Alexandra S. Moore is Professor of English and Co-Director of the Human Rights Institute at Binghamton University.  Elizabeth Swanson is Professor of  Literature and Human Rights at Babson College.

• Editor’s Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson.- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi.- Chapter 2: My Brother, the Artist Mansoor Adayfi.- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson.- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno.- Chapter 5: Ships of Scraps: Moath al-Alwi’s Model Ships in Islamic Art and Prison Histories  Mira Rai Waits.- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi’s Ships Belinda Walzer.- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle.- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moathal-Alwi Gail Rothschild.

Alexandra S. Moore is Professor of English and Co-Director of the Human Rights Institute at Binghamton University.  Elizabeth Swanson is Professor of  Literature and Human Rights at Babson College.

• Editor’s Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson.- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi.- Chapter 2: My Brother, the Artist Mansoor Adayfi.- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson.- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno.- Chapter 5: Ships of Scraps: Moath al-Alwi’s Model Ships in Islamic Art and Prison Histories  Mira Rai Waits.- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi’s Ships Belinda Walzer.- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle.- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moathal-Alwi Gail Rothschild.

Alexandra S. Moore is Professor of English and Co-Director of the Human Rights Institute at Binghamton University.  Elizabeth Swanson is Professor of  Literature and Human Rights at Babson College.

• Editor’s Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson.- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi.- Chapter 2: My Brother, the Artist Mansoor Adayfi.- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson.- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno.- Chapter 5: Ships of Scraps: Moath al-Alwi’s Model Ships in Islamic Art and Prison Histories  Mira Rai Waits.- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi’s Ships Belinda Walzer.- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle.- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moathal-Alwi Gail Rothschild.