Ronald Bogue – författare

The philosopher Giles Deleuze and the psychoanalyst and political activist Felix Guattari have been recognised as among the most important intellectual figures of their generation. This is the first book-length study of their works in English, one that provides an overview of their thought and of its bearing on the central issues of contemporary literary criticism and theory. From Deleuze's 'philosophy of difference' to Deleuze and Guattari's 'philosophy of schizoanalytic desire', this study traces the ideas of the two writers across a wide range of disciplines - from psychoanalysis and Marxist politics to semiotics, aesthetics and linguistics. Professor Bogue provides lucid readings, accessible to specialist and non-specialist alike, of several major works: Deleuze's Nietzsche and Philosophy (1962), Difference and Reception (1968), and Deleuze and Guattari's Anti-Oedipus (1972) and A Thousand Plateaus (1980). Besides elucidating the basic structure of Deleuze and Guattari's often difficult thought, with its complex and often puzzling array of terms, this study also shows how theory influences critical practice in their analyses of the fiction of Proust, Sacher-Masoch and Kafka.

Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

This is the first comprehensive introduction to Deleuze's work on literature. It provides thorough treatments of Deleuze's early book on Proust and his seminal volume on Kafka and minor literature. Deleuze on Literature situates those studies and many other scattered writings within a general project that extends throughout Deleuze's career-that of conceiving of literature as a form of health and the writer as a cultural physician.

This is the first comprehensive introduction to Deleuze's work on literature. It provides thorough treatments of Deleuze's early book on Proust and his seminal volume on Kafka and minor literature. Deleuze on Literature situates those studies and many other scattered writings within a general project that extends throughout Deleuze's career-that of conceiving of literature as a form of health and the writer as a cultural physician.

Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.

Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.

The concept of fabulation makes a late appearance in Deleuze's career and in only limited detail, but by tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation which he proposes as the guiding principle of a Deleuzian approach to literary narrative.Fabulation, he argues, entails becoming-other, experimenting on the real, legending, and inventing a people to come, as well as an understanding of time informed by Deleuze's Chronos/Aion distinction and his theory of the three passive syntheses of time. In close readings of contemporary novels by Zakes Mda, Arundhati Roy, Roberto Bolaño, Assia Djebar and Richard Flanagan, he demonstrates the usefulness of fabulation as a critical tool, while exploring the problematic relationship between history and story-telling which all five novelists adopt as a central thematic concern.This is an original and exciting project by a highly respected specialist in the field.

Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film. Bogue examines Deleuze's "transverse way" of interrelating the ethical and the aesthetic, the transverse way being both a mode of thought and a practice of living. Among the issues examined are those of the relationship of music to literature, the political vocation of the arts, violence in popular music, the ethics and aesthetics of education, the use of music and sound in film, the role of the visual in literary invention, the function of the arts in cross cultural interactions, and the future of Deleuzian analysis as a means of forming an open, reciprocally self-constituting, transcultural global culture.

This interdisciplinary study explores the relationship between play and mimesis in the constitution and dissolution of the individual and social self. The volume is divided into three sections, the first of which focuses on the mimetic-ludic foundations of mind, memory, and desire; the second on the social and psychological self as agent of playful performance and product of cultural codes; and the third on the interplay of psyche, image, and power in literary and artistic representations of the self. The subjects of the individual studies vary widely, from the interrelation of power and play in Orlando Furioso to the ludic foundations of cognition to the concept of the self in Foucault and Deleuze.

This collection of essays addresses two major issues of contemporary culture: the problem of violence in relation to notions of "difference" and power; and the role of mediation in making possible non-conflictive play of cultural differences.Two major issues in contemporary culture are explored in this book: the problem of violence in relation to the much-debated notions of difference, representation, and power; and the corresponding question of the role of mediation in providing communal space for a nonconflictive play of cultural differences. Focusing on topics as diverse as the semiotics of windows/TV screens, gender relations in contemporary film, the image of Mormons in popular literature, and the dynamics of representation in the fiction of Kafka, Lu Xun, Conrad Aiken, Toni Morrison, and Ronald Sukenick, this book examines the dynamics of violence and mediation from a number of perspectives-literary, philosophical, anthropological, psychological, and sociological. Contributors discuss the legitimation and regulation of violence within the social institutions of law; the systemic violence of commodity exchange within late-capitalist societies; the compensatory mechanisms of sacrificial victimage that mediate social disequilibrium; and the function of representation itself as contemporary culture's prevailing mode of mediating violence. A number of essays envision forms of mediation based on alternatives to an agonistic cultural ethos, suggesting, however, that mediation has its conceptual and pragmatic limitations, serving all too often as a way of conducting violence by other means.Contributors include Elisabeth Bronfen, Stanley Corngold, Susan Derwin, Terryl Givens, Jerry Herron, Albert Liu, Tonglin Lu, and Mihai Spariosu.

Focuses on Deleuze's style, his conception of the self, and his understanding of philosophy's relationship to the arts.Ronald Bogue, author of the first book in English on French philosopher Gilles Deleuze, brings together eight of his essays written since Deleuze's death in 1995. The essays serve as tributes to Deleuze's thought and contribute to the wider dissemination of his ideas, especially as they relate to the aesthetic dimension of his work. Bogue explores how Deleuze views philosophy and the arts as complementary spheres of creative activity that produce new ways of thinking, perceiving, and feeling. Discussing the broader implications of Deleuze's texts, the book addresses questions of style, writing, language, cinema, painting, music, politics, religion, and philosophy.

Focuses on Deleuze's style, his conception of the self, and his understanding of philosophy's relationship to the arts.Ronald Bogue, author of the first book in English on French philosopher Gilles Deleuze, brings together eight of his essays written since Deleuze's death in 1995. The essays serve as tributes to Deleuze's thought and contribute to the wider dissemination of his ideas, especially as they relate to the aesthetic dimension of his work. Bogue explores how Deleuze views philosophy and the arts as complementary spheres of creative activity that produce new ways of thinking, perceiving, and feeling. Discussing the broader implications of Deleuze's texts, the book addresses questions of style, writing, language, cinema, painting, music, politics, religion, and philosophy.

Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film. Bogue examines Deleuze's "transverse way" of interrelating the ethical and the aesthetic, the transverse way being both a mode of thought and a practice of living. Among the issues examined are those of the relationship of music to literature, the political vocation of the arts, violence in popular music, the ethics and aesthetics of education, the use of music and sound in film, the role of the visual in literary invention, the function of the arts in cross cultural interactions, and the future of Deleuzian analysis as a means of forming an open, reciprocally self-constituting, transcultural global culture.

The concept of fabulation makes a late appearance in Deleuze's career and in only limited detail, but by tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation which he proposes as the guiding principle of a Deleuzian approach to literary narrative.Fabulation, he argues, entails becoming-other, experimenting on the real, legending, and inventing a people to come, as well as an understanding of time informed by Deleuze's Chronos/Aion distinction and his theory of the three passive syntheses of time. In close readings of contemporary novels by Zakes Mda, Arundhati Roy, Roberto Bolaño, Assia Djebar and Richard Flanagan, he demonstrates the usefulness of fabulation as a critical tool, while exploring the problematic relationship between history and story-telling which all five novelists adopt as a central thematic concern.This is an original and exciting project by a highly respected specialist in the field.