Alexandra S. Moore – författare

Analyzes the effects of new technologies on human rights, with a particular focus on how representations of technology affect our ability to understand and control it.The speed of technological development, from cell phones to artificial intelligence, opens up exciting new opportunities for promoting human flourishing. It also raises grave risks, threatening not only personal privacy and dignity but also our collective survival. Technologies of Human Rights Representation brings together three fields of research critical to securing our future: changing technologies, human rights, and representation. For each of these fields, this book asks key questions: How can we open the black box of technological advances so that we can more fully understand their effects upon our lives? What can we do to make sure that these effects align with the values of human rights? And how does the way we talk about technology and rights-from military reports and corporate marketing to human rights reports and poetry-amplify or diminish our capacity both to understand and to control what happens next? Contributors from anthropology, communications, criminology, global studies, law, literary and cultural studies, and women and gender studies bring diverse methodological approaches to these crucial questions.

Analyzes the effects of new technologies on human rights, with a particular focus on how representations of technology affect our ability to understand and control it.The speed of technological development, from cell phones to artificial intelligence, opens up exciting new opportunities for promoting human flourishing. It also raises grave risks, threatening not only personal privacy and dignity but also our collective survival. Technologies of Human Rights Representation brings together three fields of research critical to securing our future: changing technologies, human rights, and representation. For each of these fields, this book asks key questions: How can we open the black box of technological advances so that we can more fully understand their effects upon our lives? What can we do to make sure that these effects align with the values of human rights? And how does the way we talk about technology and rights-from military reports and corporate marketing to human rights reports and poetry-amplify or diminish our capacity both to understand and to control what happens next? Contributors from anthropology, communications, criminology, global studies, law, literary and cultural studies, and women and gender studies bring diverse methodological approaches to these crucial questions.

This book investigates the imaginative capacities of literature, art and culture as sites for reimagining human rights, addressing deep historical and structural forms of belonging and unbelonging; the rise of xenophobia, neoliberal governance, and securitization that result in the purposeful precaritization of marginalized populations; ecological damage that threatens us all, yet the burdens of which are distributed unequally; and the possibility of decolonial and posthuman approaches to rights discourses. The book starts from the premise that there are deep-seated limits to the political possibilities of state and individual sovereignty in terms of protecting human rights around the world. The essays explore how different forms, materials, perspectives, and aesthetics can help reveal the limits of normative human rights and contribute to the cultural production of new human rights imaginaries beyond the borders of state and self.

This book investigates the imaginative capacities of literature, art and culture as sites for reimagining human rights, addressing deep historical and structural forms of belonging and unbelonging; the rise of xenophobia, neoliberal governance, and securitization that result in the purposeful precaritization of marginalized populations; ecological damage that threatens us all, yet the burdens of which are distributed unequally; and the possibility of decolonial and posthuman approaches to rights discourses. The book starts from the premise that there are deep-seated limits to the political possibilities of state and individual sovereignty in terms of protecting human rights around the world. The essays explore how different forms, materials, perspectives, and aesthetics can help reveal the limits of normative human rights and contribute to the cultural production of new human rights imaginaries beyond the borders of state and self.

Deaf Walls Speak presents an insider’s view of artmaking in Guantánamo, the world’s most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi’s testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guantánamo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.

Deaf Walls Speak presents an insider’s view of artmaking in Guantánamo, the world’s most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi’s testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guantánamo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.

Deaf Walls Speak presents an insider’s view of artmaking in Guantánamo, the world’s most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi’s testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guantánamo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.

Structural violence as an analytical term emerged in the late 1960s to characterize the harm and injustice of poverty and other forms of inequality and the oppressive institutions and social structures that cause the injustice and inequality. The term goes beyond physical violence to show how social structures and institutions limit people’s lives. In the broadest sense, it is intended to capture the manifold ways they stunt or inhibit people's potential. Structural violence can be seen explicitly or implicitly as a point of departure for contemporary studies of homelessness and malnutrition, the ongoing predations of neo-colonialism and neoliberalism, the harms of institutionalized racism and gender inequality, but also the psycho-social toll of living in fear.This handbook brings together contributions from a range of fields to provide an overview of how researchers, theorists, advocates, policymakers and practitioners use, critique, and expand upon the concept of structural violence. It provides a space for analysis and conceptualization that bridges traditional divides between researchers and practitioners and between academic disciplines, and shows how the notion of structural violence has been crucial in establishing fields such as Peace Studies, and influencing others, such as health policy.

This book demonstrates a new, interdisciplinary approach to life writing about torture that situates torture firmly within its socio-political context, as opposed to extending the long line of representations written in the idiom of the proverbial dark chamber. By dismantling the rhetorical divide that typically separates survivors’ suffering from human rights workers’ expertise, contributors engage with the personal, professional, and institutional dimensions of torture and redress. Essays in this volume consider torture from diverse locations – the Philippines, Argentina, Sudan, and Guantánamo, among others. From across the globe, contributors witness both individual pain and institutional complicity; the challenges of building communities of healing across linguistic and national divides; and the role of the law, art, writing, and teaching in representing and responding to torture.