Rockwell Kent – författare

When artist, illustrator, writer, and adventurer Rockwell Kent first published N by E in a limited edition in 1930, his account of a voyage on a 33-foot cutter from New York Harbor to the rugged shores of Greenland quickly became a collectors' item. Little wonder, for readers are immediately drawn to Kent's vivid descriptions of the experience; we share "the feeling of wind and wet and cold, of lifting seas and steep descents, of rolling over as the wind gusts hit," and the sound "of wind in the shrouds, of hard spray flung on a drum-tight canvas, of rushing water at the scuppers, of the gale shearing a tormented sea." When the ship sinks in a storm-swept fjord within 50 miles of its destination, the story turns to the stranding and subsequent rescue of the three-man crew, salvage of the vessel, and life among native Greenlanders. Magnificently illustrated by Kent's wood-block prints and narrated in his poetic and highly entertaining style, this tale of the perils of killer nor'easters, treacherous icebergs, and impenetrable fog -- and the joys of sperm whales breaching or dawn unmasking a longed-for landfall -- is a rare treat for old salts and landlubbers alike.

Rockwell Kent is one of America's most famous graphic artists. He was also an avid traveler. Kent was especially fascinated by remote Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his travels. Voyaging, originally published in 1924, is the engaging story of Kent's sailing voyage to Tierra del Fuego. Kent is a charming writer and keen observer of both the land and its people. The book is beautifully and generously illustrated with Kent's distinctive woodcuts.The first edition was published to great critical acclaim. New Republic wrote, "the land lives. A land where roses are as big as sun-flowers, where gales gnaw against bleak cliffs . . . At the end of the earth, there is the paradox of the dwarf and the giant." The Nation said, "Kent has caught the wild beauty of this ominous region -- iron crags ringed with the froth of blown surf, wind-tortured trees, distant peaks incrusted with dazzling snow; but out of the very heart of this bewildering beauty emanates a sense of unseen presences appallingly, implacably hostile to man."