Roland Wenzlhuemer – författare

By the end of the nineteenth century the global telegraph network had connected all continents and brought distant people into direct communication 'at the speed of thought' for the first time. Roland Wenzlhuemer here examines the links between the development of the telegraph and the paths of globalization, and the ways in which global spaces were transformed by this technological advance. His groundbreaking approach combines cultural studies with social science methodology, including evidence based on historical GIS mapping, to shed new light on both the structural conditions of the global telegraph network and the historical agency of its users. The book reveals what it meant for people to be telegraphically connected or unconnected, how people engaged with the technology, how the use of telegraphy affected communication itself and, ultimately, whether faster communication alone can explain the central role that telegraphy occupied in nineteenth-century globalization.

By the end of the nineteenth century the global telegraph network had connected all continents and brought distant people into direct communication 'at the speed of thought' for the first time. Roland Wenzlhuemer here examines the links between the development of the telegraph and the paths of globalization, and the ways in which global spaces were transformed by this technological advance. His groundbreaking approach combines cultural studies with social science methodology, including evidence based on historical GIS mapping, to shed new light on both the structural conditions of the global telegraph network and the historical agency of its users. The book reveals what it meant for people to be telegraphically connected or unconnected, how people engaged with the technology, how the use of telegraphy affected communication itself and, ultimately, whether faster communication alone can explain the central role that telegraphy occupied in nineteenth-century globalization.

The field of Global History has experienced an unprecedented boom in the last two decades and carved itself deeply into the practice of historical research. Despite this, its conceptual foundations have rarely been explored. This introduction to what Global History is brings together theory and practice with 6 key concepts, delivered through 6 accessible case studies. Re-evaluating the central concerns and key approaches in the field, it offers an up-to-date discussion of the foundations of Global History, its guiding questions, and principal methods ‘at work’.Doing Global History offers students valuable insights into the ways general concepts can be used and applied when doing historical research. The 6 concepts- connections, actors, structures, space, time and transit- and their accompanying examples will not only help readers to get a solid grasp of what global history means, but will stimulate further engagement in the field. Wenzlhuemer successfully shows that global history is best considered as a perspective, not a theory or paradigm, and guides the reader through ways it can be used in practice to draw new and exciting conclusions. Tailored for classroom and student use, this book will be invaluable to advanced undergraduates and postgraduates of Global History.

The field of Global History has experienced an unprecedented boom in the last two decades and carved itself deeply into the practice of historical research. Despite this, its conceptual foundations have rarely been explored. This introduction to what Global History is brings together theory and practice with 6 key concepts, delivered through 6 accessible case studies. Re-evaluating the central concerns and key approaches in the field, it offers an up-to-date discussion of the foundations of Global History, its guiding questions, and principal methods ‘at work’.Doing Global History offers students valuable insights into the ways general concepts can be used and applied when doing historical research. The 6 concepts- connections, actors, structures, space, time and transit- and their accompanying examples will not only help readers to get a solid grasp of what global history means, but will stimulate further engagement in the field. Wenzlhuemer successfully shows that global history is best considered as a perspective, not a theory or paradigm, and guides the reader through ways it can be used in practice to draw new and exciting conclusions. Tailored for classroom and student use, this book will be invaluable to advanced undergraduates and postgraduates of Global History.

Globalisation is one of the most contested concepts of our time. From its promise of borderless flows of people, goods, and finance in the 1990s, it embodies today almost the opposite: deglobalisation, as tariffs are erected, borders heavily policed, anti-migration regimes enforced and sanctions levied. This ‘disconnect’ between promise and realisation is the subject of Dis:connectivity and Globalisation: Concepts, Terms, Practices. In almost forty short essays and an introduction, it explores key concepts that illuminate processes of globalisation from a dis:connective perspective, which highlights the role of delays and detours, interruptions, resistances and absences as constitutive of globalisation. The volume proposes rethinking globalisation by redefining the terminology we use to describe and analyse it.

Today, hardly anything moves as fast across the globe as images and media. This fact opens new avenues to explore social and cultural change, but also poses new theoretical challenges of how to grasp and better understand these changes and flows. Moreover, such movements across geophysical and cultural borders have a historical depth that enables us to explore globalisation and localisation in new ways. Transculturality is still a relatively new field of research in the Humanities through which we sharpen our competence and ‘literacy’ to come to terms with the complexity of globalised cultures. This volume ventures into new domains of research on the transculturality of images and addresses the need to develop new or modify established often ethno- and Eurocentric interpretations of what happens when images travel. It does so by bringing together cutting-edge research from fields such as art history, cultural anthropology, colonial history, Islamic studies, religious studies and literary criticism.

The history of globalization is anything but a no-frills affair that moves smoothly along a clear-cut, unidirectional path of development, eventually leading to seamless global integration.