Ruth Perry – författare

This book is a biographical study of unprecedented scope and detail of the celebrated Anna Gordon, Mrs. Brown of Falkland, whose magnificent repertory of old Scottish ballads attracted the fascinated attention of intellectuals and song collectors during the later years of the eighteenth century. Her ballads--the earliest to be gathered from a named living person--were recognized by the great Francis James Child as a unique source in the Anglo/Scottish tradition, superior in quality to all other versions. Anna Gordon was a literary woman, with a strongly intellectual middle-class background, educated by her father, a professor in one of Scotland's four universities who, himself, made significant contributions to Scottish Enlightenment thinking about literacy and the nature of language. She lived at the intersection of several different worlds, reflecting balladry, oral tradition and women's culture, as well as Enlightenment debates about orality and literacy and the rapidly-expanding imperial enterprise. The story encompasses three generations of her remarkable family as they entered the wider Atlantic world, with adventures in Scotland, Virginia, and the West Indies, including an elopement and a duel, capture by pirates, and an evening party given by George Washington. The book includes an examination of the complex musical and cultural context from which Anna Gordon sprang. Threaded throughout are discussions of the ballads that brought her fame, revealing the deep importance of traditional music in Scottish society and the centrality of women as tradition-bearers in balladry, one of the great verbal and musical art-forms of Western Europe. Historically-informed audio recordings of twelve ballads from her original manuscripts with musical settings based on the notations of her gifted nephew, Robert Eden Scott, have been made for an accompanying website specially created for this book by leading Scottish folk musicians.

This book is a biographical study of unprecedented scope and detail of the celebrated Anna Gordon, Mrs. Brown of Falkland, whose magnificent repertory of old Scottish ballads attracted the fascinated attention of intellectuals and song collectors during the later years of the eighteenth century. Her ballads--the earliest to be gathered from a named living person--were recognized by the great Francis James Child as a unique source in the Anglo/Scottish tradition, superior in quality to all other versions. Anna Gordon was a literary woman, with a strongly intellectual middle-class background, educated by her father, a professor in one of Scotland's four universities who, himself, made significant contributions to Scottish Enlightenment thinking about literacy and the nature of language. She lived at the intersection of several different worlds, reflecting balladry, oral tradition and women's culture, as well as Enlightenment debates about orality and literacy and the rapidly-expanding imperial enterprise. The story encompasses three generations of her remarkable family as they entered the wider Atlantic world, with adventures in Scotland, Virginia, and the West Indies, including an elopement and a duel, capture by pirates, and an evening party given by George Washington. The book includes an examination of the complex musical and cultural context from which Anna Gordon sprang. Threaded throughout are discussions of the ballads that brought her fame, revealing the deep importance of traditional music in Scottish society and the centrality of women as tradition-bearers in balladry, one of the great verbal and musical art-forms of Western Europe. Historically-informed audio recordings of twelve ballads from her original manuscripts with musical settings based on the notations of her gifted nephew, Robert Eden Scott, have been made for an accompanying website specially created for this book by leading Scottish folk musicians.

This book is a biographical study of unprecedented scope and detail of the celebrated Anna Gordon, Mrs. Brown of Falkland, whose magnificent repertory of old Scottish ballads attracted the fascinated attention of intellectuals and song collectors during the later years of the eighteenth century. Her ballads--the earliest to be gathered from a named living person--were recognized by the great Francis James Child as a unique source in the Anglo/Scottish tradition, superior in quality to all other versions. Anna Gordon was a literary woman, with a strongly intellectual middle-class background, educated by her father, a professor in one of Scotland's four universities who, himself, made significant contributions to Scottish Enlightenment thinking about literacy and the nature of language. She lived at the intersection of several different worlds, reflecting balladry, oral tradition and women's culture, as well as Enlightenment debates about orality and literacy and the rapidly-expanding imperial enterprise. The story encompasses three generations of her remarkable family as they entered the wider Atlantic world, with adventures in Scotland, Virginia, and the West Indies, including an elopement and a duel, capture by pirates, and an evening party given by George Washington. The book includes an examination of the complex musical and cultural context from which Anna Gordon sprang. Threaded throughout are discussions of the ballads that brought her fame, revealing the deep importance of traditional music in Scottish society and the centrality of women as tradition-bearers in balladry, one of the great verbal and musical art-forms of Western Europe. Historically-informed audio recordings of twelve ballads from her original manuscripts with musical settings based on the notations of her gifted nephew, Robert Eden Scott, have been made for an accompanying website specially created for this book by leading Scottish folk musicians.

Ruth Perry describes the transformation of the English family as a function of several major social changes taking place in the eighteenth century including the development of a market economy and waged labor, enclosure and the redistribution of land, urbanization, the 'rise' of the middle class, and the development of print culture. In particular, Perry traces the shift from a kinship orientation based on blood relations to a kinship axis constituted by conjugal ties as it is revealed in popular literature of the second half of the eighteenth century. Perry focuses particularly on the effect these changes had on women's position in families. She uses social history, literary analysis and anthropological kinship theory to examine texts by Samuel Richardson, Charlotte Lennox, Henry MacKenzie, Frances Burney, Jane Austen, and many others. This important study by a leading eighteenth-century scholar will be of interest to social and literary historians.

Ruth Perry describes the transformation of the English family as a function of several major social changes taking place in the eighteenth century including the development of a market economy and waged labor, enclosure and the redistribution of land, urbanization, the 'rise' of the middle class, and the development of print culture. In particular, Perry traces the shift from a kinship orientation based on blood relations to a kinship axis constituted by conjugal ties as it is revealed in popular literature of the second half of the eighteenth century. Perry focuses particularly on the effect these changes had on women's position in families. She uses social history, literary analysis and anthropological kinship theory to examine texts by Samuel Richardson, Charlotte Lennox, Henry MacKenzie, Frances Burney, Jane Austen, and many others. This important study by a leading eighteenth-century scholar will be of interest to social and literary historians.

Annotated Edition: An eighteenth-century satirical novel that follows an iron-willed young Englishwoman as she attempts to make her own way in the world.A pioneer in the tradition of English women’s fiction, Charlotte Lennox was a valued friend to both Samuel Richardson and Samuel Johnson—and a major influence on Jane Austen. The heroine of Lennox’s Henrietta is a young Englishwoman who resists her aunt’s pressure to convert to Catholicism and marry an awful man—and as a result is set adrift in London society. But unlike many of her passive, vulnerable contemporaries in fiction, the admirable Henrietta makes her way in the world relying on her own cleverness, conviction, and wit. This groundbreaking work of satire and human folly is republished here in a fully annotated modern edition.

As an orphan under the care of her selfish aunt who pressures her to convert to Catholicism and enter a loveless marriage, Henrietta learns to live by her wits. Henrietta's story draws attention to the difficulty for women of earning a living in mid-eighteenthcentury England and offers readers strikingly insightful and modern reflections on human nature. Charlotte Lennox was a friend of both Samuel Richardson and Samuel Johnson and was generally admired by many of their contemporaries. A major influence on Jane Austen, Lennox is an innovator in the tradition of English women's fiction. Out of print since the late eighteenth century, Henrietta is now available in an edited and fully annotated modern edition.