientific career by the inclusion of basic science in a religious (madrasa) education. By mid-career, he had found methodological similarities between theoretical astronomy and Islamic jurisprudence. Morrison concludes that while Nisaburi believed science could give one a taste of God's knowledge, he realised that the study of science and natural philosophy alone could not lead him to a spiritual union with God. Only Sufi practice and Sufi theory could accomplish that.Morrison's work is remarkable in synthesizing the history of Islamic science with other areas of Islamic studies. It will be of interest to students and scholars of religion and the history of science, as well as readers with a more general interest in Middle Eastern studies.Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009

In examining the work of eminent fourteenth century Iranian Shiite scholar Nizam al-Din al-Nisaburi, this book is the first rigorous attempt to explain the cross-fertilization of scientific and religious thought in Islamic civilization. Nisaburi did not consider himself a scientist alone, being commissioned by his patrons to work in a variety of fields. Islam and Science examines in detail the relationship between the metaphysics of Nisaburi's science, and statements he made in his Qur'an commentary and in other non-scientific writings. Sources suggest that Nisaburi was inspired to begin his scientific career by the inclusion of basic science in a religious (madrasa) education. By mid-career, he had found methodological similarities between theoretical astronomy and Islamic jurisprudence. Morrison concludes that while Nisaburi believed science could give one a taste of God's knowledge, he realised that the study of science and natural philosophy alone could not lead him to a spiritual union with God. Only Sufi practice and Sufi theory could accomplish that.Morrison's work is remarkable in synthesizing the history of Islamic science with other areas of Islamic studies. It will be of interest to students and scholars of religion and the history of science, as well as readers with a more general interest in Middle Eastern studies.Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009

The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.

“Jane Austen lovers worldwide will cherish these books...Prepare yourself for a major treat.” —Christian Science Monitor Let us never underestimate the power of a well-written book.Persuasion, Jane Austen’s final novel, was published posthumously in 1817. The story of Anne Elliot and Captain Wentworth’s once-abandoned, never-forgotten romance has enchanted readers ever since. How long can two people in love withstand their feelings? Experience their enduring love anew with this extraordinary, annotated edition. For beginners and experts alike—immerse yourself in Jane Austen’s world: For the modern reader, our insightful and illuminating annotations provide clear explanations and context for period language and references. For the enthusiast, they offer fresh, exciting analysis—a passionate friend in the margins. A work of art—the ideal gift: Perfect for gifting, collecting, and cherishing, this grand hardcover (9” x 9.5”) brims with hundreds of full-color illustrations that vividly recreate Austen’s world—its fashions, carriages, libraries, and estates. The story: “You pierce my soul. I am half agony, half hope...I have loved none but you.” When Anne Elliot was nineteen, she fell in love with the ambitious naval officer Frederick Wentworth; the pair were quickly engaged. As the daughter of a baronet, however, Anne was persuaded by her family to end the imprudent relationship. Now, seven years later, Sir Walter Elliot’s lavish spending has jeopardized the family fortune, while Wentworth has risen through the ranks to become a wealthy and distinguished captain. When fate brings them together again, their feelings are unchanged—but will they reconcile?

Definitive life of the author of CONFESSIONS OF AN ENGLISH OPIUM-EATER, journalist, political commentator and biographer.Thomas De Quincey's friendships with leading poets and men of letters in the Romantic and Victorian periods - including William Wordsworth, Samuel Taylor Coleridge and Thomas Carlyle - have long placed him at the centre of 19th-century literary studies. De Quincey also stands at the meeting point in the culture wars between Edinburgh and London; between high art and popular taste; and between the devotees of the Romantic imagination and those of hack journalism. His writing was a tremendous influence on Edgar Allan Poe, Charles Dickens, William Burroughs and Peter Ackroyd.De Quincey is a fascinating (and topical) figure for other reasons too: a self-mythologizing autobiographer whose attitudes to drug-induced creativity and addiction strike highly resonant chords for a contemporary readership. Robert Morrison's biography passionately argues for the critical importance and enduring value of this neglected essayist, critic and biographer.

This edition makes available in a single edition all of Hunt''s major works, fully annotated and with a consolidated index. The set will include all of Hunt''s poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt''s major works, fully annotated and with a consolidated index. The set will include all of Hunt''s poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt''s major works, fully annotated and with a consolidated index. The set will include all of Hunt''s poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt''s major works, fully annotated and with a consolidated index. The set will include all of Hunt''s poetry, and an extensive selection of his periodical essays.