Roy Shuker – författare

This completely revised and updated 6th edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meanings of popular music in the post-digital age.Reflecting the breadth of scholarship within popular music studies and charting key elements of popular music culture in the post-digital age, this new edition has been expanded and comprehensively updated to offer an essential guide to the field. This new edition includes:• Examination of platformisation, music streaming, and AI’s evolving implications on music production and consumption.• Insights into contemporary musical texts and genres including EDM, drill, metal and reggaeton, with case studies on major artists including Adele, Chance the Rapper, Max Martin, Ed Sheeran and Taylor Swift.• Discussion of artist branding, viral videos, ‘cancel culture’, digital production technologies and pop songwriting.• Brand new chapter on gender and sexuality, with focussed discussion of hip hop, hyperpop and work within the music industries.• Extended coverage of contemporary fandoms, with a spotlight on BTS, plus consideration of music’s role in social justice movements from Black Lives Matter to climate change.This book is written for undergraduate and graduate students studying popular music, cultural studies, media studies and sociology. It is ideal for instructors teaching courses on popular music culture, music industry studies or contemporary cultural analysis, as well as researchers seeking a comprehensive understanding of how popular music functions in today’s digital landscape.

This completely revised and updated 6th edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meanings of popular music in the post-digital age.Reflecting the breadth of scholarship within popular music studies and charting key elements of popular music culture in the post-digital age, this new edition has been expanded and comprehensively updated to offer an essential guide to the field. This new edition includes:• Examination of platformisation, music streaming, and AI’s evolving implications on music production and consumption.• Insights into contemporary musical texts and genres including EDM, drill, metal and reggaeton, with case studies on major artists including Adele, Chance the Rapper, Max Martin, Ed Sheeran and Taylor Swift.• Discussion of artist branding, viral videos, ‘cancel culture’, digital production technologies and pop songwriting.• Brand new chapter on gender and sexuality, with focussed discussion of hip hop, hyperpop and work within the music industries.• Extended coverage of contemporary fandoms, with a spotlight on BTS, plus consideration of music’s role in social justice movements from Black Lives Matter to climate change.This book is written for undergraduate and graduate students studying popular music, cultural studies, media studies and sociology. It is ideal for instructors teaching courses on popular music culture, music industry studies or contemporary cultural analysis, as well as researchers seeking a comprehensive understanding of how popular music functions in today’s digital landscape.

Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming. Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.

Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming. Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.

The term 'record collecting' is shorthand for a variety of related practices. Foremost is the collection of sound recordings in various formats - although often with a marked preference for vinyl - by individuals, and it is this dimension of record collecting that is the focus of this book. Record collecting, and the public stereotypes associated with it, is frequently linked primarily with rock and pop music. Roy Shuker focuses on these broad styles, but also includes other genres and their collectors, notably jazz, blues, exotica and 'ethnic' music. Accordingly, the study examines the history of record collecting; profiles collectors and the collecting process; considers categories - especially music genres - and types of record collecting and outlines and discusses the infrastructure within which collecting operates. Shuker situates this discussion within the broader literature on collecting, along with issues of cultural consumption, social identity and 'the construction of self' in contemporary society. Record collecting is both fascinating in its own right, and provides insights into broader issues of nostalgia, consumption and material culture.

This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memorynew case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swiftfurther examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Musicexpanded coverage on the importance of the back catalogue and the box set; reality television and the music biopicgreater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming serviceseach chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.

This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memorynew case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swiftfurther examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Musicexpanded coverage on the importance of the back catalogue and the box set; reality television and the music biopicgreater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming serviceseach chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.