Robert P. Ingalls - Böcker

In the 1930s Tampa was ranked by the American Civil Liberties Union as one of nine centres of ""anti-labour, anti-Negro, anti-alien, anti-communist, anti-socialist and anti-liberal violence"". This study of collective violence in Tampa focuses on anti-union vigilantism directed by the city's elite.

Florida has been the location and subject of hundreds of feature films, from Cocoanuts (1929) to Monster (2004). Portraying the state and its people from the silent era to the present, these films have explored the multitude of Florida images and cliches that have captured the public's imagination--a nature lover's paradise, a wildlife refuge, a tourist destination, home to the ""cracker,"" and a haven for the retired, the rich, the immigrant, and the criminal. Sunshine in the Dark is the first complete study of how the movie industry has immortalized Florida’s extraordinary scenery, characters, and history on celluloid.Historians Fernández and Ingalls have identified more than 300 films about Florida--many of them shot on location in the state--to analyze how filmmakers from the Marx Brothers and John Huston to Oliver Stone and Francis Ford Coppola have portrayed the state and its people. Prior to the 1960s, cinematic trips to Florida usually brought happy endings in movies like Moon Over Miami (1942), but since the 1970s, films like Scarface (1982) have emphasized the state's menacing aspects.In the authors' analysis of the films, which examines location settings, plotlines, and characters, they find a bevy of Florida stereotypes among the leading characters--from the struggling crackers in The Yearling (1946) to the drug-addicted con man in Adaptation (2002). Featuring more than 100 still photographs from movies, as well as filmographies by year and genre, the book is an encyclopedic resource for movie fans and anyone interested in Florida popular culture.

Florida Historical Society Harry T. and Harriette V. Moore AwardFrom the founding of Ybor City in 1886 to the dispersal of Tampa’s Latin population in the years following World War II, Tampa’s Cigar Workers documents the history of the Cuban, Spanish, and Italian immigrants who created the cigar industry in Tampa and the extraordinary multi-ethnic community that flourished around it. More than 200 photos capture this community’s personalities and way of life while commentary drawn from newspaper accounts, oral histories, and archival documents identifies and explains each photograph’s historical place and significance. In linking the photographs with historical text, the authors allow the cigar workers to tell their own story, in the language of their day.The rich photographic record around which the book is organized communicates the lives of these workers not only in the workplace but also in their vibrant Ybor City and West Tampa neighborhoods. The book depicts the making of cigars, the work culture, local support for the Cuban War of Independence (1895-1898), unions and strikes, community institutions such as mutual aid clubs, leisure activities, and social practices surrounding courtship, marriage, and death. Highlighting the diversity of the cigar workers’ community, the authors present an inspiring and deeply moving story of how these immigrants carved out their space in Tampa while struggling to survive economically and defending their ideals and way of life.