Sarah Gray – författare

What if the enigmatic hero of one of our most timeless love stories was part vampire? The answer lies in this haunting retelling of the classic tale of Catherine and Heathcliff, kindred spirits bound by a turbulent--and now forbidden--passion. . .When a young orphan named Heathcliff is brought to Wuthering Heights by the manor''s owner, Mr. Earnshaw, rumors abound. Yet the truth is more complicated than anyone could guess. Heathcliff''s mother was a member of a gypsy band that roamed the English countryside, slaying vampires to keep citizens safe. But his father was a vampire. Now, even as Heathcliff gallantly fights the monsters who roam the moors in order to protect beautiful, spirited Catherine Earnshaw, he is torn by compassion for his victims--and by his own dark thirst. Though Catherine loves Heathcliff, she fears the vampire in him, and is tempted by the privileged lifestyle their neighbors, the Lintons, enjoy. Forced to choose between wealthy, refined Edgar Linton and the brooding, increasingly dangerous Heathcliff, she makes a fateful decision. And soon Heathcliff, too, must choose--between his hunger, and the woman he will love for all eternity. . .

Ebenezer Scrooge has never been known for the greatness of his heart. A miser, a leech, a penny-pinching old coot. . . Say what you will about him, though—he''s never actually sucked someone''s blood.That dubious honor belongs to the vampires who surround him, preying on the weak and laying traps for the strong. They''ve dogged his footsteps since he was born, driving him from the love of his friends, family, and faithful fiancée. Now, on Christmas Eve, Scrooge''s old friend Jacob Marley rises from the grave to warn him about the evil gathering around him. With three mysterious spirits to guide him, he rediscovers his lost love Belle, toiling fearlessly as a seamstress by day and vampire hunter by night. He sees the secrets of his nephew Fred and his clerk Bob Cratchit, who risk their lives as Belle''s loyal soldiers. And he learns of the plot mounting to attack all of them, starting with the innocent sacrifice of Bob''s son Tiny Tim. . .Scrooge has only one night to save himself and all that he once treasured—but if he can vanquish the vampires, he might finally earn back the love he cast away. . .

Although the last three decades have offered a growing body of scholarship on images of fantastic women in popular culture, these studies either tend to focus on one particular variety of fantastic female (the action or sci-fi heroine), or on her role in a specific genre (villain, hero, temptress). This edited collection strives to define the ""Woman Fantastic"" more fully. The Woman Fantastic may appear in speculative or realist settings, but her presence is always recognizable. Through futuristic contexts, fantasy worlds, alternate histories, or the display of superpowers, these insuperable women challenge the laws of physics, chemistry, and/or biology.In chapters devoted to certain television programs, adult and young adult literature, and comics, contributors discuss feminist negotiation of today's economic and social realities. Senior scholars and rising academic stars offer compelling analyses of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul and Martha Washington; from Carrie Vaughn's Kitty Norville series to Cinda Williams Chima's The Seven Realms series; and from Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa and even Elaine Barrish Hammond of USA's Political Animals. This volume furnishes an important contribution to ongoing discussions of gender and feminism in popular culture.

Contributions by: Marleen S. Barr, Shiloh Carroll, Sarah Gray, Elyce Rae Helford, Michael R. Howard II, Ewan Kirkland, Nicola Mann, Megan McDonough, Alex Naylor, Rhonda Nicol, Joan Ormrod, J. Richard Stevens, Tosha Taylor, Katherine A. Wagner, and Rhonda V. Wilcox.Although the last three decades have offered a growing body of scholarship on images of fantastic women in popular culture, these studies either tend to focus on one particular variety of fantastic female (the action or sci-fi heroine), or on her role in a specific genre (villain, hero, temptress). This edited collection strives to define the ""Woman Fantastic"" more fully. The Woman Fantastic may appear in speculative or realist settings, but her presence is always recognizable. Through futuristic contexts, fantasy worlds, alternate histories, or the display of superpowers, these insuperable women challenge the laws of physics, chemistry, and/or biology.In chapters devoted to certain television programs, adult and young adult literature, and comics, contributors discuss feminist negotiation of today's economic and social realities. Senior scholars and rising academic stars offer compelling analyses of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul and Martha Washington; from Carrie Vaughn's Kitty Norville series to Cinda Williams Chima's The Seven Realms series; and from Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa and even Elaine Barrish Hammond of USA's Political Animals. This volume furnishes an important contribution to ongoing discussions of gender and feminism in popular culture.

Urban Creatures skirts the edge of reality, dexterously defying form and genre. Primal urges feed on the city, stalking its inhabitants. From a psychotherapist gorging on tragedy, to a predatory hair thief, and a grief-stricken father’s search for his lost daughter, humanity’s subterranean secrets and shames are unearthed.Urban survival makes creatures of us all.Sarah Gray's short stories shift from the unsettling to the surreal to the frightening, all cut through with her characteristic black humor.