Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dalí and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dali and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dali and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

This text provides students with insight into how historical and contemporary visual art, architecture, and design have engaged with social, cultural, political, and economic landscapes. The book establishes a visual foundation for students in covering important traditional aspects of the history of art of the period of the Renaissance and after through its most renowned works. It further demonstrates how artists have challenged issues within Western culture through various artistic mediums.

Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dalí and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dali and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas.By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Romantic image of the American landscape and its indigenous peoples, divorced from, and as a challenge to, European nationalism. American surrealists Dorothea Tanning and Kay Sage challenged traditional analogies between the earth and the female body retained by their male partners. Other European surrealists such as Salvador Dali and Yves Tanguy perpetuated the appropriation of the desert as a generic space for visionary projection.The book will be of interest to scholars working in art history, surrealism, ecocriticism, American studies, and feminist studies.

This text provides students with insight into how historical and contemporary visual art, architecture, and design have engaged with social, cultural, political, and economic landscapes. The book establishes a visual foundation for students in covering important traditional aspects of the history of art of the period of the Renaissance and after through its most renowned works. It further demonstrates how artists have challenged issues within Western culture through various artistic mediums.