As a poet and critic of art and literature, and as a social and political philosopher, Sir Herbert Read exerted an important influence on the culture of his time. Not only did he assist and inspire many writers and artists, but through his work for the idea of ‘education through art’, he greatly influenced education, in particular the teaching of art and literature in schools.

For this symposium, first issued in 1969 as the ninth number of The Malahat Review, Professor Skelton has gathered together original essays, poems and drawings which illustrate many aspects of Sir Herbert Read’s life and work.

As a poet and critic of art and literature, and as a social and political philosopher, Sir Herbert Read exerted an important influence on the culture of his time. Not only did he assist and inspire many writers and artists, but through his work for the idea of ‘education through art’, he greatly influenced education, in particular the teaching of art and literature in schools.

For this symposium, first issued in 1969 as the ninth number of The Malahat Review, Professor Skelton has gathered together original essays, poems and drawings which illustrate many aspects of Sir Herbert Read’s life and work.

Voyageur Classics is a series of special versions of Canadian classics, with added material and new introductions. In this bundle we find five classic works of twentieth century fiction, drama and poetry, a period when Canada’s literary identity was shaped. Originally published in 1962, The Silence on the Shore is considered by many critics to be renowned Hugh Garner’s best, most ambitious novel. Originally published in 1967, Combat Journal for Place d’Armes was initially met with shock and anger by most reviewers but has become a literary touchstone. The Donnellys tells the tale of a secret society and a massacre that shocked the Canadian public, a story overlooked by the artistic community until Reaney’s 1975 play elevated the events to the level of legend. In This Poem I Am presents the best of poet Robin Skelton’s adventurous poetry. And Exploration Literature is a groundbreaking collection of early writing inspired by the opening of a continent, an entry point into the beginnings of a literate response to the awe and wonder inspired by an unfolding geography.

Includes

In a country in which poetry has been largely private and apologetic, Robin Skelton played the part of poet with grand style: flowing beard, mane of white hair, rings on every finger, huge amulet around his neck, all topped off with a black hat that looked as if it came from a Venetian gondolier but was really picked up at the re-enactment of a Cariboo Gold Rush-era general store in Barkerville, B.C.

In this selection of his best verse there are poems of "high" and "low" art, spells and prayers, meditations, shemanic maps, and, in the centre of the book, "messages," those strange, inspired "gifts" at the core of Skelton’s art. In making the selection for this volume, editor Harold Rhenisch, himself an accomplished poet, has held to the image that Skelton’s themes repeat like the ripples of water spreading out from a pebble dropped into a pool, and has attempted to bring together the best ripple from each dropped pebble.

As a poet and critic of art and literature, and as a social and political philosopher, Sir Herbert Read exerted an important influence on the culture of his time. Not only did he assist and inspire many writers and artists, but through his work for the idea of ‘education through art’, he greatly influenced education, in particular the teaching of art and literature in schools.

For this symposium, first issued in 1969 as the ninth number of The Malahat Review, Professor Skelton has gathered together original essays, poems and drawings which illustrate many aspects of Sir Herbert Read’s life and work.

As a poet and critic of art and literature, and as a social and political philosopher, Sir Herbert Read exerted an important influence on the culture of his time. Not only did he assist and inspire many writers and artists, but through his work for the idea of ‘education through art’, he greatly influenced education, in particular the teaching of art and literature in schools.

For this symposium, first issued in 1969 as the ninth number of The Malahat Review, Professor Skelton has gathered together original essays, poems and drawings which illustrate many aspects of Sir Herbert Read’s life and work.

Voyageur Classics is a series of special versions of Canadian classics, with added material and new introductions. In this bundle we find five classic works of twentieth century fiction, drama and poetry, a period when Canada’s literary identity was shaped. Originally published in 1962, The Silence on the Shore is considered by many critics to be renowned Hugh Garner’s best, most ambitious novel. Originally published in 1967, Combat Journal for Place d’Armes was initially met with shock and anger by most reviewers but has become a literary touchstone. The Donnellys tells the tale of a secret society and a massacre that shocked the Canadian public, a story overlooked by the artistic community until Reaney’s 1975 play elevated the events to the level of legend. In This Poem I Am presents the best of poet Robin Skelton’s adventurous poetry. And Exploration Literature is a groundbreaking collection of early writing inspired by the opening of a continent, an entry point into the beginnings of a literate response to the awe and wonder inspired by an unfolding geography.

Includes

In a country in which poetry has been largely private and apologetic, Robin Skelton played the part of poet with grand style: flowing beard, mane of white hair, rings on every finger, huge amulet around his neck, all topped off with a black hat that looked as if it came from a Venetian gondolier but was really picked up at the re-enactment of a Cariboo Gold Rush-era general store in Barkerville, B.C.

In this selection of his best verse there are poems of "high" and "low" art, spells and prayers, meditations, shemanic maps, and, in the centre of the book, "messages," those strange, inspired "gifts" at the core of Skelton’s art. In making the selection for this volume, editor Harold Rhenisch, himself an accomplished poet, has held to the image that Skelton’s themes repeat like the ripples of water spreading out from a pebble dropped into a pool, and has attempted to bring together the best ripple from each dropped pebble.