Ronald W. Hepburn – författare

During the mid-1950s, three books appeared which, while theologically unfashionable at the time, can now be seen to have pointed the way forward that theology had to take. New Essays in Philosophical Theology, edited by Antony Flew and Alasdair Maclntyre, has been available ever since, and has been in increasing demand. Religious Language, by Ian T. Ramsey, now Bishop of Durham, was out of print in England for a while, but has been reissued and is in a second new impression. Metaphysical Beliefs, on the other hand, was never reprinted.It consists of three long essays, by Stephen Toulmin on 'Contemporary Scientific Mythology'; by Ronald Hepburn on 'Poetry and Religious Belief'; and by Alasdair Maclntyre on 'The Logical Status of Religious Belief'. When the book first appeared, The Times Literary Supplement commented: 'This volume should be widely read and discussed. It is philosophical thinking at a high level, because it faces live issues, avoids asperity towards opponents, and should provoke the right kind of controversy.' More than ten years later, the same verdict still holds true

This title was first published in 2001. This book focuses on the rich web of interrelations between aesthetic and wider human concerns. Among topics explored are concepts of truth and falsity (within art and aesthetic experience generally), superficiality and depth in aesthetic appreciation of nature, moral beauty and ugliness, the projects of integrating a life, of fashioning a life as a work of art, experiments in the aesthetic re-working of the 'sacred', the role of imagination within religion and in our attempts to place and identify ourselves within the cosmos. The essays are both interlinked and distinct, allowing them to be read in any order, and providing useful themes for discussion groups and seminars. Ronald Hepburn aims to arouse in the reader something of his enjoyment in unravelling the connections of ideas that come into view when one approaches aesthetics in its widest setting.

This title was first published in 2001. This book focuses on the rich web of interrelations between aesthetic and wider human concerns. Among topics explored are concepts of truth and falsity (within art and aesthetic experience generally), superficiality and depth in aesthetic appreciation of nature, moral beauty and ugliness, the projects of integrating a life, of fashioning a life as a work of art, experiments in the aesthetic re-working of the 'sacred', the role of imagination within religion and in our attempts to place and identify ourselves within the cosmos. The essays are both interlinked and distinct, allowing them to be read in any order, and providing useful themes for discussion groups and seminars. The author aims to arouse in the reader something of his enjoyment in unravelling the connections of ideas that come into view when one approaches aesthetics in its widest setting.

This title was first published in 2001. This book focuses on the rich web of interrelations between aesthetic and wider human concerns. Among topics explored are concepts of truth and falsity (within art and aesthetic experience generally), superficiality and depth in aesthetic appreciation of nature, moral beauty and ugliness, the projects of integrating a life, of fashioning a life as a work of art, experiments in the aesthetic re-working of the ''sacred'', the role of imagination within religion and in our attempts to place and identify ourselves within the cosmos. The essays are both interlinked and distinct, allowing them to be read in any order, and providing useful themes for discussion groups and seminars. The author aims to arouse in the reader something of his enjoyment in unravelling the connections of ideas that come into view when one approaches aesthetics in its widest setting.