Robert Polito - Böcker

A prevailing narrative goes: Bob Dylan, the voice of Sixties counter-culture, disappeared in the 1970s, then released arguably the worst music of his career in the 1980s—only to be resurrected in 2016, when he was awarded the Nobel Prize in Literature. Dylan’s concerts once began with an announcer intoning a deadpan version of just such a narrative. That is not this story. Drawing on thousands of pages of archival materials, After the Flood reveals Dylan’s output during the last three decades as his most ambitious yet. Across an abecedarium of chapters surveying his albums, performances, films and books since the early 1990s, celebrated poet and biographer Robert Polito shows how Dylan evolved a late musical style that has embodied and resisted its era–interweaving Ovid and Americana, film noir and the Civil War. Imaginatively researched, After the Flood is both an essential revision and continuation of the Dylan saga.

Hollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing - even lurid-hallucination. From the Baltimore Catechism to the great noir films of the last century to today's Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who we think we are, fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

Doubles is at once tough-minded and urbane, veering from lyricism to street slang, oscillating with the beat of the American city. As his title suggests, Polito's world is one of doubling, simulation, impersonation, and mimicry--a shrewd vision of urban life.

Doubles is at once tough-minded and urbane, veering from lyricism to street slang, oscillating with the beat of the American city. As his title suggests, Polito's world is one of doubling, simulation, impersonation, and mimicry—a shrewd vision of urban life.

"Hollywood & God" is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing - even lurid - hallucination. From the Baltimore Catechism to the great noir films of the last century to today's Elvis impersonators and Paris Hilton (an impersonator of a different sort), Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are, fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, "Hollywood & God" is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

An invaluable road map for the epic poem of our time

This title, first published in 1987, comprises of three essays which examine Lord Byron’s poetry. Some of Byron’s most famous poems are examined, including Don Juan and Childe Harold's Pilgrimage. This title will be of interest to students of literature.

This title, first published in 1987, comprises of three essays which examine Lord Byron’s poetry. Some of Byron’s most famous poems are examined, including Don Juan and Childe Harold's Pilgrimage. This title will be of interest to students of literature.