Rubria Rocha de Luna – författare

Conceptualizing how digital artifacts can function as a frontier mediated by technology in the geographical, physical, sensory, visual, discursive, and imaginary, this volume offers an interdisciplinary analysis of digital material circulating online in a way that creates a digital dimension of the Mexico-U.S. border.In the context of a world where digital media has helped to shape geopolitical borders and impacted human mobility in positive and negative ways, the book explores new modes of expression in which identification, memory, representation, persuasion, and meaning-making are created, experienced, and/or circulated through digital technologies. An interdisciplinary team of scholars looks at how quick communications bring closer transnational families and how online resources can be helpful for migrants, but also at how digital media can serve to control and reinforce borders via digital technology used to create a system of political control that reinforces stereotypes. The book deconstructs digital artifacts such as the digital press, social media, digital archives, web platforms, technological and artistic creations, visual arts, video games, and artificial intelligence to help us understand the anti-immigrant and dehumanizing discourse of control, as well as the ways migrants create vernacular narratives as digital activism to break the stereotypes that afflict them.This timely and insightful volume will interest scholars and students of digital media, communication studies, journalism, migration, and politics.

Conceptualizing how digital artifacts can function as a frontier mediated by technology in the geographical, physical, sensory, visual, discursive, and imaginary, this volume offers an interdisciplinary analysis of digital material circulating online in a way that creates a digital dimension of the Mexico-U.S. border.In the context of a world where digital media has helped to shape geopolitical borders and impacted human mobility in positive and negative ways, the book explores new modes of expression in which identification, memory, representation, persuasion, and meaning-making are created, experienced, and/or circulated through digital technologies. An interdisciplinary team of scholars looks at how quick communications bring closer transnational families and how online resources can be helpful for migrants, but also at how digital media can serve to control and reinforce borders via digital technology used to create a system of political control that reinforces stereotypes. The book deconstructs digital artifacts such as the digital press, social media, digital archives, web platforms, technological and artistic creations, visual arts, video games, and artificial intelligence to help us understand the anti-immigrant and dehumanizing discourse of control, as well as the ways migrants create vernacular narratives as digital activism to break the stereotypes that afflict them.This timely and insightful volume will interest scholars and students of digital media, communication studies, journalism, migration, and politics.

The relationship between migration and media has become an essential topic of study due to its ethical and civil responsibility implications, particularly in today's digitalized global environment. The media's narrative on world and regional politics, local and global economy, religion, war, and civil conflicts affects the experience of migration and diaspora. In response, artistic representations and cultural interventions have become forms of activism, resistance, and confrontation against the narrative of power. Likewise, the digital space began to be used more intensely as a place of activism for migrants and civil society interested in their human rights. For instance, digital archives such as Humanizing Deportation and social media are used to do activism, the first one through digital storytelling, where migrants can express their deportation stories on video, and the second one uses digital circulation to create community and as a call for action. Artistic- Technological interventions such as Playas de Tijuana Mural (2019) use art and technology to protest the politics of migration by portraying family separation. Theater intermedial performances use virtual spaces to represent distance and the resistance to it. Cinema shows the social and political implications of their visual narrative. Finally, new practices, concepts, and models in AI, journalism, and internet freedom have created a rhetoric that could benefit migrants. Migration is usually seen through numbers, statistics, graphics, and quantitative data, which dehumanizes migrants. With this book, we aim to contribute to the knowledge of the phenomena through the lenses of a more humanistic approach to activism in digital media in the Hispanic world. We propose chapters that explore the activism of migrants and civil society committed to them from a critical perspective. This book, intended to be read by students, researchers, and the public interested in migration, presents interdisciplinary approaches to activist narratives, art, and digital. It explores diverse types of migrations and related phenomena, such as deportation, “voluntary” return, caravans, the Cuban diaspora, US childhood arrivals, and the particularities of the Southern U.S. border. These topics are analyzed in essays on race, politics, theater, film, music, painting, journalism, multimedia, digital archives, social media, storytelling, and artificial intelligence. In the abstracts, you will find diverse perspectives on how digital media act as platforms that allow horizontal activism, which is a direct response at the same level as the rhetoric of power. Likewise, the proposed essays enable us to reflect on the role of arts and media in favoring the expression of the migrant community and those who share a common feeling. Still, in the same way, we will see how digital media, if misused, can also harm vulnerable communities. Work by newer and established migration studies, digital culture scholars, and scholars from both sides of the US-Mexico border and other latitudes is incorporated, providing a comprehensive overview of the intersection between migration, media, and arts in Latin America. The book will consist of an Introduction and 13 chapters divided into three sections: 1. Media and Digital Media Artists´Activism; 2. Migrant Activists Online; and 3) Activism through New Constructive Practices. Editors: Rubria Rocha de Luna, Postdoctoral Researcher, Tecnológico de Monterrey Jacob Bañuelos Capistrán, Professor, Tecnológico de Monterrey