Sara MacDonald – författare

A beautifully written novel with great emotional appeal, of family secrets and wartime heritage, sweeping across Cornwall, London and Warsaw. When Lucy Tremain goes to stay with her grandparents in their house in Cornwall overlooking the sea,she finds family papers hidden in the old cottage. The papers hint at wartime secrets.From them emerges her grandmother’s story – a hidden story of wartime courage and terrible deprivation. And for three generations of the Tremain family the papers turn their lives upside down: her grandfather Fred, the country doctor who married Martha; Anna, the difficult, determined older child who is Lucy’s mother; and Barnaby, her benevolent, indulgent uncle.

A beautifully written novel with great emotional appeal, set in Cornwall and Canada.Marine historian Mark Hannah finds a hauntingly beautiful figurehead in Newfoundland. He traces her ship, The Lady Isabella, back to a small port in Cornwall where he meets Gabrielle Ellis, the woman who is going to restore her to her former glory. Together they begin to trace jigsaw pieces of the lives of the carver, Tom Welland and the real Lady Isabella.Gabrielle becomes increasingly haunted by Isabella's lost life. As Gabrielle's own life becomes inextricably involved with Mark's, her story runs parallel with the lives of Isabella, her husband Richard and Tom Welland, the carver.Two women, living more than a hundreds years apart yet against the same wild backdrop of sea and landscape, make a rash bid for freedom to live another life. But for both of them, that choice means a loss which will greatly affect the next generation.

A rich, multi-generational saga, set in Singapore and New Zealand. The mysterious disappearance of a young child sets in motion a series of events that will haunt future generations of the family.Singapore in the 1970s. A handsome army officer falls in love with the young daughter of his captain. Although she is determined to become a ballerina, Fleur falls deeply for David and abandons her aspirations to become an army wife and mother. After their first blissfully happy years together, tragedy strikes and Fleur is left widowed with her young twin daughters, Nikki and Saffie. Grief-stricken, she prepares to take her daughters back to England – and then one of them mysteriously vanishes, without a trace.New Zealand, present day. Nikki Montrose, pregnant, is still haunted by the disappearance of her twin sister. Unable to reconcile with her mother, the ghosts of the past haunt her dreams. Fleur’s impending visit forces her to confront her fears. Then when her mother goes missing en route, Nikki must journey to Singapore and attempt a reconciliation. But what they discover back in Port Dickson will send shockwaves through the entire family.Sara MacDonald has written another rich, absorbing family saga which will appeal to all fans of Rosamunde Pilcher and Anita Shreve.

A chance meeting between two old friends leads to an obsessive love which will unearth long-hidden secrets, causing a bitter rift between two families.Jenny and Ruth were best friends at school until Ruth abruptly moved away from their Cornish village and they lost all contact. Fourteen years later, a chance meeting on a train throws both their lives into turmoil. As they begin to fill in the gaps from the years that have passed, their old friendship sparks back into life.One glimpse of Ruth's son Adam sends Jenny into a spiral of love, grief and obsession. Adam is the image of Jenny's husband, Tom, killed suddenly and tragically six months earlier. As Jenny discovers the truth about Adam, a powerful bond springs up between them that will have unforeseen consequences for both families.‘Come Away with Me’ is a moving and provoking portrayal of how two women challenge each other's identity in what becomes an unbearable life swap.

A sweeping, evocative story of love, secrets and betrayal, set against the stunning backdrops of Karachi and Cornwall. Perfect for readers who love Santa Montefiore, Rosanna Ley and Dinah Jefferies. When Gabby’s husband accepts a transfer to Pakistan, she discovers a new world of heat and colour, of exotic bazaars and trips to the breath-taking Kashmiri mountains. It is an escape she didn’t know she was looking for.But then a shocking letter from her sister reveals a devastating secret. Gabby is transported back to her childhood home on the Cornish coast, and as memories unravel, so too does her new life in Karachi. Will Gabby find the courage to face the dark secrets and embrace a different future?

The hand of friendship can span a thousand miles… PakistanAmong the almond orchards of the Swat Valley, Zamir tends goats with his son, Raza. He must make a heartbreaking decision if he is to protect his youngest child from the Taliban.AfghanistanOn a military base in Lashkar Gah, Ben lives on edge, wondering if his family will be the next to receive life-changing news from the front line.CornwallAnd in a ramshackle house on the Cornish coast, Ben’s mother Delphi, an artist, offers a refuge to her grandson Finn, as he retreats from the changes he senses in his family.When Raza and Finn, two boys from impossibly different worlds, meet, they are united by their loneliness. But will their unexpected bond be enough to save not just each other, but also their families, just as all their lives are about to change forever?’At once heartbreaking and uplifting, and its focus on the themes of war and loss, love and friendship across cultures is both topical and timeless: a powerful story from a writer operating at the height of her powers’ JANE JOHNSON, The Tenth Gift‘Interweave[ing] the devastation exacted by war on the lives of two boys… [this] blistering story shows how no one is remote, connecting rural Cornwall with the Swat Valley of Pakistan’ GEORGIA KAUFMANN, The Dressmaker of Paris‘Sara MacDonald writes with a lyrical quality that captivated me from the start’ AMANDA JENNINGS, The Storm

This book studies several of Mark Helprin’s novels in terms of their relation to Dante’s Divine Comedy. The authors demonstrate that A Soldier of the Great War, In Sunlight and in Shadow, and Winter’s Tale substantially correspond to, respectively, Dante’s Inferno, Purgatorio, and Paradiso. The author himself has acknowledged his debt to Dante and references to the Comedy appear throughout his works. It is not that Helprin’s novels track their Dantean antecedents slavishly, or even follow the structure of the Canticles explicitly. Rather, the central arguments of Dante’s three works are taken up by Helprin in his novels. In adopting Dante’s essentially Platonic doctrine of mediation, Helprin’s characters are fully instantiated human beings who also mediate and reveal the divine. In his engagement with Dante, Helprin affirms the core philosophical, theological and psychological arguments of the Comedy, and then modifies those arguments in a distinctly modern way. Specifically, Helprin focuses on human freedom as the necessary precondition for justice to exist, both for individuals and for societies. In the final chapter of the book, the authors turn to Helprin’s Freddy and Fredericka. In this novel, Helprin both assumes Dante’s argument, and then radically alters it, by pointing to the possibility of a just regime on earth, rather than one that exists merely in heaven. While accepting much of Dante’s metaphysical argument, Helprin shows the virtues of liberal democracy as that form of political regime that is most able to unite human eros with eternal principles. In the end, Helprin’s novels are remarkable for the way in which they advocate for ancient virtues, while insisting upon the distinctly modern liberal account of human freedom as the necessary foundation for human flourishing.

Recovering Hegel from the Critique of Leo Srauss offers a defense of modernity against the critique of the influential mid-twentieth century political philosopher, Leo Strauss. Strauss, whose influence on contemporary conservative political theory is well documented, discovered the ground of much of what he found wanting in contemporary political and social life to lie in the philosophy of the 19th century German philosopher, G. W. F. Hegel. Specifically, Strauss accused Hegel of being the greatest exponent of historicism and thus the relativism that afflicts modern thought. Ultimately, according to Strauss, this has led to the nihilism and general mediocrity that characterizes modern western culture. In this book, Sara MacDonald and Barry Craig examine Strauss’s reading of Hegel and argue that in fact it is a mis-reading. Contrary to Strauss’s interpretation, this book holds that Hegel was no relativist and in fact sought to show the compatibility of objective, eternal truth with modern human subjectivity. At the same time, it illustrates the way in which Hegel’s thought prepared the ground for enlightened modern liberal democracies and also remains relevant to current social and political conversations.

For seven seasons, AMC’s Mad Men captivated audiences with the story of Don Draper, an advertising executive whose personal and professional successes and failures took viewers on a roller coaster ride through America’s tumultuous 1960s. More than just a television show about one of advertising’s “bad boys,” the series investigates the principles of the American regime, exploring whether or not the American Dream is a sustainable vision of human flourishing and happiness. This collection of essays investigates the show’s engagement with the philosophic and political foundations of American democracy.

This book explores the understanding of freedom developed in the later novels of celebrated Canadian author, David Adams Richards. Many reviewers highlight two interconnected features in Richards novels: a seemingly rigid determinism of setting and sociodemographics, and a resulting hopelessness. In contrast, Richards describes the quest of human life and the purpose of his novels as a search for freedom. This book explores the account of freedom that is developed through the course of four of Richards’s works: The Friends of Meager Fortune, Mercy Among the Children, The Lost Highway, and Crimes Against My Brother. Following the Augustinian thread that informs Richards’s writing, we argue that rather than presenting an understanding of human life that is bleak or hopeless, Richards instead reveals an argument wherein one’s happiness and freedom is found in the midst of love.

Recovering Hegel from the Critique of Leo Srauss offers a defense of modernity against the critique of the influential mid-twentieth century political philosopher, Leo Strauss. Strauss, whose influence on contemporary conservative political theory is well documented, discovered the ground of much of what he found wanting in contemporary political and social life to lie in the philosophy of the 19th century German philosopher, G. W. F. Hegel. Specifically, Strauss accused Hegel of being the greatest exponent of historicism and thus the relativism that afflicts modern thought. Ultimately, according to Strauss, this has led to the nihilism and general mediocrity that characterizes modern western culture. In this book, Sara MacDonald and Barry Craig examine Strauss’s reading of Hegel and argue that in fact it is a mis-reading. Contrary to Strauss’s interpretation, this book holds that Hegel was no relativist and in fact sought to show the compatibility of objective, eternal truth with modern human subjectivity. At the same time, it illustrates the way in which Hegel’s thought prepared the ground for enlightened modern liberal democracies and also remains relevant to current social and political conversations.

Both critically and commercially successful filmmakers, the Coen brothers have written, produced, and directed numerous acclaimed films over the past three decades. Sara MacDonald and Barry Craig demonstrate that their comedies, in particular, which are often dismissed as mere entertainments, actually present substantial philosophic and political arguments. They examine five of the Coen brothers’ comedies: Raising Arizona, Fargo, The Big Lebowski, O Brother, Where Art Thou, and Hail Caesar!. In those works, they discover insightful engagements with such ideas as questions of human freedom, the relationship of reason to religion, and the nature of liberal democracy in the American regime. They demonstrate how sometimes explicitly, but generally implicitly, the Coens draw on thinkers such as Homer, Plato, Dante, and Hegel, while simultaneously presenting popular entertainment.