Russell Sbriglia – författare

Responding to the ongoing “objectal turn” throughout contemporary humanities and social sciences, the eleven essays in Subject Lessons present a sustained case for the continued importance—indeed, the indispensability—of the category of the subject for the future of materialist thought.Various neovitalist materialisms and realisms currently en vogue across a number of academic disciplines (from New Materialism and actor-network theory to speculative realism and object-oriented ontology) advocate a flat, horizontal ontology that renders the subject just another object amid a “democracy of objects.” By contrast, the dialectical materialism presented throughout Subject Lessons maintains that subjectivity is crucial to grasping matter’s “vibrancy” and continual “becoming” in the first place. Approaching matters through the frame of Hegel and Lacan, the contributors to this volume—many of whom stand at the forefront of contemporary Hegel and Lacan scholarship—agree with neovitalist thinkers that material reality is ontologically incomplete, in a state of perpetual becoming, yet they do so with one crucial difference: they maintain that this is the case not in spite of but rather because of the subject.Incorporating elements of philosophy, psychoanalysis, and literary and cultural studies, Subject Lessons contests the movement to dismiss the subject, arguing that there can be no truly robust materialism without accounting for the little piece of the Real that is the subject.

Responding to the ongoing "objectal turn" throughout contemporary humanities and social sciences, the eleven essays in Subject Lessons present a sustained case for the continued importance—indeed, the indispensability—of the category of the subject for the future of materialist thought. Various neovitalist materialisms and realisms currently en vogue across a number of academic disciplines (from New Materialism and actor-network theory to speculative realism and object-oriented ontology) advocate a flat, horizontal ontology that renders the subject just another object amid a "democracy of objects." By contrast, the dialectical materialism presented throughout Subject Lessons maintains that subjectivity is crucial to grasping matter’s "vibrancy" and continual "becoming" in the first place. Approaching matters through the frame of Hegel and Lacan, the contributors to this volume—many of whom stand at the forefront of contemporary Hegel and Lacan scholarship—agree with neovitalist thinkers that material reality is ontologically incomplete, in a state of perpetual becoming, yet they do so with one crucial difference: they maintain that this is the case not in spite of but rather because of the subject. Incorporating elements of philosophy, psychoanalysis, and literary and cultural studies, Subject Lessons contests the movement to dismiss the subject, arguing that there can be no truly robust materialism without accounting for the little piece of the Real that is the subject.

Challenging the widely-held assumption that Slavoj Žižek's work is far more germane to film and cultural studies than to literary studies, this volume demonstrates the importance of Žižek to literary criticism and theory. The contributors show how Žižek's practice of reading theory and literature through one another allows him to critique, complicate, and advance the understanding of Lacanian psychoanalysis and German Idealism, thereby urging a rethinking of historicity and universality. His methodology has implications for analyzing literature across historical periods, nationalities, and genres and can enrich theoretical frameworks ranging from aesthetics, semiotics, and psychoanalysis to feminism, historicism, postcolonialism, and ecocriticism. The contributors also offer Žižekian interpretations of a wide variety of texts, including Geoffrey Chaucer's Troilus and Criseyde, Shakespeare's The Merchant of Venice, Samuel Beckett's Not I, and William Burroughs's Nova Trilogy. The collection includes an essay by Žižek on subjectivity in Shakespeare and Beckett. Everything You Always Wanted to Know about Literature but Were Afraid to Ask Žižek affirms Žižek's value to literary studies while offering a rigorous model of Žižekian criticism.Contributors. Shawn Alfrey, Daniel Beaumont, Geoff Boucher, Andrew Hageman, Jamil Khader, Anna Kornbluh, Todd McGowan, Paul Megna, Russell Sbriglia, Louis-Paul Willis, Slavoj Žižek

Challenging the widely-held assumption that Slavoj Žižek's work is far more germane to film and cultural studies than to literary studies, this volume demonstrates the importance of Žižek to literary criticism and theory. The contributors show how Žižek's practice of reading theory and literature through one another allows him to critique, complicate, and advance the understanding of Lacanian psychoanalysis and German Idealism, thereby urging a rethinking of historicity and universality. His methodology has implications for analyzing literature across historical periods, nationalities, and genres and can enrich theoretical frameworks ranging from aesthetics, semiotics, and psychoanalysis to feminism, historicism, postcolonialism, and ecocriticism. The contributors also offer Žižekian interpretations of a wide variety of texts, including Geoffrey Chaucer's Troilus and Criseyde, Shakespeare's The Merchant of Venice, Samuel Beckett's Not I, and William Burroughs's Nova Trilogy. The collection includes an essay by Žižek on subjectivity in Shakespeare and Beckett. Everything You Always Wanted to Know about Literature but Were Afraid to Ask Žižek affirms Žižek's value to literary studies while offering a rigorous model of Žižekian criticism.Contributors. Shawn Alfrey, Daniel Beaumont, Geoff Boucher, Andrew Hageman, Jamil Khader, Anna Kornbluh, Todd McGowan, Paul Megna, Russell Sbriglia, Louis-Paul Willis, Slavoj Žižek