Robin Muir – författare

This beautiful book of her wartime fashion work addresses Lee Miller’s contribution to the fashion industry in these years and her significant service to the survival of British Vogue magazine.Audrey Withers, Lee Miller’s editor at British Vogue, in 1941 wrote ‘she [Lee Miller] has borne the whole weight of our studio production through the most difficult period in Brogue’s [British Vogue’s] history’.Containing over 130 images, with the majority printed full page this book also contains accompanying text by Ami Bouhassane, Lee Miller’s granddaughter and Co-Director of the Lee Miller Archives, who provides insights into Lee Miller’s work process. In two additional essays, fashion historian Amber Butchart writes on the fashion of the period and Robin Muir, contributing editor to British Vogue, discusses Lee Miller’s work for Vogue.

Inventive, glamorous, gorgeous - since the beginning VOGUE has set the platinum standard for fashion magazines the world over and has become an icon in its own right. VOGUE's covers sum up the superlative visual ideals of the whole magazine. For the first time, this book brings together in one volume nearly a century of covers both illustrated and photographic. Over two hundred stunning images have been selected from an archive of more than fifteen hundred.What sets VOGUE's covers apart is that each is so bold, so beautiful and so emphatically different. They mark the course of history, chart changing fashions and ideas of beauty and hold up a mirror to the cultural and social revolutions of the twentieth century. Since 1916 VOGUE's covers have celebrated the most striking women of our age, captured by the century's leading photographers, the greatest artists and the most inventive fashion. Brilliant, captivating and full of life, this is the face of the world's most influential magazine and the original style bible.

In the quest for beauty there has only ever been one authority - Vogue. The magazine's pursuit of perfection has chronicled the changing face of beauty at its seductive best; its photographs and illustrations represent the power of the transformation of self, the creative statement made with a brush of make-up, the seduction implied in a gloss of lipstick. Having created a world where the female form rules supreme, Vogue is the fairy godmother to beauty's fable and Vogue Beauty celebrates the fashion and form that has shaped our viewpoint: clothed or naked; dramatically enhanced or naturally simplistic; the face, the mask, the luxury, the allure of the aesthetic. Capturing the scent of glamour alongside the romance of woman, Vogue Beauty is as classic as a stick of red lipstick.

'What a fabulous book - a must for any royal watcher! It's elegant, stylish and gloriously illustrated. I didn't want it to end. I loved the original and innovative approach to the subject, and the new insights I gained. I cannot recommend it highly enough.' Alison Weir'Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty's life though the record of our pages is truly a document of history.' - Edward Enninful, Editor-in-Chief of British VogueFive monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages... British Vogue has borne witness to a century of royal history. As another reign begins, The Crown in Vogue is the magazine's 'special royal salute' to the House of Windsor. Vogue's first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen's sister and returned as Lord Snowdon. The Queen's cousin, Vogue's Lord Lichfield proved an insightful photographer of royal style along with many of Vogue's fashion photographers including Horst, Norman Parkinson and David Bailey. With visual treasures from Vogue's unrivalled archive and contributions through the decades from the most perceptive of royal commentators - from Evelyn Waugh to Zadie Smith - The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II's magnificent reign - and of royalty in the modern age.

'What a fabulous book - a must for any royal watcher! It's elegant, stylish and gloriously illustrated. I didn't want it to end. I loved the original and innovative approach to the subject, and the new insights I gained. I cannot recommend it highly enough.' Alison Weir'Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty's life though the record of our pages is truly a document of history.' - Edward Enninful, Editor-in-Chief of British VogueFive monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages... British Vogue has borne witness to a century of royal history. As another reign begins, The Crown in Vogue is the magazine's 'special royal salute' to the House of Windsor. Vogue's first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen's sister and returned as Lord Snowdon. The Queen's cousin, Vogue's Lord Lichfield proved an insightful photographer of royal style along with many of Vogue's fashion photographers including Horst, Norman Parkinson and David Bailey. With visual treasures from Vogue's unrivalled archive and contributions through the decades from the most perceptive of royal commentators - from Evelyn Waugh to Zadie Smith - The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II's magnificent reign - and of royalty in the modern age.

A virtuoso in capturing beauty, glamour, and star power, Cecil Beaton was an extraordinary force in the 20th century British and American creative scenes. Renowned as a photographer, fashion illustrator, costume designer and decorated writer, Beaton’s impact spans the worlds of fashion, photography, and design.Cecil Beaton’s Fashionable World is a captivating journey through Cecil Beaton’s photographs from 1922 to 1955, where glamour, resilience, and creativity converge to define an era that continues to captivate audiences today. Cecil Beaton (1904–1980) was an extraordinary force in the 20th century British and American creative scenes. Renowned as a fashion illustrator, Oscar winning costume designer, social caricaturist, essayist, and decorated writer, Beaton’s impact spans the worlds of fashion, photography, and design. This publication will delve into the core of his career, focusing on his key influential contributions to fashion, a realm where he initially garnered acclaim. The publication accompanies the exhibition of the same name which opens at the National Portrait Gallery, London, in October 2025.A virtuoso in capturing beauty, glamour, and star power, Beaton’s lens portrayed everyone of consequence in the interwar and early post-war eras. This book spotlights his ground-breaking fashion work, a pivotal aspect of his career that laid the foundation for his later successes. From his early snapshots of the Bright Young Things in the 1920s to becoming the star photographer of British Vogue by the age of 24, Beaton’s journey through High Society, which takes him from London to Paris, capital of the fashion world, and to New York and Hollywood, is documented in a chronological exploration of his most triumphant years, culminating in his Oscar winning designs for My Fair Lady.

John Deakin was one of the great postwar photographers, renowned for his penetrating portraits, haunting street scenes and inventive fashion work. Though he flourished briefly at Vogue, it was the lure of nearby Soho with its pubs, clubs and subterranean watering holes that led him away from regular employment. Loved and loathed in equal measure by friends and drinking companions, Deakin was a legendary member of the quarter’s maverick crowd of artists and misfits, enjoying a certain louche glamour as an ex-Vogue photographer. As its most famous chronicler with the camera, he is inextricably linked to Soho’s bohemian heyday in the two decades following the war. Accompanying an exhibition at The Photographers’ Gallery, Under the Influence: John Deakin, Photography and the Lure of Soho explores the hidden corners and colourful characters of this notorious part of London as seen through Deakin’s eyes. His circle included the painters Francis Bacon, Lucian Freud and Frank Auerbach, the writers Dylan Thomas, Daniel Farson and Jeffrey Bernard, and the socialites Henrietta Moraes and Muriel Belcher, proprietress of fabled drinking den The Colony Room. Deakin photographed these and other celebrated personalities alongside lesser-known Soho figures of the day. Artisans and tradesmen, from the ice-seller to the under-chef, newspaper vendor, street sweeper, vagrants and outsiders – all were captured by his democratic, equitable lens. With dozens of reproductions of Deakin’s most compelling images, letters, contact sheets and other ephemera, and a text by acclaimed photographic historian Robin Muir charting his troubled Soho existence, this book is an evocative record of life in and around the four parallels of Wardour, Dean, Frith and Greek streets in the 1950s and early 1960s.