Christopher Balme – författare

Theatre Institutions in Crisisexamines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Theatre Institutions in Crisisexamines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Globalisation is one of the most contested concepts of our time. From its promise of borderless flows of people, goods, and finance in the 1990s, it embodies today almost the opposite: deglobalisation, as tariffs are erected, borders heavily policed, anti-migration regimes enforced and sanctions levied. This ‘disconnect’ between promise and realisation is the subject of Dis:connectivity and Globalisation: Concepts, Terms, Practices. In almost forty short essays and an introduction, it explores key concepts that illuminate processes of globalisation from a dis:connective perspective, which highlights the role of delays and detours, interruptions, resistances and absences as constitutive of globalisation. The volume proposes rethinking globalisation by redefining the terminology we use to describe and analyse it.