Samantha Pinto – författare

The Routledge Companion to Intersectionalities is a dynamic reference source to the key contemporary analytic in feminist thought: intersectionality. Comprising over 50 chapters by a diverse, international, and interdisciplinary team of contributors, the Companion is divided into nine parts:Retracing intersectional genealogiesIntersectional methods and (inter)disciplinarityIntersectionality’s travelsIntersectional borderworkTrans* intersectionalitiesDisability and intersectional embodimentIntersectional science and data studiesPopular culture at the intersectionsRethinking intersectional justiceThis accessibly written collection is essential reading for students, teachers, and researchers working in women’s and gender studies, sexuality studies, African American studies, sociology, politics, and other related subjects from across the humanities and social sciences.

The Routledge Companion to Intersectionalities is a dynamic reference source to the key contemporary analytic in feminist thought: intersectionality. Comprising over 50 chapters by a diverse, international, and interdisciplinary team of contributors, the Companion is divided into nine parts:Retracing intersectional genealogiesIntersectional methods and (inter)disciplinarityIntersectionality’s travelsIntersectional borderworkTrans* intersectionalitiesDisability and intersectional embodimentIntersectional science and data studiesPopular culture at the intersectionsRethinking intersectional justiceThis accessibly written collection is essential reading for students, teachers, and researchers working in women’s and gender studies, sexuality studies, African American studies, sociology, politics, and other related subjects from across the humanities and social sciences.

Winner of the 2013 Modern Language Association's William Sanders Scarborough Prize for Outstanding Scholarly Study of Black American Literature In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora. Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.

Winner of the 2013 Modern Language Association's William Sanders Scarborough Prize for Outstanding Scholarly Study of Black American Literature In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora. Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.

The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.

The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.

Topics covered include racial politics in feminist theory and practice; critical masculinity; the relationship between feminism and masculinity; abolition politics; the meaning of “TERF” (trans-exclusionary radical feminist) and its implications for feminist theory, practice, and politics.ContributorsAren Aizura, Leticia Alvarado, Heather Berg, Marquis Bey, Sarah Bey-West, Andrew Cutrone, Ramzi Fawaz, Lisa Guenther, Huey Hewitt, Candice Merritt, Durba Mitra, Jennifer C. Nash, Emily Owens, Samantha Pinto, Robyn Wiegman

Inside the Body of Black Feminism charts a cultural genealogy of anti-racist and feminist engagement with some of the most objectified internal “parts” of racist medical and scientific inquiry: bones and blood, brains and hearts, wombs and guts. In a move counterintuitive to Black feminism’s emphasis on externalized representations of the body, Samantha Pinto reinterprets the relationship between embodiment, health, and race through cultural archives that reimagine the inside of the Black body. Working through materials such as medical textbooks, memoirs, data visualizations, museum displays, speculative fiction, and horror films, Pinto explores how a visually inaccessible corporeal interior becomes discernable and racialized in the public sphere. Inside the Body of Black Feminism engages expressive cultural work to ask how we might know the inside of the black body differently through Black feminist theory and how scientific and medical inquiry might enable us to understand political subjectivity anew.

Inside the Body of Black Feminism charts a cultural genealogy of anti-racist and feminist engagement with some of the most objectified internal “parts” of racist medical and scientific inquiry: bones and blood, brains and hearts, wombs and guts. In a move counterintuitive to Black feminism’s emphasis on externalized representations of the body, Samantha Pinto reinterprets the relationship between embodiment, health, and race through cultural archives that reimagine the inside of the Black body. Working through materials such as medical textbooks, memoirs, data visualizations, museum displays, speculative fiction, and horror films, Pinto explores how a visually inaccessible corporeal interior becomes discernable and racialized in the public sphere. Inside the Body of Black Feminism engages expressive cultural work to ask how we might know the inside of the black body differently through Black feminist theory and how scientific and medical inquiry might enable us to understand political subjectivity anew.

This book investigates the imaginative capacities of literature, art and culture as sites for reimagining human rights, addressing deep historical and structural forms of belonging and unbelonging;