Sabrina Mahfouz – författare

________________'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ‘the power of culture over the culture of power’.Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world’s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations.Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman

Selected as Emma Watson's Jan/Feb 2019 pick for her feminist book club, Our Shared Shelf Shortlisted for London's Big Read A Guardian Best Book of the Year Longlisted for The People's Book Prize From established literary heavyweights to emerging spoken word artists, the writers in this ground-breaking collection blow away the narrow image of the 'Muslim Woman'. Hear from users of Islamic Tinder, a disenchanted Maulana working as a TV chat show host and a plastic surgeon blackmailed by MI6. Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo. From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be.

From established literary heavyweights to emerging spoken word artists, the writers in this ground-breaking collection blow away the narrow image of the ''Muslim Woman''. Hear from users of Islamic Tinder, a disenchanted Maulana working as a TV chat show host and a plastic surgeon blackmailed by MI6. Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo.From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be.

I want to be iconic. I want to be beautiful, reckless, feared, hated, ahead of the times. I want to be different, I want to be dangerous . . . London, 2001. Raves. Revision. Re-election.Nadia is swept up in one hot summer’s night of love that promises endless possibilities. Drinking, dancing, hope, ambition, lust, greed . . . and decisions that will determine the rest of her life.Rhythmically underscored by a live mix of old-school UK Garage, With A Little Bit of Luck explores the legacy of a cultural movement that defined the hopes of a generation. It received its world premiere at the Latitude Festival 2015 and then was produced as a tour by Paines Plough and Latitude from 13 April 2016.

I want to be iconic. I want to be beautiful, reckless, feared, hated, ahead of the times. I want to be different, I want to be dangerous . . . London, 2001. Raves. Revision. Re-election.Nadia is swept up in one hot summer''s night of love that promises endless possibilities. Drinking, dancing, hope, ambition, lust, greed . . . and decisions that will determine the rest of her life.Rhythmically underscored by a live mix of old-school UK Garage, With A Little Bit of Luck explores the legacy of a cultural movement that defined the hopes of a generation. It received its world premiere at the Latitude Festival 2015 and then was produced as a tour by Paines Plough and Latitude from 13 April 2016.

I want to be iconic. I want to be beautiful, reckless, feared, hated, ahead of the times. I want to be different, I want to be dangerous . . . London, 2001. Raves. Revision. Re-election.Nadia is swept up in one hot summer''s night of love that promises endless possibilities. Drinking, dancing, hope, ambition, lust, greed . . . and decisions that will determine the rest of her life.Rhythmically underscored by a live mix of old-school UK Garage, With A Little Bit of Luck explores the legacy of a cultural movement that defined the hopes of a generation. It received its world premiere at the Latitude Festival 2015 and then was produced as a tour by Paines Plough and Latitude from 13 April 2016.

Respect women, respect girls. Respect yourselves. Remember you are everyone who’s gone before you and you are nobody that has ever been, so make it count, make it special, make a difference, make people listen, love the women who have loved you and watch us make the world move to a better place. For Layla, every day is a battleground.The pay gap, the thigh gap, over-sexed pop and selfies that are photoshopped – they’re just part of the world she lives in.But that world is about to change.While breaking out of her bedroom – and with drama, comedy, poetry and music as her weapons – Layla breaks down and makes sense of the realities, difficulties and absurdities of teenage life in the UK today.Collected from a bespoke national survey, the voices of a thousand UK teens are brought to life in Layla. Their ambitions, concerns, role-models and regrets are woven together by award-winning Sabrina Mahfouz and theatre company Theatre Centre, offering a hard-hitting, yet hopeful, story.Layla's Room received its world premiere at Redbridge Drama Centre on 15 September 2016 in a production by Theatre Centre. It is ideal for students and young performers between 16 and 18 years old.

Respect women, respect girls. Respect yourselves. Remember you are everyone who''s gone before you and you are nobody that has ever been, so make it count, make it special, make a difference, make people listen, love the women who have loved you and watch us make the world move to a better place. For Layla, every day is a battleground.The pay gap, the thigh gap, over-sexed pop and selfies that are photoshopped – they''re just part of the world she lives in.But that world is about to change.While breaking out of her bedroom – and with drama, comedy, poetry and music as her weapons – Layla breaks down and makes sense of the realities, difficulties and absurdities of teenage life in the UK today.Collected from a bespoke national survey, the voices of a thousand UK teens are brought to life in Layla. Their ambitions, concerns, role-models and regrets are woven together by award-winning Sabrina Mahfouz and theatre company Theatre Centre, offering a hard-hitting, yet hopeful, story.Layla''s Room received its world premiere at Redbridge Drama Centre on 15 September 2016 in a production by Theatre Centre. It is ideal for students and young performers between 16 and 18 years old.

Respect women, respect girls. Respect yourselves. Remember you are everyone who''s gone before you and you are nobody that has ever been, so make it count, make it special, make a difference, make people listen, love the women who have loved you and watch us make the world move to a better place. For Layla, every day is a battleground.The pay gap, the thigh gap, over-sexed pop and selfies that are photoshopped – they''re just part of the world she lives in.But that world is about to change.While breaking out of her bedroom – and with drama, comedy, poetry and music as her weapons – Layla breaks down and makes sense of the realities, difficulties and absurdities of teenage life in the UK today.Collected from a bespoke national survey, the voices of a thousand UK teens are brought to life in Layla. Their ambitions, concerns, role-models and regrets are woven together by award-winning Sabrina Mahfouz and theatre company Theatre Centre, offering a hard-hitting, yet hopeful, story.Layla''s Room received its world premiere at Redbridge Drama Centre on 15 September 2016 in a production by Theatre Centre. It is ideal for students and young performers between 16 and 18 years old.

The women you’ve seen play today, we are more than football players, more than athletes and sportspeople of the very highest degree. We are heroines or heroes - or however you wanna say it – and we should be taking our place on posters and platforms and TV stations, changing the way perfect is thought of, changing the way girls can be brought up. Offside tells the story of women’s football in the UK through the eyes of a modern professional female footballer as she seeks to find a future in the game through exploring its past.Mickey is alone in the locker room; she deliberates with herself about the biggest decision of her life, her career, her love – her football. But in a world where sexism is rife and a feeling of self-limitation reduces opportunities, fear makes for poor decisions while joy flourishes in the unlikeliest of places.Offside has been researched with top women’s teams, Manchester City Women’s FC and Millwall Lionesses, where many players, sports scientists and others who are integral to the development of the game have been interviewed to gain an in-depth insight into their world. The play blends a dramatic narrative with performance poetry and chanting to evoke the pace and passion of the women’s game.The production, by Futures Theatre, has been developed in partnership with the National Football Museum, Manchester, and the IWM, London.

The women you''ve seen play today, we are more than football players, more than athletes and sportspeople of the very highest degree. We are heroines or heroes - or however you wanna say it – and we should be taking our place on posters and platforms and TV stations, changing the way perfect is thought of, changing the way girls can be brought up. Offside tells the story of women''s football in the UK through the eyes of a modern professional female footballer as she seeks to find a future in the game through exploring its past.Mickey is alone in the locker room; she deliberates with herself about the biggest decision of her life, her career, her love – her football. But in a world where sexism is rife and a feeling of self-limitation reduces opportunities, fear makes for poor decisions while joy flourishes in the unlikeliest of places.Offside has been researched with top women''s teams, Manchester City Women''s FC and Millwall Lionesses, where many players, sports scientists and others who are integral to the development of the game have been interviewed to gain an in-depth insight into their world. The play blends a dramatic narrative with performance poetry and chanting to evoke the pace and passion of the women''s game.The production, by Futures Theatre, has been developed in partnership with the National Football Museum, Manchester, and the IWM, London.

The women you''ve seen play today, we are more than football players, more than athletes and sportspeople of the very highest degree. We are heroines or heroes - or however you wanna say it – and we should be taking our place on posters and platforms and TV stations, changing the way perfect is thought of, changing the way girls can be brought up. Offside tells the story of women''s football in the UK through the eyes of a modern professional female footballer as she seeks to find a future in the game through exploring its past.Mickey is alone in the locker room; she deliberates with herself about the biggest decision of her life, her career, her love – her football. But in a world where sexism is rife and a feeling of self-limitation reduces opportunities, fear makes for poor decisions while joy flourishes in the unlikeliest of places.Offside has been researched with top women''s teams, Manchester City Women''s FC and Millwall Lionesses, where many players, sports scientists and others who are integral to the development of the game have been interviewed to gain an in-depth insight into their world. The play blends a dramatic narrative with performance poetry and chanting to evoke the pace and passion of the women''s game.The production, by Futures Theatre, has been developed in partnership with the National Football Museum, Manchester, and the IWM, London.

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women’s lives through theatre.Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon.Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women’s theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Sabrina Mahfouz has been called ‘theatrical dynamite’ by The Independent and ‘[one of] our most interesting playwrights’ by Lyn Gardner in The Guardian. As a recent elected Fellow of the Royal Society of Literature, she is a playwright, poet, essayist, children's author and activist whose work explores a variety of mediums in challenging and genre-defying ways. Her first play collection brings together a unique mix of published and previously unpublished works for the stage, including a Off West End Award-winning play for children; a Fringe First award-winner; a BBC Radio & Music Best Drama award-winner and a Sky Arts Academy award-winning play. From the explosive poetic monologue play Chef to the rhythmic drive of With a Little Bit of Luck, this collection fizzes with infectious lyricism that captures Mahfouz's work for the stage in a variety of different forms, proving that contemporary theatre remains boundless in terms of its ability to spark debate and move audiences.

Sabrina Mahfouz has been called ''theatrical dynamite'' by The Independent and ''[one of] our most interesting playwrights'' by Lyn Gardner in The Guardian. As a recent elected Fellow of the Royal Society of Literature, she is a playwright, poet, essayist, children''s author and activist whose work explores a variety of mediums in challenging and genre-defying ways. Her first play collection brings together a unique mix of published and previously unpublished works for the stage, including a Off West End Award-winning play for children; a Fringe First award-winner; a BBC Radio & Music Best Drama award-winner and a Sky Arts Academy award-winning play. From the explosive poetic monologue play Chef to the rhythmic drive of With a Little Bit of Luck, this collection fizzes with infectious lyricism that captures Mahfouz''s work for the stage in a variety of different forms, proving that contemporary theatre remains boundless in terms of its ability to spark debate and move audiences.

Sabrina Mahfouz has been called ''theatrical dynamite'' by The Independent and ''[one of] our most interesting playwrights'' by Lyn Gardner in The Guardian. As a recent elected Fellow of the Royal Society of Literature, she is a playwright, poet, essayist, children''s author and activist whose work explores a variety of mediums in challenging and genre-defying ways. Her first play collection brings together a unique mix of published and previously unpublished works for the stage, including a Off West End Award-winning play for children; a Fringe First award-winner; a BBC Radio & Music Best Drama award-winner and a Sky Arts Academy award-winning play. From the explosive poetic monologue play Chef to the rhythmic drive of With a Little Bit of Luck, this collection fizzes with infectious lyricism that captures Mahfouz''s work for the stage in a variety of different forms, proving that contemporary theatre remains boundless in terms of its ability to spark debate and move audiences.

Can you hear it,the hiss of water wiggling its way out into the world uncaptured, wasted, wanton? British-Egyptian Sabrina Mahfouz grew up with ambitions of being a spy. She has two passports, speaks two languages and has a cultural understanding of two very different countries. But when it came to applying for MI6, it turned out she wasn’t quite British enough.So now she’s on her own intelligence mission – to explore who really holds the power in and over the Middle East. In a world long obsessed with access to oil, will water soon become the natural resource that dictates control, or has it been all along?A History of Water in the Middle East journeys across twelve different countries using theatre, poetry and music to share stories of women across the region. From the British Imperialist ownership of natural resources, to the environmental urgency of the present, water has shaped lives, policies and fortunes – and it will shape all of our futures.This edition published to coincide with the premiere at the Royal Court in October 2019.

Can you hear it,the hiss of water wiggling its way out into the world uncaptured, wasted, wanton? British-Egyptian Sabrina Mahfouz grew up with ambitions of being a spy. She has two passports, speaks two languages and has a cultural understanding of two very different countries. But when it came to applying for MI6, it turned out she wasn''t quite British enough.So now she''s on her own intelligence mission – to explore who really holds the power in and over the Middle East. In a world long obsessed with access to oil, will water soon become the natural resource that dictates control, or has it been all along?A History of Water in the Middle East journeys across twelve different countries using theatre, poetry and music to share stories of women across the region. From the British Imperialist ownership of natural resources, to the environmental urgency of the present, water has shaped lives, policies and fortunes – and it will shape all of our futures.This edition published to coincide with the premiere at the Royal Court in October 2019.

Can you hear it,the hiss of water wiggling its way out into the world uncaptured, wasted, wanton? British-Egyptian Sabrina Mahfouz grew up with ambitions of being a spy. She has two passports, speaks two languages and has a cultural understanding of two very different countries. But when it came to applying for MI6, it turned out she wasn''t quite British enough.So now she''s on her own intelligence mission – to explore who really holds the power in and over the Middle East. In a world long obsessed with access to oil, will water soon become the natural resource that dictates control, or has it been all along?A History of Water in the Middle East journeys across twelve different countries using theatre, poetry and music to share stories of women across the region. From the British Imperialist ownership of natural resources, to the environmental urgency of the present, water has shaped lives, policies and fortunes – and it will shape all of our futures.This edition published to coincide with the premiere at the Royal Court in October 2019.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space.Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are:Is This A Fairytale? by Bea WebsaterA new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+Hold Out Your Hand by Chris ThorpeA dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+The Pack by Stef SmithA playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+Ozymandias by Robbie Gordon and Jack NurseA contemporary story inspired by Percy Shelley’s 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+Bad Bored Women of the Rooms by Sabrina MahfouzA storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space.Commissioned as part of Wonder Fools'' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are:Is This A Fairytale? by Bea WebsaterA new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+Hold Out Your Hand by Chris ThorpeA dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+The Pack by Stef SmithA playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+Ozymandias by Robbie Gordon and Jack NurseA contemporary story inspired by Percy Shelley''s 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+Bad Bored Women of the Rooms by Sabrina MahfouzA storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space.Commissioned as part of Wonder Fools'' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are:Is This A Fairytale? by Bea WebsaterA new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+Hold Out Your Hand by Chris ThorpeA dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+The Pack by Stef SmithA playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+Ozymandias by Robbie Gordon and Jack NurseA contemporary story inspired by Percy Shelley''s 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+Bad Bored Women of the Rooms by Sabrina MahfouzA storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

________________''This anthology will help turn your intellectual understanding of oppression into an emotional one'' - New Statesman''Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you'' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ''the power of culture over the culture of power''.Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world''s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations.Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________''Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary'' - Philip Pullman

A GUARDIAN CHILDREN'S BOOK OF THE YEAR 2019, this stunning collection of new and classic poems from around the world celebrates the diversity of life on our green and blue planet, to be shared with all the family. With new poems from Raymond Antrobus, Mona Arshi, Kate Tempest, Hollie McNish, Dean Atta, Sabrina Mahfouz and more.Dive into this book and be swept away on a journey around our green and blue planet, from the peak of the snowiest mountaintop to the bottom of the deepest, bluest ocean. Meet the birds circling its skies, the beasts prowling its plains, and the people toiling in its fields and forests and cities... Explore all the worlds that make up our world, and hear the voices, past and present, that sing out from it. From haikus to sonnets, from rap to the Romantics, this joyous collection celebrates life in all corners of our beautiful planet.

Are you not made of Suez silt?How do we know you won't shore our boats by making yourself bigger than we made you?Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted?Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past. Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

'Impossible to put down while you're reading, and impossible to forget about when you've finished' GlamourAfter a gruelling job interview where she was interrogated about everything from her political leanings to her family background, Sabrina Mahfouz realised that one unspoken question had pervaded her entire life: as a woman of Middle Eastern heritage, could she really be trusted?Years later, Sabrina found herself confronting this question and how it was specifically informed by the British Empire's historical dominance in the Middle East. Taking us on a journey of the Middle-Eastern coastlines and waterways that were so vital to the Empire's hold, and combining memoir, history, politics, myth and poetry, These Bodies of Water is a tapestry of writing that tells the unacknowledged story of Britain's relationship with the Middle East in the most revealing terms.'A writer of staggering conviction, ingenuity and integrity' Kae Tempest'Brilliant and profound' Nikesh Shukla'A bold, brave look at the ways imperialism affects us all' Riz Ahmed

A dynamic collection of three of Sabrina Mahfouz''s pieces for the theatre, published alongside a selection of her poetry.Dry Ice A critically acclaimed solo show about a young stripper, which was produced at by the Underbelly (Edinburgh) and the Bush Theatre (London) and directed by David Schwimmer. It played at the Contact (Manchester), the Soutbank Centre (London) and the Bush (London) as part of Madani Younis''s debut season in 2012.One Hour OnlyAn ''upmarket'' brothel. It''s Forensic Biology student Marley''s first night at her new job and AJ – twenty-one, good-looking and intelligent – is her unexpected first client. One Hour Only formed part of the Old Vic New Voices'' first ever Edinburgh Season at the Underbelly in association with IdeasTap.CleanZainab, Chloe & Katya, London''s best ''clean'' criminals and perpetrators of victimless crime, are forced together in an unlikely trio. This feisty trio soon become the unlikely action heroes of an adventure left to men. A short play commissioned by the Traverse Theatre, 2012, Clean was part of the A Play, A Pie & A Pint Season at Òran Mor, Glasgow and The Traverse Theatre, Edinburgh.