Romila Thapar – författare

A history of India upto 1300 AD introducing the beginnings of India's cultural dynamics

This new book represents a complete rewriting of Romila Thapar's hugely successful HISTORY OF INDIA - VOLUME ONE, thirty-four years after it was first published. Incorporating the vast changes in knowledge developed during her lifetime, Thapar tells the extraordinary story of this great civilisation - a civilisation always based on diverse, often warring sources and that left the astounding buildings and beliefs that still fill India. This book is the authoritative history told with style andmeticulous attention to detail by the world's leading authority.

A history of India upto 1300 AD introducing the beginnings of India's cultural dynamics

The Mauryan period witnessed the rise of the first subcontinental empire which required administration appropriate to a changing political economy, communication adequate to a subcontinental territory, and new ideological attempts to draw support from a multicultural population. This book provides a fresh interpretation of the history of early India and its linkages with later developments. It discusses the history of the Mauryas with a special emphasis on the reign and activities of A?oka. The author focuses on sources, socio-economic conditions, administration, Dhamma, foreign relations, and the decline of the Mauryas. This new edition includes a Pre-word, updating the research on the subject. This book is an important reading for undergraduate and postgraduate students and teachers, as well as researchers of ancient Indian history. It will also interest the informed general reader.

This is a set of four volumes aimed at bringing together the best research by Romila Thapar to showcase her academic contributions to the understanding of history and historiography in India. The four volumes will focus on bringing together all the lectures and papers on an area of her work-historiography, Mauryas and Mauryan India, Social and Cultural Transaction, and Religion and Society. Each volume also includes a detailed interview with the author and a reflection on her work by an expert in the field, who will introduce the essays in that volume.The introduction to the set by Romila Thapar will explore her academic life and approaches to early Indian history and history writing. It will incorporate a detailed analysis of all the trends and transformations in historical thinking and history writing that have shaped the last six decades of Indian history.The set of volumes would conserve and reflect on the life and work of an eminent historian of India.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa's fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa's fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa''s fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

“An authority on thousands of years of India’s past, Thapar has a rare and special perspective on the country it was and the country it is becoming.” —Financial TimesWinner of the Kluge Prize Romila Thapar presents a sweeping survey of the historical traditions of North India, revealing a deep consciousness of history embedded in classical Indian literature.The claim, often made, that India—uniquely among civilizations—lacks historical writing distracts us from a more pertinent question, according to Romila Thapar: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. In The Past Before Us, a distinguished scholar of ancient India guides us through a panoramic survey of the historical traditions of North India. Thapar reveals a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature.The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy and continuity amid social change. Spanning an epoch of nearly twenty-five hundred years, from 1000 BCE to 1400 CE, Thapar delineates three distinct historical traditions: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptions, regional accounts, and royal biographies and dramas are all scrutinized afresh—not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

Nations need identities. These are created from perceptions of how societies have evolved. In this, history plays a central role. Insisting on reliable history is therefore crucial to more than just a pedagogic cause. Delicate relationships between the past and present or an exacting understanding of the past, call for careful analyses.  Understanding India’s past is of vital importance to the present. Many popularly held views about the past need to be critically enquired into before they can be taken as historical. Why is it important for Indian society to be secular? When did communalism as an ideology gain a foothold in the country? How and when did the patriarchal system begin to support a culture of violence against women?  Historian Romila Thapar has investigated, analyzed, and interpreted the history that underlies such questions throughout her career. Through the incisive essays in The Past as Present, she argues that it is of critical importance for the Indian past to be carefully and rigorously explained if the legitimacy of the present, wherever it derives from the past, is to be portrayed as accurately as possible. This is particularly crucial given the attempts by unscrupulous politicians, religious fundamentalists, and their ilk to wilfully misrepresent and manipulate the past in order to serve their present-day agendas. The Past as Present is an essential and necessary book at a time when sectarianism, false nationalism, and the muddying of historical facts are increasingly becoming a feature of our public, private, and intellectual lives.

People have argued since time immemorial. Disagreement is a part of life, of human experience. But we now live in times when any form of protest in India is marked as anti-Indian and met with arguments that the very concept of dissent was imported into India from the West. As Romila Thapar explores in her timely historical essay, however, dissent has a long history in the subcontinent, even if its forms have evolved through the centuries. In Voices of Dissent: An Essay, Thapar looks at the articulation of nonviolent dissent and relates it to various pivotal moments throughout India’s history. Beginning with Vedic times, she takes us from the second to the first millennium BCE, to the emergence of groups that were jointly called the Shramanas—the Jainas, Buddhists, and Ajivikas. Going forward in time, she also explores the views of the Bhakti sants and others of the fifteenth and sixteenth centuries, and brings us to a major moment of dissent that helped to establish a free and democratic India: Mahatma Gandhi’s satyagraha. Then Thapar places in context the recent peaceful protests against India’s new, controversial citizenship law, maintaining that dissent in our time must be opposed to injustice and supportive of democratic rights so that society may change for the better.   Written by one of India’s best-known public intellectuals, Voices of Dissent will be essential reading not for anyone interested in India’s fascinating history, but also the direction in which the nation is headed.

Every society has its cultures: patterns of how people live and express themselves and how they value objects and thoughts. Recently, there has been considerable debate about what constitutes Indian culture and heritage and about how much diversity those categories ought to contain. Romila Thapar begins by explaining how definitions of culture have changed over the past three centuries. She suggests that cultures can be defined as a shared understanding of selected objects and thoughts from the past, but this understanding is often stripped of its historical context. Thapar touches on a few of these illuminating contexts, such as social discrimination, the role of women, and attitudes toward science and knowledge. This thought-provoking book is sure to spark productive debate about some current shibboleths in India’s culture.

An overview of nationalism and its impact on the study of history from one of India’s most prominent historians.  In this timely book, historian Romila Thapar delves into the complex world of nationalism and its impact on the interpretations of the past and on the discipline of history itself. History, she expounds, is no mere collection of information and chronology, and its purpose extends well beyond storytelling.  Recognizing nationalism as a powerful force that gives rise to various narratives that provide ancestry to communities and shape the direction of societies, Thapar explores how, in India, two conflicting notions of nationalism have evolved and shaped the idea of the nation. Today, one such nationalistic theory claims the victimization of one religious community by another through centuries of “misrule.” Such a claim willfully ignores ample evidence to the contrary to suit a particular political and ideological purpose. Thapar counters such attempts at misrepresentation by citing several historical instances of the nuanced interface and intermingling of cultures, as well as by showing how today’s conflicts have their roots in the British colonial construction of India’s history. She also addresses the recent controversy surrounding the deletions of sections of Indian history textbooks published by NCERT, the Indian educational council, and suggests that the intention is more likely to be the promotion of a particular reading of history that conforms to the ideology of those in power.  Engaging and thought-provoking, Our History, Their History, Whose History? invites readers to question the authenticity of historical narratives touted by one group of nationalists, and it explores the clash between professional historians who study the past to understand our inherited present and fabricators who wield history for political gain.

A lively discussion between two eminent Indian academics that examines what it means to be an Indian.  Through a stimulating dialogue, two old friends trace the history of the idea of India through digressions, anecdotes, and observations. Historian Romila Thapar and theorist Gayatri Chakravorty Spivak reflect on the challenges posed by essentialism and exclusion whenever cultures attempt to define and assert themselves. They also emphasize the role of education in fostering a more inclusive and accurate understanding of the nation’s complex history. Their conversation revolves around the narratives that have shaped Indian identity—from Vedic times to the present—and those whose voices and visions for this land remain unheard and unseen.  Ranging from nationalism to religion and beyond, TheIdea of India discusses an urgent question: What does it mean to be an Indian in contemporary society?

Short, rigorous intervention on history-writing in public life.How does the present reshape what a society chooses to remember as its past? Recent interpretations of India's history have replaced careful inquiry with narratives that mirror contemporary anxieties and ambitions, sidelining the evidence, debate, and plurality that once characterized India’s long intellectual tradition. At stake is a shift from understanding history as a method to treating it as a tool of identity and authority. In The Present Colonizes the Past, Romila Thapar asks: How have cultural and religious identities evolved through interaction rather than isolation? How have dissent and accommodation shaped social change? How have education and public discourse influenced what is accepted as knowledge? And, most urgently, how might weakened institutions and selective pasts redefine our heritage and citizenship?