Rudolf G. Wagner – författare

China's "Great Leap Forward" of 1958-1961 was a time of official rejoicing over the achievements of Communism, but it was also a time of immense suffering. Growing dissent among intellectuals stimulated creativity as writers sought to express both their hope for the success of the revolution and their dissatisfaction with the Party leadership and policies.But the uneasy political climate and the state's control over literature prevented writers from directly addressing the compelling problems of the time. Rather, they resorted to a variety of sophisticated and time-honored forms for airing their grievances, including the historical drama. Rudolf Wagner examines three of these plays written and performed between 1958 and 1963 in an effort to decode their hidden political and cultural meanings. He also provides a broad survey of the politics of the historical drama in China, suggesting further avenues of inquiry into the relationship between literature and the state.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

China's "Great Leap Forward" of 1958-1961 was a time of official rejoicing over the achievements of Communism, but it was also a time of immense suffering. Growing dissent among intellectuals stimulated creativity as writers sought to express both their hope for the success of the revolution and their dissatisfaction with the Party leadership and policies.But the uneasy political climate and the state's control over literature prevented writers from directly addressing the compelling problems of the time. Rather, they resorted to a variety of sophisticated and time-honored forms for airing their grievances, including the historical drama. Rudolf Wagner examines three of these plays written and performed between 1958 and 1963 in an effort to decode their hidden political and cultural meanings. He also provides a broad survey of the politics of the historical drama in China, suggesting further avenues of inquiry into the relationship between literature and the state.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

A systematic study of Wang Bi's (226-249) commentary on the Laozi, this book provides the first systematic study of a Chinese commentator's scholarly craft and introduces a highly sophisticated Chinese way of reading the Taoist classic, one that differs greatly from Western interpretations.The Laozi has been translated into Western languages hundreds of times over the past two hundred years. It has become the book of Chinese philosophy most widely appreciated for its philosophical depth and lyrical form. Nevertheless, very little attention has been paid to the way in which this book was read in China. This book introduces the reader to a highly sophisticated Chinese way of reading this Taoist classic, a way that differs greatly from the many translations of the Laozi available in the West.The most famous among the Chinese commentators on the Laozi-a man appreciated even by his opponents for the sheer brilliance of his analysis-is Wang Bi (226–249). Born into a short period of intellectual ferment and freedom after the collapse of the Han dynasty, this self-assured genius, in the short twenty-three years of his life, dashed off two of the most enduring works of Chinese philosophy, a commentary on the Laozi and another on the Book of Changes.By carefully reconstructing Wang Bi's Laozi text as well as his commentary, this book explores Wang Bi's craft as a scholarly commentator who is also a philosopher in his own right. By situating his work within the context of other competing commentaries and extracting their way of reading the Laozi, this book shows how the Laozi has been approached in many different ways, ranging from a philosophical underpinning for a particular theory of political rule to a guide to techniques of life-prolongation. Amidst his competitors, however, Wang Bi stands out through a literary and philosophical analysis of the Laozi that manages to "use the Laozi to explain the Laozi," rather than imposing an agenda on the text. Through a critical adaptation of several hundred years of commentaries on the classics, Wang Bi reaches a scholarly level in the art of understanding that is unmatched anywhere else in the world.

Presenting the commentary of the third-century sage Wang Bi, this book provides a Chinese way of reading the Daodejing, one which will surprise Western readers.Many of the brightest Chinese minds have used the form of the commentary to open the terse and poetic chapters of the Laozi to their readers and also to develop a philosophy of their own. None has been more sophisticated, philosophically probing, and influential in the endeavor than a young genius of the third century C.E., Wang Bi (226–249). In this book, Rudolf G. Wagner provides a full translation of the Laozi that extracts from Wang Bi's Commentary the manner in which he read the text, as well as a full translation of Wang Bi's Commentary and his essay on the "subtle pointers" of the Laozi. The result is a Chinese reading of the Laozi that will surprise and delight Western readers familiar with some of the many translations of the work.A Chinese Reading of the Daodejing is part of Rudolf Wagner's trilogy on Wang Bi's philosophy and classical studies, which also includes The Craft of a Chinese Commentator: Wang Bi on the Laozi and Language, Ontology, and Political Philosophy in China: Wang Bi's Scholarly Exploration of the Dark (Xuanxue), both published by SUNY Press.

Presenting the commentary of the third-century sage Wang Bi, this book provides a Chinese way of reading the Daodejing, one which will surprise Western readers.Many of the brightest Chinese minds have used the form of the commentary to open the terse and poetic chapters of the Laozi to their readers and also to develop a philosophy of their own. None has been more sophisticated, philosophically probing, and influential in the endeavor than a young genius of the third century C.E., Wang Bi (226–249). In this book, Rudolf G. Wagner provides a full translation of the Laozi that extracts from Wang Bi's Commentary the manner in which he read the text, as well as a full translation of Wang Bi's Commentary and his essay on the "subtle pointers" of the Laozi. The result is a Chinese reading of the Laozi that will surprise and delight Western readers familiar with some of the many translations of the work.A Chinese Reading of the Daodejing is part of Rudolf Wagner's trilogy on Wang Bi's philosophy and classical studies, which also includes The Craft of a Chinese Commentator: Wang Bi on the Laozi and Language, Ontology, and Political Philosophy in China: Wang Bi's Scholarly Exploration of the Dark (Xuanxue), both published by SUNY Press.

Explores the thought of Wang Bi, the third-century Chinese philosopher who made brilliant, innovative contributions in an era when traditional intellectual institutions and orthodoxies had collapsed.With the collapse of the Han dynasty in 220 C.E., an entire system of state and intellectual organization fell apart. The brilliant Wang Bi and his generation of young scholars grew up in a no-man's land without teachers and orthodoxy. Defying the established school divisions, they set out on a vigorous and daring new philosophical inquiry which came to be known as Xuanxue, the "Scholarly Exploration of the Dark." They found "subtle pointers" in the Laozi, the Book of Changes, and the Analects of Confucius about the inequity of language and the ensuing need to proceed by "subtle" indications that ultimately led to a philosophy of Being.In this book, Rudolf G. Wagner shows how Wang Bi's sophisticated analysis of "subtle pointers" in the language of the Laozi developed into an ontology that served as the basis for a political philosophy of the ruler/subject relationship and a guide for the public performance of an enlightened ruler. Wang Bi's work initiated the reading of the Laozi, the Book of Changes and the Analects as philosophical texts and has had a lasting impact on Chinese philosophy.

Explores the thought of Wang Bi, the third-century Chinese philosopher who made brilliant, innovative contributions in an era when traditional intellectual institutions and orthodoxies had collapsed.With the collapse of the Han dynasty in 220 C.E., an entire system of state and intellectual organization fell apart. The brilliant Wang Bi and his generation of young scholars grew up in a no-man's land without teachers and orthodoxy. Defying the established school divisions, they set out on a vigorous and daring new philosophical inquiry which came to be known as Xuanxue, the "Scholarly Exploration of the Dark." They found "subtle pointers" in the Laozi, the Book of Changes, and the Analects of Confucius about the inequity of language and the ensuing need to proceed by "subtle" indications that ultimately led to a philosophy of Being.In this book, Rudolf G. Wagner shows how Wang Bi's sophisticated analysis of "subtle pointers" in the language of the Laozi developed into an ontology that served as the basis for a political philosophy of the ruler/subject relationship and a guide for the public performance of an enlightened ruler. Wang Bi's work initiated the reading of the Laozi, the Book of Changes and the Analects as philosophical texts and has had a lasting impact on Chinese philosophy.

Explores the early Chinese press, which emerged in the late nineteenth and early twentieth centuries, and its impact on China's modernization.Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China's modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and "newspainters." With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium-a newspaper-into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China's modernization.

Explores the early Chinese press, which emerged in the late nineteenth and early twentieth centuries, and its impact on China's modernization.Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China's modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and "newspainters." With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium-a newspaper-into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China's modernization.

This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to Iran and from Japan to China, while reactions show tensions between museumization and the recreation of 'presence'. It challenges readers to rethink the assumptions of the disciplines in which they were trained