Rudolfo Anaya – författare

While award-winning author Rudolfo Anaya is known primarily as a novelist, his genius is also evident in dramatic works performed regularly in his native New Mexico and throughout the world. Billy the Kid and Other Plays collects seven of these works and offers them together for the first time. Like his novels, many of Anaya's plays are built from the folklore of the Southwest. This volume opens with The Season of La Llorona, in which Anaya fuses the Mexican legend of the dreaded ""crying woman"" with that of La Malinche, mistress and adviser to Hernán Cortés. Southwestern lore also shapes the title play, which provides a Mexican American perspective on the Kid - or Bilito, as he is known inNew Mexico - along with keen insight into the slipperiness of history. The Farolitos of Christmas and Matachines uncover both the sweet and the sinister in stories behind seasonal New Mexican rituals. Other plays here address loss of the old ways - farming, connection to the land, the primacy of family - while showing the power of change. The mystery Who Killed Don José? uses the murder of a wealthy sheep rancher to look at political corruption and modernization. Ay, Compadre! and Angie address aging and death, though with refreshing humor and optimism. Elegant and poetic, intense and funny, these are the plays Anaya considers his best. The author tells how each originated, while Cecilia J. Aragón and Robert Con Davis- Undiano offer critical analysis and performance history. Both Anaya fans and readers new to his work will find this collection a rich trove, as will community theaters and scholars in Chicano literature and drama.

When he was a young man, Randy Lopez left his village in northern New Mexico to seek his fortune. Since then, he has learned some of the secrets of success in the Anglo world - and even written a book called Life Among the Gringos. But something has been missing. Now he returns to Agua Bendita to reconnect with his past and to find the wisdom the Anglo world has not provided. In this allegorical account of Randy's final journey, master storyteller Rudolfo Anaya tackles life's big questions with a light touch.Randy's entry into the haunted canyon that leads to his ancestral home begins on the Day of the Dead. Reuniting with his padrinos - his godparents - and hoping to meet up with his lost love, Sofia, Randy encounters a series of spirits: coyotes, cowboys, Death, and the devil. Each one engages him in a conversation about life. It is Randy's old teacher Miss Libriana who suggests his new purpose. She gives him a book, How to Build a Bridge. Only the bridge - which is both literal and figurative, like everything else in this story - can enable Randy to complete his journey.Readers acquainted with Anaya's fiction will find themselves in familiar territory here. Randy Lopez, like all Anaya's protagonists, is on a spiritual quest. But both those new to and familiar with Anaya will recognize this philosophical meditation as part of a long literary tradition going back to Homer, Dante, and the Bible. Richly allusive and uniquely witty, Randy Lopez Goes Home presents man's quest for meaning in a touching, thought-provoking narrative that will resound with young adults and mature readers alike.

There was an old man who dwelt in the land of New Mexico, and he lost his wife."" From that opening line, this tender novella is at once universal and deeply personal. The nameless narrator, a writer, shares his most intimate thoughts about his wife, their life together, and her death. But just as death is inseparable from life, his wife seems still to be with him. Her memory and words permeate his days. In The Old Man's Love Story, master storyteller Rudolfo Anaya crafts the tale of a lifelong love that ultimately transcends death.An elegy not just for the dead but for the vitality of youth, the old man's story captures both the heartaches and ironies of old age. We follow him as he proceeds through days of grief and memory, buying his few groceries, driving slower than the other travelers on the road. He talks with his wife along the way. ""Go slow,"" he hears her admonish. As he sits in the garden with their dogs, he senses her worry over his loneliness. A year passes. He longs to care for someone, but - to love again?Like characters in Anaya's previous fiction, the old man lives in a real New Mexico, but one inhabited by spirits. Death provides a gateway to other worlds, just as memories connect him to other times and places. When he eventually begins a new friendship with a woman, a widow, they share a bittersweet understanding of joy mixed with sorrow, promise mixed with loss.Anaya's reflections, as shared through the experiences of this old man, point to the power and importance of love at every stage of life. Lyrical and earthy, sad yet suffused with humor, The Old Man's Love Story will speak to all readers, perhaps especially to those who have suffered a recent loss.

Readers of Rudolfo Anaya's fiction know the lyricism of his prose, but most do not know him as a poet. In this, his first collection of poetry, Anaya presents twenty-eight of his best poems, most of which have never before been published. Featuring works written in English and Spanish over the course of three decades, Poems from the Río Grande offers readers a full body of work showcasing Anaya's literary and poetic imagination.Although the poems gathered here take a variety of forms - haiku, elegy, epic - all are imbued with the same lyrical and satirical styles that underlie Anaya's fiction. Together they make a fascinating complement to the novels, stories, and plays for which he is well known. In verse, Anaya explores every aspect of Chicano identity, beginning with memories of his childhood in a small New Mexico village and ending with mature reflections on being a Chicano who considers himself connected to all peoples. The collection articulates the themes at the heart of all Anaya's work: nostalgia for the landscape and customs of his boyhood in rural New Mexico, a deep connection to the Río Grande, the politics of Chicanismo and satire aimed at it, and the use of myth and history as metaphor.Anaya also illustrates his familiarity with world traditions of poetry, invoking Walt Whitman, Homer, and the Bible. The poem to Isis that concludes the collection honors Anaya's wife, Patricia, and reflects his increasing identification with spiritual traditions across the globe.Both profeta and vato, seer and homeboy, Anaya as author is a citizen of the world. Poems from the Río Grande offers readers a glimpse into his development as a poet and as one of the most celebrated Chicano authors of our time.

""The world is full of sorrow,"" Agapita whispered to Alfonso.Did she stamp those words into his destiny?The story of Alfonso, a Nuevo Mexicano, begins with his birth, when the curandera Agapita delivers these haunting words into his infant ear. What then unfolds is an elegiac song to the llanos of New Mexico where Alfonso comes of age. As this exquisite novel charts Alfonso's life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition.Because Alfonso ""didn't write his own biography,"" it falls to his childhood friend, the anonymous narrator here, to tell his story, through a series of letters addressed to a mysterious figure named K. The narrator depicts young Alfonso caught between dual influences: his beloved, devout Catholic mother, Rafaelita, and the folk healer Agapita. After suffering a terrible accident that leaves him physically handicapped, Alfonso faces intellectual crises during his university years, all of which move him down the path of his destiny.In describing these events, the ""old man"" writing the letters interweaves Alfonso's experiences with fragments of his own life and of the New Mexican llano that both men have called home. The trajectory of Alfonso's life in turn mirrors the history of New Mexico and the turbulent beginnings of the Chicano movement in which the young protagonist plays a trailblazing role.As story builds upon story, the commonality of traits among the narrator, his subject, and perhaps Anaya himself appears more than coincidental. Permeated by Anaya's trademark religious and mythological imagery, The Sorrows of Young Alfonso is a luminous meditation on memory, reality, and the human experience.

After years of working with at-risk youth, Chicana social worker Rosa Medina leaves Los Angeles's gang-ridden barrios and street violence to settle in the New Mexican village of Puerto de Luna. Her goal: to write a novel about Bilito - Billy the Kid. It all sounds straightforward enough, but things get more complicated - and a lot more exciting - when Rosa is transported back in time to 1879, where she participates in the infamous Lincoln County War, riding alongside Bilito. How Rosa achieves this fantastical feat of time travel, and what she discovers about herself, Bilito, and her Nuevomexicano heritage, unfolds through the course of this novel by master storyteller Rudolfo Anaya.As she travels in time, Rosa passes into an alternative reality inhabited by extraordinary creatures, including shapeshifters, extraterrestrials, Bigfoot, and ChupaCabra. Readers familiar with Anaya's previous ChupaCabra mysteries will remember the heroine's earlier dealings with the elusive monster, a frightening creature of Hispanic folklore. But new dangers are also lurking for Rosa in the land of her ancestors, as a secret group of scientists known as C-Force threatens to clone ChupaCabra to create an army that will rule the world. As she encounters the Nuevomexicana women whose families suffered during the Lincoln County conflict, Rosa finds new reasons to fear the ChupaCabra - and to fight against the forces that threaten to shake the county to its core.With her laptop computer in her saddlebag, Rosa rides into the Lincoln County War and accompanies Bilito on his last ride. By the end, her very soul is transformed, as she realizes that the same evil forces that propelled the violence along the Pecos River are much more resilient than she had hoped. In the finest tradition of magical realism and historical fiction, Anaya invites us to consider the ways that the supernatural reveals the realities of the past - and of our own times.

"I am continually thinking stories," writes Rudolfo Anaya. "Even when I am working on a novel, the images for stories keep coming."Considered by many to be the founder of modern Chicano literature, Rudolfo Anaya, best known for Bless Me, Ultima and other novels, has also authored a number of remarkable short stories. Now for the first time, these stories, representing thirty years of Anaya's writing, have been collected into a single volume. They constitute the best and most essential collection of Anaya's short story work.Unlike his novels, which range broadly over the American tapestry, Anaya's short stories focus on character and ethical questions in a regional setting - from the harsh deserts of the American Southwest and northern Mexico to the lush tropical forests of Uxmal in the YucatÁn. These tales demonstrate Anaya's singular attitude toward fiction: that stories create myths to live and love by. "In the end the story has to speak for itself," Anaya writes. "Its purpose can be studied, but never fully known."With The Man Who Could Fly and Other Stories, the reader ventures deeply into the world of Rudolfo Anaya, a world of magic, mystery, harsh realities, and redemption.

“The world is full of sorrow,” Agapita whispered to Alfonso.Did she stamp those words into his destiny?The story of Alfonso, a Nuevo Mexicano, begins with his birth, when the curandera Agapita delivers these haunting words into his infant ear. What then unfolds is an elegiac song to the llanos of New Mexico where Alfonso comes of age. As this exquisite novel charts Alfonso’s life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition.Because Alfonso “didn’t write his own biography,” it falls to his childhood friend, the anonymous narrator here, to tell his story, through a series of letters addressed to a mysterious figure named K. The narrator depicts young Alfonso caught between dual influences: his beloved, devout Catholic mother, Rafaelita, and the folk healer Agapita. After suffering a terrible accident that leaves him physically handicapped, Alfonso faces intellectual crises during his university years, all of which move him down the path of his destiny.In describing these events, the “old man” writing the letters interweaves Alfonso’s experiences with fragments of his own life and of the New Mexican llano that both men have called home. The trajectory of Alfonso’s life in turn mirrors the history of New Mexico and the turbulent beginnings of the Chicano movement in which the young protagonist plays a trailblazing role.As story builds upon story, the commonality of traits among the narrator, his subject, and perhaps Anaya himself appears more than coincidental. Permeated by Anaya’s trademark religious and mythological imagery, The Sorrows of Young Alfonso is a luminous meditation on memory, reality, and the human experience.

“The storyteller’s gift is my inheritance,” writes Rudolfo Anaya in his essay “Shaman of Words.” Although he is best known for Bless Me, Ultima and other novels, his writing also takes the form of nonfiction, and in these 52 essays he draws on both his heritage as a Mexican American and his gift for storytelling. Besides tackling issues such as censorship, racism, education, and sexual politics, Anaya explores the tragedies and triumphs of his own life.Collected here are Anaya’s published essays. Despite his wide acclaim as the founder of Chicano literature, no previous volume has attempted to gather Anaya’s nonfiction into one edition. A companion to The Man Who Could Fly and Other Stories, the collection of Anaya’s short stories, The Essays is an essential anthology for followers of Anaya and those interested in Chicano literature.Pieces such as “Requiem for a Lowrider,” “La Llorona, El KookoÓee, and Sexuality,” and “An American Chicano in King Arthur’s Court” take the reader from the llano of eastern New Mexico, where Anaya grew up, to the barrios of Albuquerque, and from the devastating diving accident that nearly ended his life at sixteen to the career he has made as an author and teacher. The point is not autobiography, although a life story is told, nor is it advocacy, although Anaya argues persuasively for cultural change. Instead, the author provides shrewd commentary on modern America in all its complexity. All the while, he employs the elegant, poetic voice and the interweaving of myth and folklore that inspire his fiction. “Stories reveal our human nature and thus become powerful tools for insight and revelation,” writes Anaya. This collection of prose offers abundant new insight and revelation.

Is the ChupaCabra mythical or real? Stories of the creature abound in Latino communities. The illusive creature is said to suck the blood of goats. Thus, its name, goatsucker. Whenever a backyard goat or chicken is mysteriously killed, the story spreads in the barrio that the ChupaCabra struck. When Professor Rosa Medina began to research the folklore of the ChupaCabra, she never expected to tangle face-to-face with the monster. Rosa journeys to Mexico to examine a ChupaCabra incident. The creature has killed a campesino in the jungle. And the drug traffickers who have captured the ChupaCabra also control a large drug shipment destined for Los Angeles. The monster is set loose on the streets; so is the meth that is destroying the brains of the young and vulnerable. This fast-paced story moves from Mexico to Los Angeles to New Mexico. Danger lurks at every corner as Rosa fights to protect her students from the forces of evil. Written for young adults, the story has a universal message. Only Rudolfo Anaya can combine the excitement of a thriller and the wisdom of traditional healings to create a page-turner that has lessons to teach us all.

Jade is a young girl who lives in a village next to a towering volcano. On its peak lives a Mountain Spirit who makes his presence known by rumbling the earth, filling the sky with smoke, and pouring lava down the mountainside. Angered by those who forget to honor him for providing their harvest, the Mountain Spirit has stopped sending rain to Jade’s village and the people are faced with the possibility of having to abandon their homes and land. As Jade collects water from the near-dry lake, a blue hummingbird—a messenger from the Mountain Spirit—tells Jade she must take a gift to the Mountain Spirit and ask for rain. Guided by the hummingbird, Jade presents her food offering to the Mountain Spirit. Pleased, the spirit offers the brave girl corn kernels that she takes back to her village and uses to create the first tortilla.

La Llorona, the Crying Woman, is the legendary creature who haunts rivers, lakes, and lonely roads. Said to seek out children who disobey their parents, she has become a ""boogeyman,"" terrorizing the imaginations of New Mexican children and inspiring them to behave. But there are other lessons her tragic history can demonstrate for children. In Rudolfo Anaya's version Maya, a young woman in ancient Mexico, loses her children to Father Time's cunning. This tragic and informative story serves as an accessible message of mortality for children. La Llorona, deftly translated by Enrique Lamadrid, is familiar and newly informative, while Amy Córdova's rich illustrations illuminate the story. The legend as retold by Anaya, a man as integral to southwest tradition as La Llorona herself, is storytelling anchored in a very human experience. His book helps parents explain to children the reality of death and the loss of loved ones.

In this second ""ChupaCabra"" mystery, Professor Rosa Medina has just arrived in Santa Fe where she meets Nadine, a mysterious sixteen-year-old who insists that the two of them travel to Roswell, New Mexico. Nadine is convinced that C-Force, a secret government agency, has decoded the DNA of ChupaCabra and an extraterrestrial. If the two genomes are combined, a new and horrific life form will be created.In this fast-paced mystery, Anaya expands the ChupaCabra folklore into a metaphor that deals with the new powers inherent in science. Is ChupaCabra a beast in Latino folktales, used to frighten children, or a lost species being manipulated by C-Force? Rosa's life hangs in the balance as she and her young accomplice try to find a way to stop C-Force before its mad scientists create a monster.

This fast-paced mystery expands the ChupaCabra folklore into a metaphor that deals with the new powers inherent in science. In this second ChupaCabra mystery, Professor Rosa Medina has just arrived in Santa Fe where she meets Nadine, a mysterious sixteen-year-old who insists that the two of them travel to Roswell, New Mexico. Nadine is convinced that C-Force, a secret government agency, has decoded the DNA of ChupaCabra and an extraterrestrial. If the two genomes are combined, a new and horrific life form will be created.In this fast-paced mystery, Anaya expands the ChupaCabra folklore into a metaphor that deals with the new powers inherent in science. Is ChupaCabra a beast in Latino folktales, used to frighten children, or a lost species being manipulated by C-Force? Rosa's life hangs in the balance as she and her young accomplice try to find a way to stop C-Force before its mad scientists create a monster.

The legend of Quetzalcóatl is the enduring epic myth of Mesoamerica. The gods create the universe, but man must carefully tend to the harmony of the world. Without spiritual attention to harmony, chaos may reign, destroying the universe and civilisation.The ancient Mexicans, like other peoples throughout the world, wrestled with ideas and metaphors by which to know the Godhead and developed their own concepts about their relationship to the universe. Quetzalcóatl came to the Toltecs to teach them art, agriculture, peace, and knowledge. He was a redeemer god, and his story inspires, instructs, and entertains, as do all the great myths of the world.Now available in paperback, Lord of the Dawn is Anaya's exploration of the cosmology and the rich and complex spiritual thought of his Native American ancestors. The story depicts the daily world of man, the struggle between the peacemakers and the warmongers, and the world of the gods and their role in the life of mankind.

During the Chicano Movement in the 1960s and 1970s, the idea of Aztlán, homeland of the ancient Aztecs, served as a unifying force in an emerging cultural renaissance. Does the term remain useful? This expanded new edition of the classic 1989 collection of essays about Aztlán weighs its value. To encompass new developments in the discourse the editors have added six new essays.

Fifty-two essays exploring identity, literature, immigration, and politics by the American Book Award winner, one of the godfathers of Chicano literature. Best known for his novel Bless Me, Ultima, which established him as one of the founders of Chicano literature, Rudolfo Anaya displays his gift for storytelling and deep connection to the land and its history in The Essays. These intimate and contemplative essays explore censorship, immigration, urban development, the Southwest as a region, and personal identity. In "e;Aztlan: A Homeland Without Boundaries,"e; he discusses the reimagining of the modern Chicano community through ancient myth and legend; in "e;The Spirit of Place,"e; he explores the historical connection between literature and the earth. Some essays are autobiographical, some argumentative; all are passionate and a must-read for Anaya fans and readers who crave a view of contemporary America through fresh eyes.

From the author of Bless Me, Ultima, a “wonderfully told and mesmerizing” novel of an adopted Mexican-American boxing champion’s quest for identity (New York Times). Abrán González always knew he was different. Called a coyote because of his fair skin, the kid from Barelas found escape through boxing and became one of the youngest Golden Gloves champs. But the arrival of a letter from a dying woman turns his entire life into a lie. The revelation that he was adopted makes him feel like an orphan and sends him on a quest to find his birth father. With the help of his girlfriend, Lucinda, and Joe, a Vietnam veteran, Abrán begins a journey that hurls him from the barrio into a world of greed and political corruption spearheaded by Abrán’s manager, Frank Dominic, a con artist running for mayor with visions of building El Dorado on the Rio Grande. Rich in spirituality, and taking its title from the original spelling of the city’s name, Alburquerque casts a light on the importance of ancestry while cutting across class and ethnic lines to tell a story of hope and displacement, love and regret, and the power of identity. “A touching love story woven into a tale of treachery, a microcosm of the social and economic dislocations squeezing the American Southwest.” —Publishers Weekly

PEN Center West Award Winner: A novel of myth and migration set in a mid-twentieth–century New Mexico barrio, by the author of Bless Me, Ultima. Today is the day Benjie Chávez and his family will leave the town of Guadalupe behind. Far from the land of the eagle and the nopal, they travel west to find a new home of opportunity. But adapting to the big, impersonal city of Albuquerque is no easy task. As both life and death come to the barrio, a blind seer named Crispin arrives in the Chávezes’ world. At first everyone dismisses his stories about an elusive place called Aztlán as the ramblings of an old man. But gradually, they come to realize that he can see what they cannot. In earthy prose, American Book Award–winning author Rudolfo Anaya tells a spellbinding story of myth and migration, love and loss. Heart of Atzlán is a hopeful and heartbreaking novel about people in search of the shimmering mirage of a better life—and the land that keeps calling them back.

“A parable for our time. . . . We are in deep need of simple truths, of rediscovering our ancient teachings, and Jalamanta may provide that opportunity.” —The Washington Post Book World For thirty years, Fatimah has tended her herd of goats and waited for her lover to return. Amado was banished after leading a revolt against the cruel despots of their village—the Seventh City of the Fifth Sun. He followed the teachings of the wise men and women and roamed the desert in search of knowledge. When his exile finally ends, he returns transformed—no longer the innocent lover of Fatimah’s youth but a prophet named Jalamanta, or “he who strips away the veils that blind the soul.” He brings enlightenment, cures addictions, and can perform miracles. But Jalamanta’s enemies see him as a dangerous threat to the status quo and will use any means necessary to stop him. His deep wellspring of faith and compassion will not allow him to give up or give in—even as he faces the greatest betrayal of all. A searing indictment of tyranny, oppression, and human suffering, Jalamanta is about the age-old battle between good and evil that rages in every heart. It is also a tribute to the love that is the creative force of the universe—the light that can banish ignorance and fear and illuminate the darkest corners of the soul.

This innovative novel combines Spanish folktales with Native American legends to create a captivating Southwestern version of The Arabian Nights. Like Scheherezade, who ensured her survival by telling her royal husband stories, the title character in Rudolfo Anaya’s creative retelling of The Arabian Nights must entertain the recently widowed governor with legends of Nueva Mexicana, or she and her fellow captives will die. With fresh snow covering the high peaks of Sangre de Cristo, a group of native dissidents prepare for revolt. In seventeenth-century Santa Fe, insurrection against a colony of the king of Spain is punishable by death. A Spaniard loyal to the governor names twelve conspirators. One of them is a young woman. Raised in a mission church, fifteen-year-old Serafina speaks excellent Spanish and knows many of her country’s traditional folktales. She and the governor strike a bargain: Each evening, she will tell him a cuento. If he likes it, he will release one prisoner the following day. The twelve tales recounted here mirror the struggle of a divided country. They include the social and political symbolism behind “Beauty and the Beast” and retell “Cinderella” as “Miranda’s Gift.” Interspersed with these timeless cuentos is the story of Serafina herself, and that of a people battling to preserve a vanishing way of life under the long shadow of the Inquisition.

American Book Award Winner: A novel of a New Mexico teenager’s journey of physical and spiritual recovery from the author of Bless Me, Ultima. When the story opens, the eponymous hero of Rudolfo Anaya’s novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, sixteen-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother’s fervent prayers can heal him. But under the mountain’s watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again. Drawn from personal experience and imbued with the phantasmagorical vision quests that distinguish Anaya’s work, Tortuga is a joyful, life-sustaining book about hope, faith, friendship, and love that celebrates the triumph of the human spirit in the physical world. “An extraordinary storyteller.” —Los Angeles Times Book Review