Rosenberg – författare

This anthology draws on speeches, letters, government documents, newspaper and magazine articles, and essays in its analysis of American society and history.

What is a superhero? Everyone knows, right? And yet everyone seems to have a different answer. If asked, most people will say that a superhero is a fictional character with "superhuman" abilities or powers -- and one who uses those abilities for the common good. Some might add that superheroes wear costumes. But this is only part of the story.In this innovative collection of essays, renowned psychologist Robin Rosenberg and comics scholar Peter Coogan explore the question "What is a superhero?" from a variety of viewpoints. What is the role of power and superpower? Heroism? The environment? How is the superhero a metaphor? Perhaps most intriguing, what are supervillains and why do we need them? These and many other fascinating topics are taken up in this exciting new book. With essays from scholars and commentary by the writers and creators themselves, including exclusive material from Stan Lee, Danny Fingeroth, and their peers, What is a Superhero? is the first volume to provide a true synthesis and reflection of the state of superheroes in our culture today.

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

This book presents the most important aspects of modern clinical use of local anaesthetic drugs and of local and regional anaesthetic techniques. Special attention is paid to safety, i.e., toxicity features which are covered in sufficient detail for the practitioner to use these techniques safely.Controversies depending on technical differences in the applied techniques, as well as on differences in local anaesthetic solutions, are discussed, providing a useful overview of the specialty worldwide.

This encyclopaedia was compiled to add to the literature and understanding of historic events leading up to the recent efforts of a regional peace process and to the projected evolution of a Middle East/North Africa economic community, with gradual free-movement of capital, goods and services for participating nations. It covers specific facts, events, issues, ideologies, controversies and actions needed to increase understanding in the pursuit of peace, co-operation, and productivity. Much of the material has been drawn from official sources, with special emphasis on interpreting key aspects.