Ronald Knowles – författare

This volume analyses leading critics from the 17th century to the 20th century who have commented on Henry IV, Parts I and II. Beginning with the significance of the Dering manuscript and Dryden''s comments, the study continues with the dominance of Falstaff in eighteenth century debate in such figures as Dr. Johnson and Maurice Morgann. Neoclassical, Romantic and Victorian judgements are surveyed, particularly stressing German criticism. Consideration of negative and positive ideological readings from A.C.Bradley to Graham Holderness is followed by an appraisal of the conflict of two value systems within the plays: between art and history, the universal and the feudal.

This edition celebrates King Henry VI Part 2 as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play''s progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play''s handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed.

This edition celebrates King Henry VI Part 2 as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play's progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play's handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed.